‘The Simpsons’ Goes ‘Star Wars’ In New ‘Maggie Simpson In Rogue Not Quite One’ Short Film

Lise Pedersen Moving towards a more equitable and accountable curation in film programming and selection processes, ethical representation in storytelling and the challenges posed by the lack of awareness and accountability was at the heart of a panel discussion at Cannes Docs, the Cannes Film Market event dedicated to documentary film, on May 20. Panelists included Egyptian director and producer Nada Riyadh, British-Chinese writer and director Paul Sng, Brazilian producer Yolanda Maria Barroso and Swedish producer Malin Hüber; it was moderated by the BFI’s Race Equality Lead Rico Johnson-Sinclair. Opening on a positive note, Riyadh said that, “as an Arab woman,” she welcomed the presence in the official selection at Cannes this year of docs by Tunisian director Kaouther Ben Hania (“Four Daughters,” main competition) and Moroccan filmmaker Asmae El Moudir (“The Mother of All Lies,” Un Certain Regard), even though “in the real world I still get asked whether I do docs or real films,” she added with a smile.

Lise Pedersen Newcomer Docs-by-the-Sea, the international documentary Labs and Forum for creative doc projects from Asia, will present and works-in-progress showcase for the first time at the Marché du Film’s Cannes Docs.  Featuring four films in late production stage, the showcase is highly necessary, argues its curator, Gugi Gumilang, the executive director of In-Docs, the non-profit org behind Docs by the Sea.   A member of last year’s Docs-in-Progress jury, he said this gave him a chance to see what people are looking for. “There’s a lack of Asian representation [in documentaries],” he tells Variety, adding: “It’s really tough for documentary filmmakers in Asia, few countries have film funds,” he said, citing Taiwan, Singapore, South Korea, the Philippines and, more recently, Hong Kong. “There are few dedicated festivals, the biggest being South Korea’s DMZ. Other international film festivals like Busan, Singapore and Jeonju cater for documentary film, but the competition is tough as they don’t just focus on Asian projects.”

Godard speaks! Again. Quite rightly there’s a lot of hoopla about the world premiere of a 20-minute trailer the late cinema legend Jean-Luc Godard made for a feature film that will never exist: Phoney Wars. 

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

K.J. Yossman Bitpix TV and Myco have partnered on a feature film development fund. Open to filmmakers worldwide, the fund, which was launched on Friday at Cannes, aims to support three films a year each with a budget of up to $2 million per feature. Bitpix TV is the official streaming arm of HollyShorts Film Festival while Myco is a decentralized content ecosystem. A number of short-form genre films will be showcased on Myco’s streaming platform where viewers can vote on their favorites, which will be selected for feature film development with the fund’s help. Among the package of help available is funding, consulting, mentorship, and production support from finance and production company Goldfinch.

Patrick Frater Asia Bureau Chief Amanda Nell Eu’s “Tiger Stripes,” which had its premiere this week in Cannes Film Festival’s Critics’ Week, is being celebrated as a punchy female-driven debut feature and as the first film by a Malaysian woman director in any section Cannes. The story focuses on a small group of 11 or 12-year-old girls. When one of the friends enters puberty she finds her body changing in unexpected ways. Relations with her friends and family start morphing too. Eu’s finished film straddles the metaphorical drama and body horror genres. “Tiger Stripes” is also a triumph for the now highly-developed global network of project markets, talent development programs, script and production workshops (often labelled as ‘labs’) and grant schemes. These are intended to encourage diversity and nurture film-making talent in countries where that is a rarity or where commercial films crowd out more experimental art-house titles.

Patrick Frater Asia Bureau Chief Returning as an in-person event after cancelation last year, the Shanghai International Film Festival has set out an agenda with a clear focus on China. The festival (June 9-16) will celebrate the 10th anniversary of the Belt and Road Initiative, China’s economic outreach and development program. With a series of press conferences and film culture roundtables, the SIFF’s Belt and Road Film Week will “bring together old friends of the alliance from previous years and new friends made this year [..] and announce an action plan for the future.”

While Southeast Asian films have premiered at the Cannes Film Festival many times before, and even won the Palme d’Or, there’s an energy around the region this year that we haven’t felt on the Croisette at previous editions. 

