‘Time Bandits’: Terry Gilliam Reflects On The Evolution Of Family & Fantasy Films Ahead Of Criterion 4K Release [Interview]

Chris Willman Senior Music Writer and Chief Music Critic In “Into the Woods,” the audience laughs at the gluttony of the Little Red Ridinghood character, especially in the earliest, most deliberately cartoony parts of the production. But in a sense, the crowd is getting off on gorging, as well, since this is the ultimate having-your-cake-and-eating-it-too show. Stephen Sondheim and James Lapine weren’t too proud to cook up their 1987 classic with copious amounts of Mad magazine-style spoofery — or Looney Tunes-level laughs, even — and yet you can feel like those seemingly empty calories are justified, knowing you’ll be gulping back salty tears by the end. “Into the Woods” is as overstuffed with characters and ideas as any musical ever has been, but if everyone does their job right, you leave feeling like you’ve just been fed a perfectly balanced meal, and not a morsel more.

Brian Cox is weighing in on the future of Turner Classic Movies (TCM) after executive changes at the cable network made Hollywood worry Warner Bros. Discovery was ready to pull the plug.

Alongside its top-billed stars, it features Shea Whigham, Marin Ireland and Owen Teague (who will soon headline the next “Planet of the Apes” movie alongside Freya Allen). Steve Pond at TheWrap called it “a blackly humorous riff on film noir and a tour de force for its cast,” and the film’s commercial hopes arguably lie in the two-hander at its core.

Brent Lang Executive Editor Christopher Storer is no slouch when it comes to orchestrating kitchen chaos, having created the hit Hulu comedy-drama “The Bear.” Now, he’ll turn his camera on “The Winter of Frankie Machine” and trade trades the tense world of short-order cooking for a mob story about a hitman who is lured out of retirement to set up a meeting between waring crime families only to turn into a target himself. It’s a mean streets saga that previously attracted attention from the likes of Martin Scorsese, who was set to make it at Paramount Pictures with Robert De Niro, only to abandon it in favor of “The Irishman”; as well as Michael Mann and William Friedkin.

In exciting news for movie lovers and soccer enthusiasts alike, the Toronto International Film Festival (TIFF) has announced that Taika Waititi’s soccer comedy, “Next Goal Wins”, will have its world premiere at the 48th edition of the festival.

EXCLUSIVE: As his series creation The Bear turned in record Season Two ratings for Hulu, Christopher Storer is set to direct at Paramount Pictures The Winter of Frankie Machine, an adaptation of the 2006 Don Winslow novel. The film will be produced by Shane Salerno and The Story Factory, and Storer will use the Brian Koppelman & David Levien draft those writers did when Martin Scorsese was going to direct Robert De Niro in the lead role.

EXCLUSIVE: CreativeChaos, the production company behind Paramount+’s The Murder of God’s Banker, and Above the Clouds, which produced Harvey Keitel and Sam Worthington feature film Lansky, have teamed up for a feature documentary about a group of youth climate activists.

News kept on churning this week — from Sunday morning until end of Friday — on the Warner Bros. Discovery front.

Earlier this week, Warner Bros. Discovery laid off several execs at Turner Classic Movies, leading many to conclude that the channel’s future may be in crisis.

Italian artist Marco Perego’s debut feature The Absence of Eden has set a picturesque world premiere at the upcoming edition of Italy’s 69th Taormina Film Festival, running from June 23 to July 1.

“What We Do in the Shadows” has released its Season 5 trailer. The first two episodes are set to stream on FX on Hulu Thursday, July 13. After that, the series will return to a weekly release schedule.Last season ended with Guillermo (Harvey Guillén), a longtime familiar and heir to the vampire-killing Hellsing family, paying the hapless vampire Derek (Chris Sandiford) to secretly turn transform him into an undead monster.

Rebecca Rubin Film and Media Reporter “Argylle,” a new globe-trotting spy adventure from director Matthew Vaughn, is coming to theaters in 2024. The film, which is being produced by Apple Original Films and distributed by Universal Pictures, will land on the big screen on Feb. 2 before streaming on Apple TV+ on a later date. “Argylle” follows Henry Cavill as a super-spy whose job takes him across the U.S., London and other exotic locations. He plays a secret agent suffering from amnesia who is tricked into believing he’s a novelist. The star-studded cast also features Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O’Hara, John Cena, Dua Lipa, Ariana DeBose and Samuel L. Jackson.

