J.A. Bayona and his producing partners spent years attempting to finance “Society of the Snow.” Despite his track record, no one, no studio, no production company from his native Spain wanted to back it.
J.A. Bayona and his producing partners spent years attempting to finance “Society of the Snow.” Despite his track record, no one, no studio, no production company from his native Spain wanted to back it.
Netflix has boarded a big screen adaptation of Spanish director Cesc Gay’s award-winning theatre play 53 Domingos, which he will direct.
Netflix has released information on two Spanish features it has punished into production including the political thriller Un Fantasma en la Batalla produced by Society of Snow filmmaker J.A. Bayona.
Elsa Pataky might be attending this year’s Oscars. The Spanish star was recently in Madrid, where she discussed various topics, including her love for the city, her family, and her lifestyle in Australia. She also discussed The Oscars, which are hosted this weekend, and whom she’ll be rooting for.Elsa Pataky addresses ‘ups and downs’ in her marriage with Chris HemsworthElsa Pataky and Chris Hemsworth look gorgeous and in love while out surfingA post shared by Revista ¡HOLA! (@holacom)In an interview with our sister publication HOLA! Spain, Pataky discussed the Oscars, which are taking place this weekend in Los Angeles.
EXCLUSIVE: Coming off two-time Oscar nominee and Netflix hit Society Of The Snow, J.A. Bayona is producing and presenting psychological horror Crazy Old Lady (Vieja Loca), which will star Goya, Cesar and Cannes best actress winner Carmen Maura (Volver) and Berlinale Silver Bear winner Daniel Hendler (Lost Embrace).
The Motion Picture Association will honor filmmaker J.A. Bayona with its Creator Award at a ceremony in June in Madrid.
Atresmedia TV’s “Dreams of Freedom,” RTVE’s “Detective Touré” and Mediterráneo’s “Fentanyl: A Deadly Epidemic,” feature in Spain Content Goldmine: In Demand Like Never Before, a showcase of new and upcoming Spanish series unspooling Jan. 23 on the first day of Content Americas. The title’s no hype.
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER “Blue Bag Life” — Lisa Selby (Director), Rebecca Lloyd-Evans (Director, Producer), Alex Fry (Producer) “Bobi Wine: The People’s President” — Christopher Sharp (Director) [also directed Moses Bwayo] “Earth Mama” — Savanah Leaf (Writer, Director, Producer), Shirley O’Connor (Producer), Medb Riordan (Producer) “How to Have Sex” — Molly Manning Walker (Writer, Director) “Is There Anybody Out There?” — Ella Glendining (Director) ORIGINAL SCREENPLAY “Anatomy of a Fall” — Justine Triet, Arthur Harari “Barbie” — Greta Gerwig, Noah Baumbach “The Holdovers” — David Hemingson “Maestro” — Bradley Cooper, Josh Singer “Past Lives” — Celine Song ADAPTED SCREENPLAY “All of Us Strangers,” Andrew Haigh “American Fiction,” Cord Jefferson “Oppenheimer,” Christopher Nolan “Poor Things,” Tony McNamara “The Zone of Interest,” Jonathan Glazer FILM NOT IN THE ENGLISH LANGUAGE “20 Days in Mariupol” — Mstyslav Chernov, Raney Aronson Rath “Anatomy of a Fall” — Justine Triet, Marie-Ange Luciani, David Thion “Past Lives” — Celine Song, David Hinojosa, Pamela Koffler, Christine Vachon “Society of the Snow” — J.A. Bayona, Belen Atienza “The Zone of Interest” — Jonathan Glazer ANIMATED FILM “The Boy and the Heron” — Hayao Miyazaki, Toshio Suzuki “Chicken Run: Dawn of the Nugget” — Sam Fell, Leyla Hobart, Steve Pegram “Elemental” — Peter Sohn, Denise Ream “Spider-Man: Across the Spider-Verse” — Joaquim Dos Santos, Kemp Powers, Justin K.
John Hopewell Chief International Correspondent After dropping on Netflix on Jan. 4 to the U.S. streaming giant’s second-biggest bow ever for a non-English language movie in hours watched, Spaniard J.A.
John Hopewell Chief International Correspondent Just after Spaniard J.A. Bayona’s Oscar-shortlisted “Society of the Snow” opened on Netflix to a massive 55.8 million hours watched over Jan. 4-7 – the second best bow ever in watching time for a non-English Netflix movie – ICEX Spain Trade & Investment, the country’s powerful export and inward investment board, has unveiled a new deal with Parrot Analytics.
