‘The People’s Joker’ Is a Comic-Book Fantasia More Authentic Than Just About Any Comic-Book Movie
07.04.2024 - 00:03
/ variety.com
Owen Gleiberman Chief Film Critic “The People’s Joker,” a scandalous IP-on-acid coming-out comic-book psychodrama, is a movie that has all the earmarks of an underground/ midnight/guerrilla-cinema sensation. Vera Drew, who directed and co-wrote it, plays the title character, a mentally fractured aspiring stand-up comedian who bills herself as Joker the Harlequin.
She wears a green wig parted down the middle, white makeup with big jagged dark blotches around the eyes, a razory red lipstick grin, along with a purple jacket and fishnets that make her, in every way possible, a transgressive presence. Onstage, when she puts an inhaler up to her mouth and draws in a breath of Smylex, the feel-happy drug prescribed to her as a child, she’ll let out a cackle of laughter so derisive it sounds like she’s going to fracture her own rib.
She’s the maniacal Joker of DC legend, as well as an outlaw parody of the Joker and also a discordantly sincere trans heroine who is using the Joker’s persona to present who she is to the world. The movie, which Peter Debruge reviewed brilliantly when it premiered last fall at the Toronto Film Festival, is diabolically playful — a threadbare comic-book odd-yssey, one that takes place in a free-associational media zone that suggest the channel-surfing hall of mirrors of “Natural Born Killers” crossed with a public-access knockoff of “Network” crossed with “Phantom of the Paradise.” That Vera Drew had the daring to draw on the fabled DC iconography without getting permission to do so was an act of underground-film bravado.
What seals the aesthetic fearlessness of it is that it’s exactly what the Joker would do. The film feels, in every scabrously cheeky moment, as if Vera Drew had to make it,
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