Brian Cox On Turner Classic Movies Potentially Shutting Down & Why The Network Has Been “Absolutely Vital”

GQ magazine has removed a profile of Warner Bros. Discovery CEO David Zaslav from its website after the company objected to the article.

To say that Martin Scorsese’s new film, “Killers of the Flower Moon,” has been highly anticipated is an understatement. Before we even saw one frame from the film, there were numerous reports about the production of the film, including the massive budget.

reinstated at Warner Bros. Discovery after widespread outcry over his dismissal from the classic movie network, thanked fans for their continued support on Tuesday. “The support for TCM, and for me, has been wonderful,” he tweeted.“I just want to say that it’s always taken a true team to make it work,” he added.

“Indiana Jones and the Dial of Destiny” hits theaters, it’s time yet again for the fan debate over whether the MacGuffin and/or ending of the latest “Indiana Jones” movie is too far-fetched. This debate ignited when “Indiana Jones and the Kingdom of the Crystal Skull” was released in 2008, which found Harrison Ford’s rugged hero coming face-to-face with a literal alien, but how quickly fans seem to forget that this is a franchise rooted in the mystical – going all the way back to Steven Spielberg’s original, iconic “Raiders of the Lost Ark.”“Dial of Destiny” takes a big swing in its third act, but it’s a swing that is – on the whole – not much bolder or bigger than what’s been portrayed in the previous films.

SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial of Destiny doesn’t fall apart tonight and at least stays on course for a Mission: Impossible – Fallout type opening in the $60M range over three days. That figure might be good for exhibition and popcorn sales over the five-day holiday weekend, but it stinks for a movie that has a reported cost of $250M to near $300M before P&A.

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments, including the ending, of “Indiana Jones and the Dial of Destiny,” currently playing in theaters. When director James Mangold started writing “Indiana Jones and the Dial of Destiny” with screenwriters Jez and John-Henry Butterworth, he didn’t know how the movie was going to end. Mangold inherited the film from director Steven Spielberg, who had been developing the project for three years with screenwriter David Koepp. When Mangold took over, he and the Butterworth started effectively from scratch, crafting a story in which Harrison Ford’s titular archeologist and Nazi puncher contends with his own age and irrelevance while chasing after the Antikythera, a mysterious device with the power to find fissures in time, created by the ancient Greek mathematician and inventor Archimedes.

Indiana Jones' most iconic weapon is the archaeologist's handy whip, it's Harrison Ford's «gun vs. sword» scene in that's considered by most fans to be the funniest moment in the franchise.

And now a promising update on the ongoing crisis at Turner Classic Movies. EW reports that after Steven Spielberg, Martin Scorsese, and P.T.

TCM while directors Paul Thomas Anderson, Steven Spielberg and Martin Scorsese will provide guidance on curation and programming scheduling, Warner Bros. Discovery announced on Wednesday. “TCM is a cultural treasure, and we are honored to help steer the future direction of this beloved brand with the partnership of three of the most iconic filmmakers of our time, Steven, Marty, and Paul.

Goodbyes don’t tend to mean much in the Hollywood franchise system. Death isn’t a reliable end for characters or, lately, even actors. Technology, nostalgia and the often-inflated value of brands and IP have created a nightmarish cycle of resurrection and regurgitation, curdling what we love most.

Clayton Davis Senior Awards Editor The casual Oscar observer might wonder how some of the 398 new members invited to join the Academy’s ranks qualify for the honor that includes Oscar voting rights. From Taylor Swift to Warner Bros-Discovery CEO David Zaslav, it’s not always obvious how the Academy of Motion Picture Arts and Sciences decides who to invite as next year’s class of new members. Oscar winners are automatically invited to join the ranks after their big moment, so Billie Eilish was therefore eligable after she won the Oscar for the James Bond song “No Time to Die” (2021) with her brother Finneas.

Todd Spangler NY Digital Editor Warner Bros. Discovery raised the hackles of some in the film community with last month’s launch of Max — the reskinned and renamed version of HBO Max — because the new service’s content details pages consolidated writers, directors, producers and others under a single “creators” heading. Five weeks after issuing a mea culpa and promising to fix the situation, WBD has now updated the listings in Max. The updates appear to be live on platforms including the max.com website and iOS and will be rolling out across all device platforms this week. For example, on Max, Oscar-winning film “Raging Bull,” starring Robert De Niro, now includes the following listings: Directors: Martin Scorsese; Writers: Paul Schrader, Mardik Martin; Producers: Irwin Winkler, Robert Chartoff; Based on Source Material by: Jake La Motta, Joseph Carter, Peter Savage. When Max launched on May 23, the service grouped all of those individuals under a single “creators” heading.

Brent Lang Executive Editor Christopher Storer is no slouch when it comes to orchestrating kitchen chaos, having created the hit Hulu comedy-drama “The Bear.” Now, he’ll turn his camera on “The Winter of Frankie Machine” and trade trades the tense world of short-order cooking for a mob story about a hitman who is lured out of retirement to set up a meeting between waring crime families only to turn into a target himself. It’s a mean streets saga that previously attracted attention from the likes of Martin Scorsese, who was set to make it at Paramount Pictures with Robert De Niro, only to abandon it in favor of “The Irishman”; as well as Michael Mann and William Friedkin.

After two full weekends of a decidedly underwhelming release, it’s not hyperbole to say “The Flash” is an unmitigated box office disaster for Warner Bros. Discovery.

EXCLUSIVE: As his series creation The Bear turned in record Season Two ratings for Hulu, Christopher Storer is set to direct at Paramount Pictures The Winter of Frankie Machine, an adaptation of the 2006 Don Winslow novel. The film will be produced by Shane Salerno and The Story Factory, and Storer will use the Brian Koppelman & David Levien draft those writers did when Martin Scorsese was going to direct Robert De Niro in the lead role.

Harrison Ford is glad he was the second choice for “Indiana Jones”.

Harrison Ford has suited up for the latest premiere of Indiana Jones and the Dial of Destiny!

EXCLUSIVE: CreativeChaos, the production company behind Paramount+’s The Murder of God’s Banker, and Above the Clouds, which produced Harvey Keitel and Sam Worthington feature film Lansky, have teamed up for a feature documentary about a group of youth climate activists.

layoffs of several other members of the network’s top brass, part of cuts affecting approximately 100 staffers across Warner Bros. Discovery’s U.S. Networks Group this week.The channel will now be run by Warner Bros.

Amidst mounting concern for the future of Turner Classic Movies following the latest in restructuring at Warner Bros Discovery, CEO David Zaslav has looked to assuage fears by placing the channel under the control of Michael De Luca and Pamela Abdy, the Co-Chairpersons and CEOs of Warner Bros Film Group, Deadline can confirm.