‘Lake George’ Review: Shea Whigham And Carrie Coon Spark In A Satisfying Old-School LA Noir – Tribeca Film Festival
11.06.2024 - 02:49
/ deadline.com
Elmore Leonard — cinematically, perhaps the most influential writer of the 20th-century whose name never gave rise to an adjective — casts a long shadow over Jeffrey Reiner’s film, a satisfying LA noir that follows his legacy almost to the letter. There’s no chiaroscuro here, nothing bad happens even remotely in darkness, but there’s a moral shading that Leonard would most likely enjoy. For some reason, though, these sunshine-crime stories never seem to stick like their shadowy counterparts do, which means that Lake George might have to wait a while before it finds out where it sits in the whole noir canon.
Reiner’s script leans into a lot of traditional crime-movie tropes, and it begins with an ambiguous one: Don (Shea Whigham), a middle-aged divorcee, has just been released from jail after 10 years inside. But for what? Don doesn’t seem the type, and his first calls on the outside, after phoning his ex-wife (who doesn’t pick up), are to get himself a job. Nothing is forthcoming, however, since Don’s legit business contacts are either insolvent or dead. Which is why he goes back to Armen (Glenn Fleshler), the gang boss he did the time for, visiting him at his palatial house in Glendale, where he lives with bodyguard Harout (Max Casella).
Don thinks Armen owes him money for his silence, and Armen is surprised. “I didn’t think you had the balls to come here and ask for it,” he says. “You must be hitting the track again,” he adds, alluding to a gambling problem. Armen, though, is sympathetic, offering to pay Don what he thinks he’s owed — but for a price.
Armen has a problem that he needs to go away: his partner, Phyllis (Carrie Coon), a woman he bonded with over drugs, whom he trusted with his enterprise but, though