In the wake of pushback by victims’ families to Dahmer — Monster: The Jeffrey Dahmer Story, Kim Goldman is speaking out about TV producers who fail to alert survivors about their true crime TV shows.
02.10.2022 - 04:37 / variety.com
Peter Debruge Chief Film Critic Growing up in Texas toward the tail end of the 20th century, I was not taught about Emmett Till. I’ve learned about him since, of course. Till’s name adorns this year’s overdue federal antilynching act, and his tragic fate has inspired plays and films, including 2018’s Oscar-nominated short, “My Nephew Emmett,” and now a powerful new feature from Chinonye Chukwu, who gave Alfre Woodard one of her greatest roles in 2019 Sundance winner “Clemency.” Till’s story — that of a 14-year-old Black boy from Chicago who was kidnapped in the middle of the night and lynched while visiting his family in Mississippi — may have been omitted from my Southern schooling for racist reasons, though I suspect it had as much to do with Western culture’s “great man” bias. History, as a field of study, celebrates the achievements of heroic individuals. Nat Turner, Harriet Tubman, Rosa Parks. Those names were all taught. But Emmett Till was a kid whose murder galvanized the American civil rights movement, and it has taken a different kind of thinking — à la “Say Their Names” campaign or Ryan Coogler’s “Fruitvale Station” — to position victims in the public’s mind.
With “Till,” Chukwu does something bold, both intellectually and emotionally, with the boy’s death: First, she banishes the brutality from the screen. “Till” does not attempt to dramatize what white men Roy Bryant and John William Milam did to Emmett, and it only nominally attempts to imagine the interaction between the boy and shopkeeper Carolyn Bryant (Haley Bennett) that gave them “cause,” by their own bigoted logic, for such lawless vigilantism. More importantly, by focusing on Emmett’s mother, Mamie Till-Mobley (Danielle Deadwyler), Chukwu reframes
In the wake of pushback by victims’ families to Dahmer — Monster: The Jeffrey Dahmer Story, Kim Goldman is speaking out about TV producers who fail to alert survivors about their true crime TV shows.
Chinonye Chukwu’s Till got off to a solid start at the specialized box office, grossing over $15k per theater from 16 locations in five markets for an estimated weekend gross of $240.9k, possibly more depending on how Sunday plays out.
EXCLUSIVE: Director Chinonye Chukwu (Clemency), speaking at a Saturday night reception following the European premiere at the BFI London Film Festival of acclaimed film Till, told about how Mamie Till Mobley sought justice after the lynching of her 14-year-old son, Emmett Louis Till, in Mississippi in 1955. She told us that “There were quite a few people who wanted this role,” but Danielle Deadwyler “was meant to play it.”
The New York Police Department (NYPD) has arrested a man accused of pinning a suspect inside a turnstile and robbing her metro card, according to police. The incident occurred on Oct.
Specialty film rollouts continues to accelerate with Chinonye Chukwu’s Till, Park Chan-wook’s Decision To Leave and A24’s Stars At Noon joining releases from previous weeks to populate theaters as awards season gathers steam.
Jalyn Hall plays the title character Emmett Till in the new movie Till and we caught up with the young actor to learn more about him!
Independent projections predicted a $50 million opening weekend for the Universal and Blumhouse picture, on par with that of “Halloween Kills.” The 2021 sequel scored $4.9 million at its Thursday box office debut. In 2018, “Halloween” made $7.7 million on its first night and went on to earn an eye-popping $77.5 million from its opening weekend – the second highest of any rated-R horror movie at the time.Set four years after the events of “Halloween Kills,” “Halloween Ends” presents the last showdown between Laurie Strode (Curtis) and longtime nemesis Michael Myers.
There’s outrage after 34-year-old lesbian-identifying Tankiso Tawanyane was raped and murdered in Kimberley in a monstrous suspected hate crime.
Cardi B is ringing in a new decade by making history. The «Up» rapper broke her own record as she celebrated her 30th birthday on Tuesday, becoming the first female rapper with two songs — «Bodak Yellow» and «I Like It (With Bad Bunny and J Balvin)» -- certified 11x Platinum by the Recording Industry Association of America. The epic moment comes after Cardi was previously recognized as the first female rapper to have a song reach Diamond status (RIAA 10x Platinum).Cardi took to her Instagram Stories on Tuesday to share a birthday offering from her label, Atlantic Records: a wide array of pink and red roses.
