Berlin: Celine Sciamma on 'Petite Maman,' Kids, Time Travel and Hayao Miyazaki

Sarah Y. Wu is a beauty writer in Berlin.

Netflix film A Cop Movie, from Mexican director Alonso Ruizpalacios, which premiered in competition at the Berlin Film Festival last week, starts off like any fly-on-the-wall documentary. We meet Teresa, a cop in Mexico City, and follow her through her daily routine as she narrates her life via voice-over.

Starting a serious art-house movie with an amateur porn video might seem bold, but for Radu Jude's Bad Luck Banging or Loony Porn it was a winning move. The jury of the 71st Berlinale picked the Romanian drama, in which a schoolteacher is caught up in a scandal after a homemade sex tape with her husband (that video we see at the top) gets posted online, for this year's Golden Bear as the best film of the 2021 Berlin International Film Festival.

Mubi, the arthouse streaming platform, and theatrical distributor has signed a deal for Céline Sciamma's Petite Maman, picking up all rights in the U.K., Ireland and Turkey for the new French-language drama from the director of Portrait of a Lady on Fire. Petite Maman premiered in competition at the 2021 Berlin International Film Festival last week.

Naman Ramachandran Theatrical distributor and global curated film streaming service MUBI has picked up well-regarded Berlinale title, French auteur Céline Sciamma’s “Petite Maman.”MUBI has acquired all rights for the U.K., Ireland and Turkey, for the film that was in competition at the Berlinale. MK2 Films is handling international sales.“Petite Maman” follows eight-year-old Nelly who has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home.

Arthouse streamer and distributor Mubi has acquired all rights for Céline Sciamma’s well-received Berlin Film Festival title Petite Maman for the UK, Ireland and Turkey.

Amazon Prime Video has swooped on the critically acclaimed Chilean LGBTQ+ drama My Tender Matador for Latin America. The film —which first bowed in the Venice Days sidebar of the 2020 Venice Film Festival —won the audience award in the Open Horizons section of the 2020 Thessaloniki Film Festival.

This year, more than most, Berlin's European Film Market was an opportunity to gauge the health of the global indie industry. Judging from the business done over the past week — the 2021 EFM wraps Friday — the general assessment would be: The patient is stable and the prognosis is promising.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

Nick Vivarelli International CorrespondentEmerging Italian helmer Claudio Giovannesi, who made a splash in Berlin with his prizewinning Neapolitan teen mob drama “Piranhas,” is set to direct immigration epic “Vita,” set in New York’s early 20th century Little Italy.Based on Melania Mazzucco’s novel by the same title, winner of Italy’s prestigious Strega Prize, “Vita” is set in 1903 when two kids, a girl named Vita and a boy named Diamante, disembark alone in New York.

After working together on the domestic release of Portrait of a Lady on Fire,Neon has acquired the North American rights to Céline Sciamma'sPetite Maman. Petite Maman, which premiered at Berlinale,is a time-travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion.

The two most mature and emotionally insightful seven-year-old girls you’ve ever encountered in your life are the subjects of Petite Maman. Magnetically attentive to the serious “things of life,” as the French put it, Céline Sciamma’s 72-minute study of an intense brief friendship between two girls of extraordinary similar looks prioritizes insight and emotional awareness over any artificial plot constructs. The result is a piercingly satisfying chamber drama with a lovely intimate feel.

Lupin is “a great achievement, not only for us but for all producers around the world,” said Gaumont Vice CEO Christophe Riandée, who is also a producer of the hit Netflix series, during a panel at the European Film Market today. The Omar Sy-starrer which has been a worldwide smash on streaming, is produced by Gaumont Television and has scored record-breaking numbers for a French series on the service.

Neon has scooped up North American rights to Céline Sciamma’s sixth feature directorial Petite Maman, bringing the Oscar-winning film studio back in business with the French filmmaker behind 2019’s award-winning pic Portrait of a Lady on Fire. Already there is great word of mouth brewing from critics on Sciamma’s new title out of its world premiere at the Berlinale.

Rebecca Rubin Film and Media ReporterNeon has acquired North American rights to Céline Sciamma’s latest feature, “Petite Maman,” following its premiere at the Berlin Film Festival.The sale reunites Sciamma with Neon, the New York-based independent studio that released her acclaimed drama “Portrait of a Lady on Fire.”Written and directed by Sciamma, “Petite Maman” follows 8-year-old Nelly, who loses her beloved grandmother and goes to help her parents clean out her mother’s childhood home.

There's a gorgeous scene early in Petite Maman that epitomizes the unfussy economy and emotional perceptiveness of Céline Sciamma's films. Watching intently from the back seat of the family car as her mother climbs in, stifling tears, and they head off to begin packing up the home of the maternal grandmother who has recently died, the film's 8-year-old protagonist asks permission to break out the snacks.

Alissa Simon Film CriticFor the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

Peter Debruge Chief Film Critic“Give me a child until he is 7, and I will show you the man,” proposed Aristotle, to which fiercely feminist French director Céline Sciamma might add, “Give me a woman, and I will show you the free, unbroken spirit she still was at age 8.”Sciamma, who went from being a queer cult favorite (for such bracingly free indies as “Tomboy” and “Water Lilies”) to an internationally respected auteur with 2019’s “Portrait of a Lady on Fire,” follows up that barrier-breaking