‘Tim Burton Untitled Docuseries’ Review: An Insightful Portrayal Of Hollywood’s Gothic Disruptor – Tribeca Film Festival
15.06.2024 - 04:09
/ deadline.com
This four-part, so-far-untitled documentary series about the rise and rise of Hollywood’s least likely marquee-name director starts out with a tribute from Christopher Walken that will be very hard for the next three instalments to match. In that inimitable… sta-cc-a-to… WAY… of his, the Sleepy Hollow star recalls his former dance teacher saying to him: “Chris, show me something I never saw before. And that’s what Tim does. Every time.”
That, by any metric, is a high bar, and, for the first hour of this docuseries at least, the hyperbole is justified: Whether Tim Burton’s 39-year career in feature films — one imagines the imminent release of Beetlejuice, Beetlejuice must have scuppered the nice, round 40 — will keep viewers glued to the next three is another matter. But while Tara Wood’s documentary is clearly in the director’s corner, it does, convincingly, chart the most unlikely of outsiders’ rise to the top without ever rewriting history to reframe it as a jolly David and Goliath story — in fact, it’s pretty much in your face about that. This, after all, is the guy who, as a kid, idly doodled the Spoodle (half spider, half poodle), and whose art teacher at school, though she cheered him on, might have been a little daunted by his macabre creativity (“Everything you can’t imagine, he drew”).
For those who checked out of the increasingly mannered, style-over-script Burton universe that set in after Planet of the Apes (2001), Wood’s doc is a welcome reminder of how much of a disruptor he was back in the day. Born in sunny Burbank, 1958, under the least Gothic of circumstances, Burton fought the inclement fortune of a polite, suburban existence in a way that now seems even stranger than it might have done at the time.