The story of Uruguayan Air Force Flight 571, the plane that crashed over the Andes mountains in 1972, mainly carrying a young team of Uruguayan rugby players expecting to play a match in Chile, has been told several times. Perhaps most famously in 1993’s “Alive” and the stellar documentaries “I Am Alive: Surviving the Andes Plane Crash” and “Stranded: I’ve Come From a Plane That Crashed on the Mountains,” to name just a few.
record-breaking reported budget of $465 million (£399 million), producers on the first season of fantasy TV series The Lord Of The Rings: The Rings Of Power wanted to axe some scenes because they were too expensive, claimed director J. A. Bayona in an interview with NME.Among the proposed cuts was a key moment in the first episode when elf queen Galadriel (Morfydd Clark), who is journeying across the sea to her people’s ancestral homeland of Valinor from where she may not return.
Society of the Snow, directed by Spanish filmmaker J.A. Bayona and Spain’s submission into the 2024 Oscar race, is based on the true story of the 1972 Andes flight disaster in which a flight carrying Uruguay’s Old Christians Club rugby team for a match in Santiago, Chile, crashed on a glacier at the Valle de las Lágrimas (Valley of Tears).
Society of the Snow” is entering awards season. The film, directed by Spanish filmmaker J.A. Bayona and produced by Netflix, is based on the true story of the survivors of a horrifying plane crash in the Andes, who managed to survive for two months in inhospitable conditions.
The story of Uruguayan Air Force Flight 571 is one of the most well-known flight disasters of all time. Many films, TV shows, books, and more were based on the story of the Uruguayan rugby team who chartered a flight over the Andes mountains and crashed with seemingly no hope of survival.
Thierry Frémaux is best known internationally as the long-time head of France’s Cannes Film Festival, which is organized out of its offices in Paris’s trendy Marais neighborhood.
Emiliano De Pablos In times of dramatic change for the film-TV industry, Spanish auteur cinema is booming, goosed by multiple significant and high-quality titles, reaping prizes, critical praise and profile at international festivals. Beyond the preeminent interest in established auteurs such as Pedro Almodóvar, Alejandro Amenábar, J.A.
Did anyone expect J.A. Bayona to follow up “Jurassic Park: Fallen Kingdom” with an altogether different kind of survival thriller? Maybe not, but “Society Of The Snow” has garnered a lot of positive word of mouth as it made the festival rounds this Fall.
Elsa Keslassy International Correspondent Netflix has dropped a teaser for J.A. Bayona’s highly anticipated survival thriller “Society of the Snow,” which will represent Spain in the Oscars international feature film race. The film world premiered on closing night of the Venice Film Festival and is playing this week at the Lumiere Film Festival in Lyon.
Ed Meza @edmezavar J.A. Bayona’s Netflix drama “Society of the Snow” recounts the tragic story of the 1972 Uruguayan airplane crash high in the snow-covered Andes, of which 29 of the original 45 passengers initially survived, stranded on a glacier 4,000 meters above sea level aptly named the Valley of Tears. Survivors of the doomed flight, which carried a rugby team and their friends and family members from Montevideo to Santiago, managed to stay alive for two and a half months by consuming the flesh of the deceased.
Mipcom participation is coordinated by Spanish trade institute ICEX, with the support of the Spain Audiovisual Hub of the Ministry of Economic Affairs and Digital Transformation, in the framework of the Recovery, Transformation and Resilience Plan, financed by the Next Generation Funds of the European Commission. A drill-down on the companies and some titles: “Transuniversal,” (1 x 80’ LGBTQ+ Docu) Docu delves into the arduous struggle for Trans people’s rights, fueled by new regulations, offering hope to those facing societal rejection and limited opportunities. “Tramps,” (“Zorras,” Atresmedia TV, Morena Films)A dramedy adapted from Noemí Casquet’s popular book trilogy “Zorras, Malas y Libres.” Three twenty-something women create a secret group, the Sex Friends Club, to fulfill their sexual fantasies, unintentionally launching a feminine revolution.
Lise Pedersen “Vive la paix, vive le cinéma!” Irène Jacob, the president of Lyon’s Lumière Institute which runs the Lumière Film Festival, chose to mark the opening of the event on Saturday night with a solemn message of peace, a week to the day after the outbreak of renewed conflict in the Middle East. “Tonight, we are really looking forward to this festival as a gesture of peace, because we do not forget what is going on in the world, the tragedies that move us, the wars all around us, the children and civilians in danger, the madness and the sadness of our divided world.
Spanish director J.A. Bayona talked the long and arduous journey to bringing air crash survival drama Society Of The Snow to fruition at Deadline Contenders London on Saturday.
