The Washington Post Plans To Offer Buyouts In Effort To Cut Staff By 240

In his new book, “Teddy and Booker T: How Two American Icons Blazed a Path for Racial Equality,” bestselling author Brian Kilmeade writes of how Theodore Roosevelt invited intellectual and former slave Book T. Washington to dinner at the White House at the very beginning of his presidency. Roosevelt sought Washington’s counsel as he struggled to steer the country — and especially the South — forward in the wake of Jim Crow laws and racial violence.

The headless horseman of Sleepy Hollow haunts the American imagination each autumn. New York City native Washington Irving breathed life into the galloping ghost in 1819, when he penned "The Legend of Sleepy Hollow," one of his tales of life among Dutch settlers along the Hudson River. It stands 203 years later as one of the most famous ghost stories in world history — remade in many versions and retold in scores of languages.

The Fantastic Beasts movies are essentially done, at least for now.

BBC local radio shows have suffered a drop in listeners amid planned cuts to their programming by the corporation, new figures show.

At least 20 Perth firefighters and a Perth City North councillor will this week join firefighters from across Scotland protesting outside the Scottish Parliament against "dangerous" cuts to the Scottish Fire and Rescue Service (SFRS).

The Last Dinner Party made their Later…with Jools Holland debut by playing two songs – watch the videos below.The band played two of the three singles they have so far released, ‘Nothing Matters’ and ‘My Lady of Mercy’, both of which were produced by James Ford (Arctic Monkeys, Florence + the Machine, Foals).Alongside the band, the episode also featured performances from Johnny Marr, Take That, METTE, Frankie Archer and Skindred.The Last Dinner Party recently completed their UK tour, and they are now preparing to cross the Atlantic Ocean and make their way to the US.They will play five gigs there, with stops in New York, Washington D.C., Philadelphia, Los Angeles and Chicago. They will then make their way back to Europe as opening support for Hozier on his arena tour.Earlier this month, they also announced details of an “intimate variety show” that they will play at London’s Roundhouse on February 1, 2024, with support from Heartworms.Check out their full tour dates below and visit here for any remaining US tickets.In a five-star review of their live show in London in April, NME wrote: “The Last Dinner Party’s ability to go straight from something as potent and wrenching as slow-burning ballad ‘Mirror’ to hamming up the theatrics of ‘Lady Of Mercy’ is a hugely impressive skill: even this early on in their career, on stage, they prove to be masters of contrast.

Netflix sci-fi cop drama Bodies, which landed on the streaming service today (August 19).Set across multiple timelines, the series comes with an original score by Jon Opstad as well as using music from Vera Lynn, Katherine Jenkins and more.The Netflix synopsis of the show reads: “When a body – the same body – is found on Longharvest Lane in London’s East End in 1890, 1941, 2023 and 2053, one detective from each period must investigate.“As connections are drawn across the decades, the detectives soon discover their investigations are linked, and an enigmatic political leader – Elias Mannix (Stephen Graham) – becomes increasingly central. Did he have a part to play in the murder? Or is something far more sinister at play?“To solve the mystery, our four detectives must somehow collaborate and uncover a conspiracy spanning over 150 years.”See the full episode-by-episode list of the show’s full soundtrack below.1. ‘Bodies Main Title’ – Jon Opstad2. ‘White Jazz’ – Joe Loss and His Band3. ‘Funk on Steroids’ – Cutta Crepe, Luke de Lux4. ‘The Love Song’ – Altitude Music5. ‘So Many Men, So Little Time’ – Miquel Brown6. ‘Since We Ain’t Together’ – Nia Chennai7. ‘What A Difference A Day Makes’ – Dinah Washington8. ‘Bodies End Credits’ – Jon Opstad1. ‘Bodies Main Title’ – Jon Opstad2. ‘Blue Skies Are Around the Corner’ – Jack Hylton and his Orchestra, Evelyn Lane3. ‘We’ll Meet Again’ – Vera Lynn4. ‘Bodies End Credits’ – Jon Opstad1. ‘Bodies Main Title’ – Jon Opstad2. ‘All Things Bright And Beautiful’ – Anglican Hymn3. ‘Super Mario Bros. Theme’4. ‘London Pride’ – Noel Coward5. ‘Lose My Way’ – Ane Brun & Dustin O’Halloran6. ‘Agnus Dei Op.11’ – Katherine Jenkins & Rodolfus Choir7. ‘Bodies End Credits’ – Jon Opstad1. ‘Bodies Main Title’

The American Cinematheque announced on Tuesday that its 2023 American Cinematheque Awards have been pushed from their November 4th date due to the ongoing SAG-AFTRA strike, with a new date for the annual ceremony to be announced in the coming weeks.

