‘Transformers: Rise Of The Beasts’ Unleashed; On Way To $160M WW Bow – International Box Office

John Hopewell Chief International Correspondent High-flying Madrid-based Caballo Films, behind Rodrigo Sorogoyen’s “The Beasts” and “Riot Police” and Borja Soler’s “The Route,” has put into development a fiction series adaptation of Mabel Lozano’s prized same-titled non-fiction work. Shaping up as a deep drill-down into the growth of prostitution in Spain into large-scale organized crime, “El Proxeneta” packs a powerful talent package of creator-writers Isabel Peña, co-writer of Rodrigo Sorogoyen’s “As Bestas” and “Riot Police,” and Eduardo Villanueva, a co-scribe on “Riot Police” and producer on “Stockholm.”  Pilar Palomero, a Spanish Academy Goya best picture winner for “Schoolgirls,” will direct the series, her first TV work beyond one episode of “Venga Juan.”

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” was the top-grossing film on the planet over the latest weekend – despite playing only a single territory. The film earned $70.7 million (RMB502 million) between Friday and Sunday in mainland China, according to data from consultancy Artisan Gateway. That put it far and away ahead of other Chinese new releases and Hollywood’s holdovers “Transformers: Rise of the Beasts” and “The Flash.” With the Dragon Boat Festival holiday occurring on Thursday, the film was given an unusual one-day advance on the normal releasing pattern in China. Including Thursday takings, the film made a total of $98.3 million (RMB968 million).

Refresh for latest...: After two major studio movies bowed last weekend, this session was one of holdovers for Hollywood with mixed results.

Rebecca Rubin Film and Media Reporter “The Flash” continues to stumble at the box office, collecting $26.6 million from 78 international territories over the weekend and bringing its overseas tally to just $123.3 million. The Warner Bros. comic book movie, starring Ezra Miller as the eponymous, timeline-spanning speedster, has grossed $210.9 million globally, including a lousy $87 million at the domestic box office. It’s far less than what a film of its size and scope — it cost $200 million to make and another $100 million to market — needs to break even in its theatrical run. China is leading the foreign territories with a lackluster $23.6 million followed by Mexico with $14.4 million and the United Kingdom with $8.5 million.

Kim Petras has announced plans to tour her debut album ‘Feed The Beast’.The dance–pop star, who is set to release her debut album of the same name this Friday (June 23), will kick off her huge 34 date global jaunt with a series of North American dates in September this year before she starts a UK/European tour in Birmingham in February 2024. Further dates will also take in Glagow, Manchester and London.Fans who purchase her new album will be given access to a pre-sale from 10am BST on Friday.

Naman Ramachandran Warner Bros.’ superhero film “The Flash” debuted atop the U.K. and Ireland box office with £4.2 million ($5.4 million), according to numbers released by Comscore. In second place, in its third weekend, Sony’s “Spider-Man: Across The Spider-Verse” swung to £2.6 million for a total of £20.3 million. In third position in its fourth weekend, Disney’s “The Little Mermaid” earned £1.3 million and now has a splashy £22 million total. Paramount’s “Transformers: Rise Of The Beasts” collected £1.1 million in fourth place in its second weekend for a total of £4.99 million. Elysian’s “Greatest Days” debuted in fifth position with £536,955.

Patrick Frater Asia Bureau Chief Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It deposed “Transformers: Rise of the Beasts” which opened a week earlier and which slipped to second place in its sophomore frame. “Transformers” took a 69% fall and recorded $12.4 million between Friday and Sunday in China. That produces a $61.7 million cumulative after ten days in Chinese theaters.

Rebecca Rubin Film and Media Reporter After struggling at the domestic box office, this weekend’s two major releases — the Warner Bros. superhero adaptation “The Flash” and Disney’s Pixar adventure “Elemental” — failed to catch fire with international audiences. “The Flash” pulled in $75 million in its international box office debut, which doesn’t sound all that bad… except when considering the movie is available in 78 overseas markets. That means it failed to hit $1 million in the vast majority of the territories in play. China led the way with a lackluster $13.8 million, followed by Mexico with $9.4 million, the United Kingdom with $5.3 million, Korea with $3.7 million and Brazil with $3.5 million.

Refresh for latest…: Warner Bros/DC’s The Flash sped into 78 overseas markets this weekend, grossing $75M, below the $85M-$95M we saw coming into the frame. With domestic’s slow-crawl three-day included, that makes for a $139M global opening. This is lower than projections, with general audiences not rushing out to see the deeper universe pic.

It's been a scorching but rainy few days across as Greater Manchester baked in temperatures of more than 30C before being hit by thunderstorms.

Transformers: Rise Of The Beasts, released in UK cinemas last week, features an extended action sequence on Machu Picchu – and in an exclusive interview with NME, the cast revealed the strict guidelines they had to follow during filming on the sacred Inca mountain ridge.In the sixth film in the franchise, which is based on the successful Hasbro toy line of fighting robot aliens, Dominique Fishback (Swarm) and Anthony Ramos (In The Heights) play humans caught up in a war for space supremacy between the Autobots and their evil enemies the Terrorcons. The movie switches location half-way through to Machu Picchu, Peru, where production on the historic religious site dating back to the 1450s is closely controlled.“You definitely couldn’t eat or drink or anything on the mountain,” said Fishback. “And you had to hike back down in order to use the bathroom or anything.

