This New Watermelon Body Lotion Leaves Your Skin Insanely Soft

Mr. Bachmann and His Class took director Maria Speth years to research, six months to shoot, and another three years to edit.

International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.

Leo Barraclough International Features EditorBerlinale Competition entries from two actors turned directors, Maria Schrader and Daniel Brühl, were among titles on the Beta Cinema slate at the European Film Market to prove popular among international distributors.Schrader, an Emmy Award winner as the director of “Unorthodox,” premiered comic-tragic tale “I’m Your Man,” starring Dan Stevens (“Downton Abbey”), Maren Eggert (“I Was At Home, But…”) and Sandra Hueller (“Toni Erdmann”), at the virtual

Tina Turner is a musical icon with very few peers. Not only did her career span decades, inspiring millions with her ridiculous number of hit songs, but her style, performances, and attitude would go on to carry a legacy of its own.

Petite Maman, Céline Sciamma's follow-up to her 2019 international breakthrough Portrait of a Lady on Fire is a more intimate affair. The acclaimed French filmmaker has switched the erotic charge and sexual politics of her 18th century period drama for a more personal story of love and loss in a tale of an eight-year-old girl trying to connect with her mother.

Guy Lodge Film CriticNow in its 35th year, the Teddy Awards are among the Berlinale’s most affectionately regarded institutions.

Amazon Prime Video has swooped on the critically acclaimed Chilean LGBTQ+ drama My Tender Matador for Latin America. The film —which first bowed in the Venice Days sidebar of the 2020 Venice Film Festival —won the audience award in the Open Horizons section of the 2020 Thessaloniki Film Festival.

Not long into I'm Your Man, Dan Stevens' character, a genial android named Tom, arranges a perfectly contrived combination of romantic clichés for his would-be partner, Alma. The rose petals are "artfully" strewn, the candles flicker, and flutes of bubbly are ready for sipping beside the bubble-filled tub.

You have to wonder when she sleeps. The tireless Maria Schrader — fresh off an Emmy win as outstanding director of a limited series for Netflix's Unorthodox and another critically acclaimed turn in front of the camera as East German spy Lenora Rauch in Amazon's Deutschland 89 — somehow managed, during a pandemic, to shoot her fourth feature film.

When Katharine McPhee and husband David Foster first got together, eyebrows were raised due to the substantial gap between their ages — she’s 36, while the legendary Canadian music producer is 71.

Rebecca Rubin Film and Media ReporterNeon has acquired North American rights to Céline Sciamma’s latest feature, “Petite Maman,” following its premiere at the Berlin Film Festival.The sale reunites Sciamma with Neon, the New York-based independent studio that released her acclaimed drama “Portrait of a Lady on Fire.”Written and directed by Sciamma, “Petite Maman” follows 8-year-old Nelly, who loses her beloved grandmother and goes to help her parents clean out her mother’s childhood home.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

Katharine McPhee has just welcomed a bouncy baby boy, but her pregnancy wasn’t without struggles. The star - who has become a first-time mum with her husband, David Foster - has been open about her past battles with eating disorders, and has now bravely revealed how she feared her pregnancy would trigger a relapse. MORE: Princess Eugenie's wedding dress designer also created Katharine McPhee'sSpeaking on an episode of Dr.

Lise Pedersen The new action-horror film set to be shot by acclaimed blockbuster director Renny Harlin (“Die Hard 2,” “Cliffhanger”) is being introduced online at Berlin’s virtual European Film Market.

John Hopewell Chief International CorrespondentYear by year, the Berlin Film Festival’s drama series strand and market movers closer to center-stage. As in so many ways, COVID-19 may merely accelerate that process.

Sarah Y. Wu is a beauty writer in Berlin.

There’s no doubt about it, it’s all in the eyes: an ice-blue stare, locked on you, promising satisfaction and loyalty without asking for anything in return. That’s what love is, and Dan Stevens is the humanoid robot here to give it to us.

The Pygmalion myth gets a gender flip in I’m Your Man, the Berlin Film Festival competition entry from Germany’s Maria Schrader. Maren Eggert stars as Alma, a single anthropologist who agrees to live with a humanoid robot for three weeks as part of a trial testing period. Thomas (Dan Stevens) has been designed as Alma’s ideal partner, using algorithms based on her brain scans, her responses and research involving 17 million people.

Berlinale Encounters hated to Variety about his latest feature before its world premiere on March 3. Cote, in interview, flows.