Peter Debruge Chief Film Critic Saruul is studying to be an engineer when she agrees to take the last job her cosmopolitan but still relatively conservative Mongolian parents would ever imagine their daughter doing: selling intimacy aids (of the vibrating, silicone and inflatable variety) in a basement-level sex shop. Technically, Saruul’s just filling in for a shy friend at school who trusts her to be discreet, but this temporary gig has a subtle yet life-changing impact on the title character, who looks like she could be 14 years old at first, but blossoms into a more self-aware young woman over “The Sales Girl’s” slightly overlong running time. The top prize winner of the New York Asian Film Festival, veteran director Sengedorj Janchivdorj’s umpteenth feature takes a frank, sex-positive approach to the titillating world in which it’s set. But that doesn’t make this an erotic film. Instead, “The Sales Girl” focuses mostly on the unlikely friendship between Saruul (Bayartsetseg Bayangerel) and her Russian-speaking boss Katya (Enkhtuul Oidovjamts), a surly ex-dancer who takes a linking to her naive new employee. In a funny way, the film shares the slightly edgy but ultimately sentimental vibe of certain underground comics (“Ghost World” comes to mind) or the work of American indie director Sean Baker, whose last four features (dating back to “Starlet,” the film this most resembles) have had the honesty to acknowledge the role sexuality plays in modern life and commerce.
Jazmine Sullivan has shared new song "Stand Up." The track features on the soundtrack to Oscar-contender Till and is Sullivan's first single since her 2021 album Heaux Tales, named Best R&B Album at this year's Grammys. Check it out below.
Danielle Deadwyler is stepping out for a special screening of her new movie.
Peter Debruge Chief Film Critic In what plays like Singapore’s answer to “About Schmidt,” never-too-late-to-live dramedy “Ajoomma” follows a widowed housewife as she steps out of her comfort zone by making a solo trip to South Korea. This upbeat debut from director He Shuming — whose title is the Korean equivalent of all-purpose Asian term of respect “Auntie” — offers longtime TV actor Hong Huifang (“Housewives’ Holiday”) a chance to shine in the title role, which has already netted her a Golden Horse Award nom. Selected to rep Singapore at the Oscars, affable “Ajoomma” is more of a dark horse in that race, albeit one with art-house sleeper potential. Mrs. Lim’s life is light on excitement. What it lacks in drama, she fills by binging on Korean soap operas — a not at all uncommon obsession among Asian women (and a growing number of Americans, thanks to services like Kocowa and Viki). “Auntie,” as most of the other characters call Hong’s character, fusses a bit too much over her only son, who long ago agreed to accompany her on a special tour of Seoul. Now, mere days before they’re to depart, he backs out for a job interview in New York — one that would put some much-needed distance between the closeted young man and his overly suffocating mom.
Whoopi Goldberg said when ET's Kevin Frazier asked about her experience as a producer and cast member of the upcoming biopic «We tried to fund it ourselves, we've tried to do a lot to get this story out there because… this should be the 10th of the stories on this subject [and] about this family. There should be hundreds of stories that tell this: for little kids, for [all ages]. This is the first feature film, ever.
The murder of 14-year-old Emmett Till is one of the lesser-known turning points in U.S. history; but the details of his case, along with the pictures of his disfigured body, haunted the nation’s consciousness back in 1955.
Whoopi Goldberg is addressing head-on a criticism about her looks in the Emmett Till biopic. On Monday's episode of, the 66-year-old EGOT winner -- who portrays Emmett's grandmother, Alma Carthan, in reacted to a review of the film that claimed Goldberg wore a fat suit for her role. «There was a young lady who writes for one of the magazines, and she was distracted by my fat suit, in her review,» she shared.
Whoopi Goldberg had a few choice words on The View this morning for a critic who commented about her appearance in Till, the true-story film from Chinonye Chukwu about the 1955 lynching of 14-year-old Emmitt Till in Mississippi for whistling at a white woman.
About twenty minutes into “Till” — the 1955 story of Emmett Till’s brutal murder — a moment encapsulating this conventional, elegantly rendered biopic’s greatest asset arises. An anxious Mamie Till-Mobley (Danielle Deadwyler), the mother of 14-year-old Emmett (she affectionately calls her son Bo), plays poker in the living room of her Chicago home with two of her girlfriends.
Chinonye Chukwu was certain of two things setting out to tell the story of a loving and lovely 14-year-old boy lynched in 1955 Mississippi for whistling at a white woman. First, the story had to be told from the perspective of Mamie, the mother of Emmett Till. “We had to follow closely her emotional journey. For without Mamie, the world, we, would not have known who Emmett Till was.”