Patrick Frater Asia Bureau Chief “Transformers: Rise of the Beasts” enjoyed a $38.9 million (RMB276 million) opening weekend in mainland China. The score was comfortably the biggest by any film between Friday and Sunday and the second biggest opening by a Hollywood film this year in the territory. Data from consultancy firm Artisan Gateway suggests that the film accounted for some 63% of China’s nationwide gross box office over the weekend. Giant screen systems provider, Imax reported that the film earned $5.9 million of the total from its screen network in China, or some 15% of the China total.

EXCLUSIVE: After the Transformers was gearing down, filmmaker Steven Caple Jr. was able to put gas back into the tank of the storied Paramount Hasbro movie franchise with Rise of the Beasts this weekend which opened to $171M worldwide, stealing the crown from Sony Animation’s strong Spider-Man: Across the Spider-Verse. On today’s episode of Crew Call, Caple Jr. tells us he’s in talks for another Transformers sequel — and much of that involves that cliffhanger scene between Anthony Ramos and Michael Kelly.

“Transformers: Rise of the Beasts” stormed into theatres worldwide this weekend, amassing a staggering $110 million at the international box office. 

Rebecca Rubin Film and Media Reporter After less than two weeks of release, “Spider-Man: Across the Spider-Verse” has surpassed the entire box office run of its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.” Over the weekend, the comic book sequel hit $226 million in North America and $390 million globally. It now stands as Sony’s highest-grossing animated release in history. The original film, also a box office winner, tapped out with $190 in North America and $384 million globally. Despite competition from Paramount’s “Transformers: Rise of the Beasts,” which opened to $60 million and targets a similar audience of younger males, “Spider-Verse” added $55 million in its second weekend of release, a decline of $55% from its huge $120 million debut.

Rebecca Rubin Film and Media Reporter “Transformers: Rise of the Beasts” kicked off at the international box office with $110 million from 68 markets, including a decent $40 million start in China. The seventh installment in Paramount’s action franchise also pulled in $60 million in its North American debut, bringing its worldwide tally to a solid $170 million. Overseas audiences will be key to the theatrical success of “Transformers,” which cost $200 million. Prior entries in the 16-year-old series have earned as much as 70% of overall box office returns outside of the U.S. and Canada. At the international box office, ticket sales for “Rise of the Beasts” are pacing 32% below “Bumblebee,” which is the most recent entry in the series. The newest chapter has managed to set franchise records in eight smaller markets, including Indonesia, Argentina and Peru. The Autobots will take the box office milestones where they can get them.

Patrick Frater Asia Bureau Chief After a few pandemic-addled years, the global box office is finally ready to feel the warmth of the studios’ tentpole releases. Though the swing-back to pre-pandemic release schedules is happening at different speeds in each market, the quartet of “Guardians of the Galaxy Vol. 3,” “Fast X,” “The Little Mermaid” and “Spider-Man: Across the Spider-Verse” — not to mention “The Super Mario Bros Movie” before them — have announced the arrival of Hollywood’s version of summer across much of the planet. France saw admissions climb by 33% in the first five months of 2023, compared with the equivalent period last year, according to data from the CNC (National Film Board). Compared with an average figure for 2017 to 2019, the performance of the 2023 box office is (only) 12% behind. France’s recovery has been powered by a string of successful local films including “Asterix and Obelix: The Middle Kingdom,” “Alibi.com 2,” “The Three Musketeers: D’Artagnan,” “The Crime Is Mine” and Cannes opener “Jeanne du Barry.”

With just four days until “Transformers: Rise of the Beasts” hits theatres, Anthony Ramos and Dominique Fishback chat about filming the franchise’s seventh instalment, plus Ramos reveals what it was like to suit up in his own autobot costume.

Patrick Frater Asia Bureau Chief “Spider-Man: Across the Spider-Verse” grabbed top place at the mainland China box office over the weekend with an opening $17.2 million (RMB122 million) score. Giant screen company, Imax reports that $2.7 million, or more than 16% of the film’s China total, came from its Middle Kingdom venues. Chinese online ticketing agency Maoyan forecasts that “Spider-Man: Across the Spider-Verse” will earn a total of RMB241 million or $34 million at current exchange rates. “Fast X,” which had driven off with the spoils for the past two weekends, was overtaken on its third lap and achieved $7.7 million in second place, according to data from consultancy firm Artisan Gateway. After 17 days in Chinese cinemas, “Fast X” has accumulated $124 million, making it the highest-grossing imported titled released this year in China ahead of Japanese animation “Suzume.”

A man who pinched a suitcase from a train wore the Burberry scarf he discovered inside as he burgled a railway station the next day.