Tom Rogerson announces new album, Retreat To Bliss

Marta Balaga Danish helmer Lone Scherfig is already developing the second season of “The Shift”, she revealed on Monday during an online Berlinale Series Market talk “From Film to Series.”Set in a maternity ward and starring Sofie Gråbøl and Pål Sverre Hagen, it’s the first series as a showrunner for Scherfig, who in 2019 opened Berlinale with “The Kindness of Strangers” and won a Silver Bear for “Italian for Beginners.”“It’s a tribute to the people who work in the healthcare system under extreme pressure, to the care and the love they show, even despite tough working conditions,” she said. “The Shift” is produced by Creative Alliance, with Beta Film handling the sales.

Rapper Machine Gun Kelly plays a self-destructive musician in Tim Sutton’s Taurus, premiering in the Panorama section of the Berlin Film Festival. Going by his real name, Colson Baker, he puts in an authentic turn as his character Cole flits between the studio, his expensive apartment and an array of seedy bars and strip clubs. Adding to a sense of impending doom is a disturbing opening scene involving a child with a loaded gun. The significance of this is later revealed, but it could also be considered a symbol of Cole himself: an immature person who has great power, and an attraction to danger.

Nick Vivarelli International CorrespondentItalian director Roberta Torre, known for campy Mafia musical “Tano to Die For” and other anarchic pics, is making “Le Favolose,” about a group of transgender women who reunite after 20 years to commemorate a dead friend and do right by her after her identity has been violated.“Le Favolose,” which translates as “The Fabulous Ones,” is being produced by Donatella Palermo, who is at the Berlinale with auteur Paolo Taviani’s competition entry “Leonora Addio.”Palermo, who has a longstanding rapport with Torre, is the Italian producer behind two Berlin Golden Bear winners: the Taviani brothers’ “Caesar Must Die” and Gianfranco Rosi’s “Fire at Sea.” “When a person decides to face the [gender] transition from man to woman it can be a very painful process in several different ways: social, physical, etc.,” said Palermo, who notes that “when a trans dies, most of the time their body is returned to their families.” Torre’s new pic is based on a real-life story of Antonia, one of the “Fabulous Ones,” who is buried by her family dressed as a man under her original name, Giampaolo, amid the indifference of most.

“Why do women wear their hair long?,” asks the irrepressible Dais of her mother Nana as she sits in front of the mirror, dressing her hair as if there were nothing more important in life. 
To all appearances, life moves slowly in 1960s West Java. Dais wants to have her hair short like Daddy’s, so she doesn’t have to spend so much time in the shower. And why, she goes on, do you wear it in a bun? “A woman must be good at keeping secrets,” replies Nana (Happy Salma) fondly. “What happens in her household is under her bun.”

Outré horror maestro Peter Strickland is back. The filmmaker behind such Eurotica, vintage, throwback classics such as “Berberian Sound Studio” (2012), “The Duke of Burgundy” (2014), and “In Fabric” (2018), returns to the Berlin Film Festival this week (today, in fact), with his latest deliciously bizarro offering, “Flux Gourmet.” The premise? Something like beef within the culinary/sonic art collective world and a whole set of egos and intestinal issues.

A gripping new crime documentary on Netflix has captivated viewers around the world as subscribers have been left astounded by the fraudulent actions of The Tinder Swindler, Simon Leviev.

Outré horror maestro Peter Strickland is back. The filmmaker behind such Eurotica, vintage, throwback classics such as “Berberian Sound Studio” (2012), “The Duke of Burgundy” (2014), and “In Fabric” (2018), returns to the Berlin Film Festival this week (today, in fact), with his latest deliciously bizarro offering, “Flux Gourmet.” The premise? Something like beef within the culinary/sonic art collective world and a whole set of egos and intestinal issues.

Afternoon International Insiders. The team is in Berlin and EFM is hotting up. We’ve got the latest from Germany and more so read on.

Leo Barraclough International Features EditorThe trailer for Gu∂mundur Arnar Gu∂mundsson’s teen drama “Beautiful Beings” has debuted ahead of the film’s world premiere at the Berlin Film Festival on Friday. The film, which plays in Panorama, is being sold by Jan Naszewski’s New Europe Film Sales.

Anna Marie de la Fuente It’s a new dawn for Chile’s audiovisual industry. When Gabriel Boric, Chile’s youngest (at 35) and most left-leaning president since Salvador Allende, was elected in December, his pledge to more than double the state’s contribution to the arts was greeted with great fanfare.  After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received. “If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017.

K.J. Yossman “Taurus” is the semi-autobiographical tale of a rap-slash-rock star on the tail-end of a self-destructive kick. Set to premiere at the Berlin Film Festival Feb.

Tom Hanks, Gerard Butler, Evan Rachel Wood and Rosamund Pike headline projects being brought onto Berlin’s virtual European Film Market.Just how large its top-tier offers may be is, and the volume of deals, are still open for debate.“Very compact,” Constantin’s Martin Moszkowicz said mid-last week of the EFM, which swelled somewhat thanks to a flurry of title announcements on Feb. 4, followed by a steady trickle of big unveils.“The EFM does not look like it will have the comparable volume of the AFM,” Mister Smith’s David Garrett said.

Fleet Foxes have announced details of a 2022 world tour, which includes new UK dates – see the band’s full schedule below.The band’s new run of shows, which take them from late June until September, come on the back of their 2020 album ‘Shore’.The shows begin in Salt Lake City on June 27, with North American dates running until mid-August, where they play the Forest Hills Stadium in New York.Robin Pecknold and co. then travel to London for a show at All Points East in support of The National before they play four more UK shows in Glasgow, Edinburgh, Manchester and as a headliner of End Of The Road.The tour then heads to mainland Europe, wrapping up with a Berlin show on September 11.Watch a trailer for the tour and see the full schedule below.

Netflix has shown its commitment to the German-speaking creative scene by unveiling 19 projects from Germany, Austria and Switzerland.

The Strokes have announced a Mexican headline show, with Mac DeMarco and The War On Drugs as support.The concert will take place at Foro Sol in Mexico City on May 19. Tickets for the gig go on sale Friday, February 11 with a presale taking place on February 9.

Many Voices Speak – aka Swedish musician Matilda Mård – has announced that she will release her second album, ‘Gestures’, in April. New single, ‘Seat For Sadness’, is out now.“The verse of this song kind of came to me all at once”, she says of the single. “Then it took quite a long time until I got the rest of the song out of me”.“I lived in Berlin at the time and rented a piano room at a music school, and most of the hours spent in there I was searching for the rest of the song”, she continues.

In the birthplace of Western philosophy, Bill Murray dropped some wisdom on a receptive audience.

 is ending this year after a seven-season run, and for Marcus Scribner, who stars as Andre Jr. Johnson in the series, he hopes that fans will remember the show for years to come.“I feel like for me, shows like,, I would see reflections of myself on TV,” he told ET on Tuesday while serving as guest host.  «And I hope they can take that away and remember fondly, ‘Oh, I love Jr.