Naman Ramachandran Emerging star from Hong Kong, Isabella Wei, headlines Silent D Pictures’ comedy-drama “High Wire.” The film follows the story of Go-wing, a British-Chinese takeaway girl who discovers her inner strength and artistic bravery when a circus comes to her small English town. As Go-wing navigates the challenges of her dual cultural identity, she finds herself at a crossroads and must decide between conforming to societal expectations or forging her own path towards her dreams. The film pays homage to the first and second generations of Chinese immigrants and their journey to adapt to life in England whilst facing issues of systemic racism and discrimination.

Have you watched season two of Sweet Tooth yet on Netflix? If not, what are you waiting for?!

Sophia Scorziello editor Eva Longoria’s fictional feature directorial debut “Flamin’ Hot” staring Jesse Garcia will open the 2023 Los Angeles Latino International Film Festival, announced Wednesday as part of the full festival lineup. This year, the festival will feature over 80 films, 19 world premieres and 100 student films. LALIFF will take place May 31-June 4 at the TCL Chinese Theatre in Hollywood. Longoria’s film is based on the true story of Richard Montañez (Garcia), the Frito Lay janitor who used his Mexican American heritage to turn one snack into a global sensation. Closing the festival is the Los Angeles premiere of Julio Torres’s A24 feature film “Problemista” starring Torres and Tilda Swinton, which tells the story of an aspiring Salvadorian toy maker in New York City and the race against his work visa as he tries to realize his dreams.

Disney/Marvel’s Guardians of the Galaxy Vol. 3 has rocketed past the $300M mark globally through Monday. At the same time, it will propel The Walt Disney Company across $2B worldwide for 2023 to date with today’s numbers included.

EXCLUSIVE: Hong Kong-American actor Byron Mann (Wu Assassins) has joined the cast of Korean studio Showbox’s Moral Hazard (working title), alongside previously announced Korean stars Yoo Hai-jin (The Night Owl) and Lee Je-hoon (Taxi Driver 2).

Lionel Richie confused viewers with his 'unrecognisable' voice as he took to the stage for the Coronation Concert. The 73-year-old singing superstar was one of the big names performing for the newly crowned King Charles III and Queen Camilla at Windsor Castle.

The Coronation Concert is taking place on Sunday night with more than 20,000 people descending on Windsor to watch it live.

K.J. Yossman Guests have begun to arrive at Westminster Abbey in London for the coronation of King Charles III and his wife Queen Camilla. Although Charles ascended to the throne the minute Queen Elizabeth II died last year, the coronation is a ceremony to mark the formal investiture of his regal powers (such as they are in modern-day Britain). The 2,200-strong congregation who will gather to watch the St Edward’s Crown being placed atop Charles’ head include members of the royal family, politicians, aristocrats, international dignitaries and celebrities including singers Nick Cave and Lionel Richie, TV hosts Bear Grylls and comedian Rowan Atkinson, better known as his on-screen alter-ego Mr Bean.

King Charles III’s coronation arrives tomorrow (May 6), and networks and streaming services around the world are preparing coverage for the elaborate, generational event at London’s Westminster Abbey.

The Simpsons as Principal Skinner’s cousin on Sunday (May 7).In season 34 episode The Very Hungry Caterpillars, Lowe takes on the role of Peter, who disrupts Skinner’s home life while Springfield is in lockdown at the mercy of a swarm of caterpillars. This awkward dynamic is viewed by Bart Simpson, after Skinner accidentally leaves his webcam on following a video chat.Speaking to Entertainment Weekly, who also shared a first look at Lowe’s character, the actor said: “It’s rarer and rarer to find firsts for me in the business, and this is a big one.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Maggie and Grogu are teaming up for a galactic adventure in honor of May the 4th. Disney+ announced this week a new crossover short film between “The Simpsons” and “Star Wars.” Titled “Rogue Not Quite One,” an obvious play on the franchise’s 2016 film “Rogue One: A Star Wars Story,” the animated short will star the Springfield toddler as she evades the Empire in her very own aeronautical pram inspired by Grogu’s in “The Mandalorian.” In the four minute short, per the release, “Homer loses track of Maggie who hops in Grogu’s hovering pram for a hyperspace-hopping adventure across the galaxy. Facing a squadron of Imperial TIE fighters, Maggie brings the battle to Springfield in this epic short celebrating all things ‘Star Wars.'”