Not yet thirty years old, Mia Goth has already collaborated with several world-renowned filmmakers for her willingness to follow their most demented muses. Her girlish appearance strikes a shocking contrast with the atrocity exhibitions that she gravitates toward: eagerly taking to sexual grooming in Lars Von Trier’s “Nymphomaniac;” undergoing forcible insemination and grisly spaghettification with Claire Denis in “High Life;” becoming an insane asylum’s incestuous princess for Gore Verbinski in “A Cure for Wellness;” witnessing her own disembowelment as part of the orgiastic blood ritual Luca Guadagnino that’s the grand finale to “Suspiria;” manifesting a century of madness for Ti West’s in-progress trio of period pieces of “X,” “Pearl,” and the upcoming “Maxxxine.” And so it’s no surprise that Goth’s latest outing is another twisted affair: Brandon Cronenberg‘s “Infinity Pool,” which takes place at a Mediterranean beach resort that hides a violent and depraved sub-culture.