Demi Moore has revealed that she almost stepped away from acting for good.
20.05.2024 - 10:15 / deadline.com
Demi Moore is officially back in The Substance or, as her co-star Dennis Quaid called it for her at the pic’s Cannes Film Festival press conference Monday, “an incredible third act” for the actress.
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
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The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s an offer that comes with a twist. Moore plays an iconic TV aerobics host who is shown the door in her older age. She takes the new drug and spawns a younger version of herself, played by Margaret Qualley who takes over Moore’s status as a sexy exercise show host.
Said Moore on selecting the script, “I look for things that push me out of my comfort zone; the opportunity to make a better person and actor. This touched on so many themes that we all face, we seek validation and belonging. By doing (the movie) it takes us to extremes and allows us to step into it in a unique way.”
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“Through the process of the film, I think I came out with greater acceptance of myself than I am,” said Moore.
Star of ‘The Substance’ Demi Moore talks nudity in the film and highlights
Demi Moore has revealed that she almost stepped away from acting for good.
Leo Barraclough International Features Editor The Match Factory has finalized global sales for the Cannes competition title “The Substance,” directed by Coralie Fargeat and starring Demi Moore, Margaret Qualley and Dennis Quaid. The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), CIS (VLG.FILM LTD.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (MCF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).
The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.
EXCLUSIVE: French film industry veteran Nicolas Royer, who was line and executive producer on Coralie Fargeat’s Cannes buzz title The Substance, has boarded Catherine Hardwicke’s upcoming feature A French Pursuit, starring Toni Collette.
Angelique Jackson “Surreal.” That’s the best way Margaret Qualley can sum up her experience at the Cannes Film Festival this year, as one of the only actors to star in not one, but two films premiering in competition — Yorgos Lanthimos’ bizarre black comedy “Kinds of Kindness” and Coralie Fargeat’s feminist body horror thriller “The Substance.” This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor. “I’m the luckiest person,” Qualley told Variety about her various experiences at the festival.
and at just become the mother duo we never knew we needed? Yes—yes, they did. On May 19, the costars of The Substance were giving Black Swan two ways; Qualley in head-to-toe balletcore and Moore wearing a mermaid gown with a three-dimensional bow detail at the bust.Margaret Qualley and Demi Moore attend the premiere of The Substance on May 19.
Demi Moore is back, baby! ALL THE WAY back!
Demi Moore‘s tiny dog Pilaf is enjoying her time in the spotlight!
premiered at the Cannes Film Festival, the 61-year-old actress has her first full-frontal nude scenes of her long career.Moore described the newfound nakedness as “a very vulnerable experience.”“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said, per Variety. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”In the body-horror film, Moore plays a celebrity who uses a new drug that creates a younger version of herself which exists alongside her.
Demi Moore‘s new horror film The Substance has landed a perfect score on Rotten Tomatoes after premiering at the Cannes Film Festival.The new film from director and writer Coralie Fargeat is a body horror that focuses on the titular product, which allows people to create a younger and more perfect alter ego.The movie, which also stars Margaret Qualley and Dennis Quaid, made its debut at the festival yesterday (May 19), and critics have shared their praise, with the film debuting with 100 per cent on Rotten Tomatoes.IndieWire called The Substance a “camp-adjacent instant classic [that] aspires to cast off with some of the most spectacularly disgusting body horror this side of The Fly or the final minutes of Akira.”Screen International said that “this potent body horror is executed with skill and compassion, bringing fresh insights alongside generous helpings of graphic gore”.“The Substance draws excellent performances from Demi Moore as a has-been Hollywood star and Margaret Qualley as the younger, prettier version she creates by injecting herself with the titular serum,” they added.Deadline suggested the film is like “David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers“, calling it “the perfect breakout genre movie of the year”.The ongoing Cannes Film Festival recently saw the premiere of Francis Ford Coppola’s long-awaited passion project Megalopolis, which has drawn a mixed reaction including some boos from the audience.The film, which stars Adam Driver as an architect-scientist who wants to improve a fictional version of New York City called New Rome, currently sits at 52 per cent on Rotten Tomatoes.The Guardian called the film “a passion project without passion”, though The
CANNES – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut.
Demi Moore‘s new film, the feminist body horror “The Substance,” sees Demi Moore bare it all, with several scenes featuring full nudity. At the Cannes Film Festival press conference for the film on Monday, Moore discussed the “vulnerable experience.” “Going into it, it was really spelled out.– the level of vulnerability and rawness that was really required to tell the story,” Moore said.
Demi Moore looks stunning while hitting the red carpet at the premiere of her movie The Substance held at Palais des Festivals on Sunday (May 19) in Cannes, France.
Have you ever dreamed about being a better version of yourself? With her second film, Coralie Fargeat not only addresses this question but takes aim at ageism and sexism in the entertainment industry with a riotous, dreamlike horror-thriller that ends in a delirious symphony of blood, guts and otherwise undefinable viscera. Imagine David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers, add the unbelievably dynamic pairing of Demi Moore and Margaret Qualley, process it through the ultra-vivid color palette that is Fargeat’s hyper-saturated imagination, sprinkle a bit of J.G. Ballard on top, and you have the perfect breakout genre movie of the year.
Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.
Owen Gleiberman Chief Film Critic Arriving in the middle of the art smorgasbord that’s the Cannes Film Festival, a three-hour Western directed by Kevin Costner sounded like it might be just the ticket for a perfect night of counterprogramming: a grandly scaled slice of neo-classical Hollywood. That, after all, describes the other two Westerns Costner has directed (“Dances with Wolves” and “Open Range”), as well as his quirky sci-fi pseudo-Western “The Postman.” There’s no question that “Horizon: An American Saga — Chapter 1,” Costner’s fourth outing as a director, gives off some of that traditional flavor.
The Substance” — a body horror thriller from French director Coralie Forgeat starring Demi Moore and Margaret Qualley — rocked Cannes Film Festival on Sunday night with an 11-minute standing ovation. Its the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named after.
Owen Gleiberman Chief Film Critic Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme.
Demi Moore teased details of her role in Taylor Sheridan’s upcoming Paramount+ drama Landman and revealed she expects to be back on set for a second season in early 2025.
Ellise Shafer With only her second film, Coralie Fargeat has gone from admiring body horror king David Cronenberg to being in competition with him at this year’s Cannes Film Festival. Fargeat’s “The Substance,” described as a feminist take on the body horror genre and starring Margaret Qualley and Demi Moore, bows at Cannes on Sunday night, the day before Cronenberg’s latest frightful offering, “The Shrouds,” will do the same.