‘The Substance’ Director Coralie Fargeat on How Her Feminist Body Horror Film With Demi Moore and Margaret Qualley Mirrors #MeToo: ‘We Need a Bigger Revolution’

Mubi has doubled down on Andrea Arnold‘s “Bird” — starring Barry Keoghan and Franz Rogoswki — swooping on North American and Turkish rights to the Cannes competition entry less than two weeks after it announced it had bought the film for the U.K. and Ireland. The acquisition — which Variety understands came after a fierce bidding war — marks another buzzy U.S.

Demi Moore has revealed that she almost stepped away from acting for good.

Leo Barraclough International Features Editor The Match Factory has finalized global sales for the Cannes competition title “The Substance,” directed by Coralie Fargeat and starring Demi Moore, Margaret Qualley and Dennis Quaid. The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), CIS (VLG.FILM LTD.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (MCF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

EXCLUSIVE: French film industry veteran Nicolas Royer, who was line and executive producer on Coralie Fargeat’s Cannes buzz title The Substance, has boarded Catherine Hardwicke’s upcoming feature A French Pursuit, starring Toni Collette.

Angelique Jackson “Surreal.” That’s the best way Margaret Qualley can sum up her experience at the Cannes Film Festival this year, as one of the only actors to star in not one, but two films premiering in competition — Yorgos Lanthimos’ bizarre black comedy “Kinds of Kindness” and Coralie Fargeat’s feminist body horror thriller “The Substance.” This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor. “I’m the luckiest person,” Qualley told Variety about her various experiences at the festival.

and at just become the mother duo we never knew we needed? Yes—yes, they did. On May 19, the costars of The Substance were giving Black Swan two ways; Qualley in head-to-toe balletcore and Moore wearing a mermaid gown with a three-dimensional bow detail at the bust.Margaret Qualley and Demi Moore attend the premiere of The Substance on May 19.

Demi Moore is back, baby! ALL THE WAY back!

Diane Kruger is looking stunning on the 2024 Cannes Film Festival red carpet!

When his wife died, Karsh tells the blind date he has asked to lunch, he had an overwhelming urge to jump into the coffin with her rather than see her sent away alone. Instead, he contrived a way to straddle the worlds of the living and the dead, setting up a luxury cemetery where the dead are wrapped in metallic shrouds that are like camera blankets. Above ground, there are screens over each grave on which you can watch your loved one disintegrating.

Demi Moore‘s tiny dog Pilaf is enjoying her time in the spotlight!

Owen Gleiberman Chief Film Critic “How dark do you want to go?” The man asking that is named Karsh (Vincent Cassel), and he’s seated in a minimalist art-chic restaurant having lunch with a blind date (though as she points out, how blind can a date be in the age of Google?). The one who’s really asking the question, though, is David Cronenberg, writer-director of “The Shrouds.” He’s been asking that question — to audiences — for his entire career, and to him the answer has always been the same: The darker the better.

premiered at the Cannes Film Festival, the 61-year-old actress has her first full-frontal nude scenes of her long career.Moore described the newfound nakedness as “a very vulnerable experience.”“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said, per Variety. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”In the body-horror film, Moore plays a celebrity who uses a new drug that creates a younger version of herself which exists alongside her.

Demi Moore‘s new horror film The Substance has landed a perfect score on Rotten Tomatoes after premiering at the Cannes Film Festival.The new film from director and writer Coralie Fargeat is a body horror that focuses on the titular product, which allows people to create a younger and more perfect alter ego.The movie, which also stars Margaret Qualley and Dennis Quaid, made its debut at the festival yesterday (May 19), and critics have shared their praise, with the film debuting with 100 per cent on Rotten Tomatoes.IndieWire called The Substance a “camp-adjacent instant classic [that] aspires to cast off with some of the most spectacularly disgusting body horror this side of The Fly or the final minutes of Akira.”Screen International said that “this potent body horror is executed with skill and compassion, bringing fresh insights alongside generous helpings of graphic gore”.“The Substance draws excellent performances from Demi Moore as a has-been Hollywood star and Margaret Qualley as the younger, prettier version she creates by injecting herself with the titular serum,” they added.Deadline suggested the film is like “David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers“, calling it “the perfect breakout genre movie of the year”.The ongoing Cannes Film Festival recently saw the premiere of Francis Ford Coppola’s long-awaited passion project Megalopolis, which has drawn a mixed reaction including some boos from the audience.The film, which stars Adam Driver as an architect-scientist who wants to improve a fictional version of New York City called New Rome, currently sits at 52 per cent on Rotten Tomatoes.The Guardian called the film “a passion project without passion”, though The

CANNES – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut.

Demi Moore is officially back in The Substance or, as her co-star Dennis Quaid called it for her at the pic’s Cannes Film Festival press conference Monday, “an incredible third act” for the actress.

Demi Moore‘s new film, the feminist body horror “The Substance,” sees Demi Moore bare it all, with several scenes featuring full nudity. At the Cannes Film Festival press conference for the film on Monday, Moore discussed the “vulnerable experience.” “Going into it, it was really spelled out.– the level of vulnerability and rawness that was really required to tell the story,” Moore said.

Demi Moore looks stunning while hitting the red carpet at the premiere of her movie The Substance held at Palais des Festivals on Sunday (May 19) in Cannes, France.

Have you ever dreamed about being a better version of yourself? With her second film, Coralie Fargeat not only addresses this question but takes aim at ageism and sexism in the entertainment industry with a riotous, dreamlike horror-thriller that ends in a delirious symphony of blood, guts and otherwise undefinable viscera. Imagine David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers, add the unbelievably dynamic pairing of Demi Moore and Margaret Qualley, process it through the ultra-vivid color palette that is Fargeat’s hyper-saturated imagination, sprinkle a bit of J.G. Ballard on top, and you have the perfect breakout genre movie of the year.

Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.