Justin Bieber is facing backlash after he shared a post showing his support for Israel, featuring a photo of the destruction of Gaza.The Canadian singer shared the update yesterday (October 11) on his Instagram Story, posting an image of the ruined buildings in the Gaza Strip with the caption “Praying for Israel” laid over the top.As highlighted by The Independent, the musician had taken down the original post within an hour of posting it and later replaced it with a new Story, which re-stated the same caption, but this time had no image attached.Earlier to the incident, he also shared another update, writing: “To vilianize [sic] all Palestinians or all Israeli people to me seems wrong. I’m not interested in choosing sides, but I am interested in standing with the families who have been brutally taken from us.”Justin Bieber deletes and reposts ‘Praying For Israel’ story after the original post he shared had the words over a photo of destruction in Gaza.

After finding love on My Mum, Your Dad, Janey Smith has revealed her loved-up Christmas plans with Roger Hawes and how they're splitting time between their two homes as they "just want to be together". Janey, 47 and Roger, 59 hit it off when they appeared on the new ITV dating show after being nominated by their children Jess and William in a bid to find love again.

Blade Runner is the latest big-budget product to announce changes to its shooting schedule this year, with the TV series no longer set to be filmed in Northern Ireland.

With a budget of $80 million—a pittance compared to the budgets of most modern blockbusters— Gareth Edwards has made his long-awaited return to science-fiction on the big screen with “The Creator,” a provocative sci-fi adventure set roughly 50 years in the future, where Western society is devastated by and at war with artificial intelligence (read our review). Whereas the East, having not undergone a similar tragedy, has embraced and fostered the technology.

Kerry Washington is spill all the tea!

Kerry Washington and Tony Goldwyn are teaming up for an epic reunion!

So, filmmaker Gareth Edwards is doing the interview round for his latest sci-fi extravaganza, “The Creator,” starring John David Washington. It’s a movie heavily indebted to “Blade Runner,” “Apocalypse Now,” and even “Star Wars” (read our review here).

Zack Sharf Digital News Director Kerry Washington explains in her new memoir, “Thicker Than Water,” that she actively rejected playing the “white girl’s best friend” after starring in “Against the Ropes,” the 2004 boxing drama headlined by Meg Ryan and Omar Epps. The film starred Ryan as Jackie Kallen, the first woman to achieve success as a boxing manager.

Kerry Washington continues to revisit some of the darkest moments of her life in her new memoir, Thicker Than Water, which is currently available wherever books are sold.

Jem Aswad Executive Editor, Music Live Nation’s “On the Road Again” plan, announced Tuesday, says it will deliver “tens of millions of dollars” for artists and touring crews by by providing $1,500 in gas and travel cash per show to all headliners and support acts, on top of nightly performance compensation, at venues the company owns, operates or exclusively books. Those clubs will also charge no merchandise-selling fees, so artists keep 100% of merch profits.

A familiar mélange and pastiche of sci-fi-tropes you’ve seen and felt before, filmmaker Gareth Edwards’ science-fiction drama, “The Creator,” is recognizable but, nonetheless, largely compelling— skillfully understanding the crucial balance of blockbuster scale and grounding character intimacy. Its intriguing examination of what constitutes a sentient being—coupled with its aesthetic mix of lo-fi, gritty, and grimy tech blended with sleeker, cleaner, and austerely traditional visual references to the future— makes for an engaging experience clearly designed for the big screen.

Peter Debruge Chief Film Critic The creator of “The Creator,” Gareth Edwards, started his filmmaking career teaching himself VFX at home. He’s an innovator on that front, devising ways to generate creepy CG monsters for “Monsters” more than a dozen years ago, then overseeing deceptively massive blockbusters, like “Godzilla,” ever since (deceptive because much of that stunning scale comes from virtual detail added in post).