When the vampire mockumentary “What We Do in the Shadows” hit theaters in 2014, even its most ardent fans probably could not have guessed that its subsequent FX television adaptation would become one of the most popular comedies in a crowded television marketplace. But now, almost a decade later, the “What We Do in the Shadows” brand remains as strong as ever, and fans are ready for what season five will have to offer their favorite band of misfit vampires.

Sophia Scorziello editor The man who directed a scene so bloody it was filmed in black and white to avoid an NC-17 rating has some qualms with violence in film. In an hourlong conversation at the Cannes Film Festival, Quentin Tarantino addressed some parts of his book “Cinema Speculation” and he teased his 10th and final film, “The Movie Critic.” As a serious grind-house fanatic, Tarantino discussed the place of violence in his own films and in classics like John Flynn’s “Rolling Thunder” and Martin Scorsese’s “Taxi Driver.” On John Flynn’s “Rolling Thunder” “It was the movie that made me start taking myself seriously as a film critic,” Tarantino said of “Rolling Thunder.”

After all of the hype and the incredibly long wait, Terry Gilliam’s “The Man Who Killed Don Quixote” came and went with only a bit of an impact. The film earned mixed-to-positive reviews, but it really just marked the end of a long filmmaking journey for Gilliam.

the return of Daisy Ridley’s Rey, which was announced at Star Wars Celebration in April.Sharmeen Obaid-Chinoy is directing that feature, which is set 15 years after the events of “The Rise of Skywalker” and finds Rey serving as a Jedi Master who’s trying to rebuild a new Jedi Order.“I’ve spent the majority of my life meeting real heroes battling oppressive regimes, which is why I’m interested in a new Jedi Order,” Obaid-Chinoy said at the time. The filmmaker recently directed episodes of “Ms.

Gordon Cox Theater Editor As they say in “Into the Woods”: It takes two.  And not just in “Into the Woods.” The 2023 Tony nominations remind us several times over that sometimes an actor’s role is so closely tied to another that it’s difficult to imagine a performance without the organic give-and-take shared with a co-star.    From “Into the Woods,” there’s Sara Bareilles and Brian D’Arcy James, both contenders for Tony Awards as lead performers for their work in the tightly linked roles of the Baker and the Baker’s Wife. Among their fellow nominees, there’s Ben Platt and Micaela Diamond as an accused murderer and the steadfast wife who strives to exculpate him in “Parade,” plus Josh Groban and Annaleigh Ashford as the murderous barber and the baker who loves him in “Sweeney Todd.” And the two lead roles in “Topdog/Underdog” and “Some Like It Hot” are so intertwined that these co-stars find themselves competing in the same category against a castmate.  

The report tracked 3,697 incidents of harassment, vandalism and assault targeting Jewish communities in that calendar year. And while that rise stems from various inflection points – political figures like former president Donald Trump playing host to known neo-Nazis like Nick Fuentes surely played a role – the case of Kanye West, in particular, had a noted impact.

Chris Willman Senior Music Writer and Chief Music Critic Jason Isbell has a new album out, “Weathervanes,” and he says, “I’m happy to be talking about it. You know, I’ve been talking about a lot of other stuff lately, and it’s nice to actually discuss the job that I chose for myself.” Nothing against the Other Stuff on his part, mind you. He’s proud of the much-heralded HBO Max documentary that director Sam Jones made about him, “Jason Isbell: Running With Our Eyes Closed,” even if it did open him and his wife, Amanda Shires, up to a huge amount amount of personal scrutiny. And he’ll sure be spending an even bigger part of the year than he is now talking about his dramatic role in Martin Scorsese’s “Killers of the Flower Moon,” which he now feels confident did not leave him in the position of “be(ing) the one guy that screws up this $200 million movie.”

Robert De Niro and girlfriend Tiffany Chen enjoyed a night out at the annual Tribeca Film Festival on Wednesday.The pair walked the carpet for the premiere screening of  during the opening night of the festival, at OKX Theater in New York City.The stars rocked much less formal fare than when they hit up the Cannes Film Festival last month, with the two-time Oscar winner wearing a black blazer and a charcoal grey polo shirt.Meanwhile, Chen — who gave birth to the couple's daughter, Gia Virginia Chen-De Niro, on Apr. 6 — wore a long, light brown cardigan sweater over a black dress.De Niro recently sat down with ET's Rachel Smith and opened up about making his red carpet debut with Chen at the Cannes Film Fest, at the premiere of his new movie, Killers of the Flower Moon, and said, «It was great.»«Yeah.