The story has been told several times in the famous 1990s movie, “Alive,” the excellent documentary “Stranded,” and hell, arguably even “Yellowjackets” borrows its core premise from the story of Air Force Flight 571, which went down in the Chilean Andes mountains in 1972, filled with 45 passengers many of them who were young soccer players on their way to a match (and yes, there’s a cannibalism element to it all). Continue reading ‘Society Of The Snow’ Teaser Trailer: J.A.
Spain has selected J.A. Bayona’s latest film, Society Of The Snow, which debuted last month at the Venice Film Festival, as its entry for the Best International Feature Film category at the 2024 Oscars.
The story of the harrowing 1972 crash of the airplane carrying members of the Uruguay Rugby team in the remote snowy mountains of Argentina has been told cinematically a few times before. There was a rather crass version released in America as Survive! in 1976, and later a notable take on the story from director Frank Marshall called Alive through Disney studios and starring Ethan Hawke and others in 1993.
John Hopewell Chief International Correspondent Javier Bardem, winner of a San Sebastian 2023 Donostia Award for career achievement, is putting back his on-stage acceptance of the distinction until the 2024 San Sebastian Film Festival. The postponement is due to the “limits imposed under the strike called by the U.S. Actors Union (SAG-AFTRA),” the San Sebastian Festival announced Friday.
Netflix has a slew of intriguing titles getting their world premiere at the Venice Film Festival soon, including David Fincher‘s “The Killer,” Bradley Cooper‘s “Maestro,” and Pablo Larráin‘s “El Conde.” But don’t sleep on J.A. Bayona‘s “Society Of The Snow,” tapped as the festival’s closing night film.
The Venice Film Festival on Tuesday released a star-studded and A-list heavy lineup of films that will debut at the 2023 Biennale, including the films vying for this year’s Golden Lion. This was done despite the ongoing SAG-AFTRA actors and WGA writers strike.
Nick Vivarelli International Correspondent The 80th Venice Film Festival is announcing its lineup on Tuesday from the Italian city, where artistic director Alberto Barbera and La Biennale president Roberto Cicutto are holding a press conference. The Lido’s only previously announced titles in the main selection are the opener, Italian director Edoardo De Angelis’ “Comandante” — a lavish anti-war epic featuring local star Pierfrancesco Favino as a heroic Sicilian World War II naval officer — and the closer, Netflix’s survival thriller “Society of the Snow” by Spanish filmmaker J.A. Bayona. “Comandante” replaced Luca Guadagnino’s sexy sports comedy “Challengers,” starring Zendaya, which had previously been set as the fest’s buzzy opener but was pulled due to promotional complications prompted by the SAG-AFTRA strike.
The Venice Film Festival will announce the lineup for its 80th edition Tuesday at 11 a.m. European time (3 a.m. PT/6 a.m. ET). Venice Artistic Director Alberto Barbera will be joined by Biennale President Roberto Cicutto to reveal this year’s titles.
Venice International Film Festival has announced which film will be closing the event in September.
The Venice Film Festival will close with the world premiere of J. A. Bayona’s Netflix survival thriller La Sociedad De La Nieve (Society Of The Snow).
Nick Vivarelli International Correspondent Spanish director J.A. Bayona’s “Society of the Snow,” a reconstruction of a 1972 plane crash in the Andes that forced survivors to take extreme measures, including cannibalism, has been set as the Venice Film Festival’s closing film. The deeply immersive Spanish-language saga is a Netflix original film shot in Andalusia’s Sierra Nevada, mainland Spain’s highest mountain range, using a 300-person crew. “Society of the Snow” will world premiere on the Lido out-of-competition on Sept. 9th. Its official screening will be held in the Palazzo del Cinema after the awards ceremony. In 1972 Uruguayan Air Force Flight 571, which had been chartered to bring Montevideo’s Old Christians Rugby Club team to Chile, crashed at an altitude of 11,712 feet in the Andes. Of its 45 passengers – which consisted mostly of the rugby team, friends and family – 29 survived. Without food, the survivors, who belonged to Uruguay’s elite, were forced to eat the flesh of the deceased to stay alive. 19 survived an avalanche. 72 days after the crash, 16 finally made it out alive.
In a season where helmers for “Succession,” “House of the Dragon,” “Better Call Saul,” “Andor” and “The Last of Us” will likely dominate the Emmy conversation, there is one director who deserves a bigger spotlight and, frankly, a nomination, J.A. Bayona.
This story first appeared in The Race Begins issue of TheWrap’s awards magazine.When Amazon set out to make a “Lord of the Rings” TV series, they didn’t scale down the world of J.R.R. Tolkien for the “small screen.” Instead, for the first in a planned five-season storyline, the studio looked to meet the scale, ambition and prestige of Peter Jackson’s Oscar-winning film trilogy.
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