'DNA' ('ADN'): Film Review

“A Call to Spy,” which tracks the true-life story of how British spies navigated France during World War II, may be set 80 years ago, but its themes of racism, sexism and misogyny feel undeniably, infuriatingly urgent. READ MORE: ‘A Call To Spy’ Trailer: New WWII Film Focuses On Churchill’s Female-Led Spy Agency Director Lydia Dean Pilcher keeps the action moving apace even when the familiar, often formulaic narrative threatens to fold.

Nancy Tartaglione International Box Office Editor/Senior ContributorFollowing a backlash within its membership ranks and the resignation of its board of directors and president earlier this year, France’s Académie des Arts et Techniques du Cinéma has set new leadership. At a general assembly today, the Académie, which hands out the country’s César Awards, elected former CNC and Arte chief Véronique Cayla as president and Intouchables co-director Éric Toledano as vice president.

Andreas Wiseman International EditorThe San Sebastian Film Festival has withdrawn the accreditation of U.S.-born French filmmaker Eugène Green for refusing to wear a mask.According to the Spanish festival, Green refused five requests for him to don a mask at last night’s premiere of his film Atarrabi Et Mikelats and he was ultimately asked to leave the auditorium.

Not since Jeff Goldblum stocked his penis in a jar or Bryan Cranston tore apart his meth lab has a fly played such a pivotal role on screen as in Mandibles (Mandibules), the latest comic whatchamacallit from French one-man-band Quentin Dupieux.

When his girlfriend can’t get pregnant, a trans man decides to carry the child in her stead in the French drama A Good Man. This is the latest feature from writer-director Marie-Castille Mention-Schaar.

“Nomadland” is the winner of this year’s People’s Choice Award at the Toronto International Film Festival.

Also Read: 'Nomadland' Film Review: Frances McDormand Hits the Road in Quiet, Lyrical DramaOver the last eight years in a row, and nine of the last 10 years, the TIFF People’s Choice winner has gone on to be nominated for the Academy Award for Best Picture, and has won three times: “The King’s Speech” in 2010, “12 Years a Slave” in 2013 and “Green Book” in 2018.

Jimmy Fallon has been loving life with his family of four since becoming a father in 2013.The Tonight Show Starring Jimmy Fallon host and his wife, Nancy Juvonen, first welcomed daughter Winnie, and she became a big sister the following year when Frances arrived.After their eldest child’s arrival, the New York native opened up to Savannah Guthrie about why he and Juvonen opted to use a surrogate for both baby girls.“My wife and I had been trying a while to have a baby,” the Saturday Night Live

French cinema group UniFrance has condemned what it called the "violent reaction" online and on social media to Netflix film Cuties and has thrown its support behind the movie's director, Maïmouna Doucouré.

Cuties, a film its director argues “sounds the alarm” about sexualising pre-pubescent girls instead of exploiting ideas for art.In a memo sent out to the French industry today (September 18), the state-backed group, which supports and promotes French cinema worldwide, said it “offers its full support” to director Maïmouna Doucouré and the film’s producers.Online trolls have attacked Doucouré, Netflix and anyone connected with the movie of hyper-sexualising the movie’s young characters.As The

Elsa Keslassy International CorrespondentUniFrance, the French film promotion organization, released a letter on Friday supporting Maimouna Doucouré, the helmer of Netflix film “Cuties,” which has been the subject of a backlash on social media for allegedly “sexualizing” young girls.UniFrance, which also gave its support for the movie’s producer, Zangro and Paris-based distributor Bac Films, is the latest French film body to side with Doucouré.

Andreas Wiseman International EditorFrench cinema organization UniFrance, which is backed by the French government and represents hundreds of local producers, sales agents, directors and talent agents, has sent out a memo to industry expressing its support for filmmaker Maïmouna Doucouré and her film Cuties after the social media frenzy sparked by a Netflix poster for the film.

Are all relationships between older men and younger women abusive ones? Do the young women who take part in such relationships hold any level of responsibility? Is it "OK" to be attracted to somebody more than twice your age, and, if so, can you act on that desire? Is it too French to be asking such questions, especially in a movie? These are some of the many thoughts evoked by Spring Blossom (Seize Printemps), a provocative first feature from writer-director-actress Suzanne Lindon that depicts

Also Read: 'Nomadland' Film Review: Frances McDormand Hits the Road in Quiet, Lyrical DramaThe film begins with three sentences, and they’re all the context you’ll get and all the context you’ll need: “After the fall of the Ottoman Empire and the end of the First World War, the colonial powers sketched new borders for the Middle East. Over the following decades, greed and ambition for power gave rise to military coups, corrupt regimes, authoritarian leaders and foreign interference.

A modest French cousin to Erin Brockovich and Todd Haynes’ recent Dark Waters, Red Soil (Rouge) once again pits a tireless underdog against the forces of corporate greed and looming environmental catastrophe. The hook this time is that the underdog, played by the talented Zita Hanrot (Fatima), is fighting too close to home, with her own father a longtime worker at the factory that’s been dangerously polluting their region.

Also Read: 'Nomadland' Film Review: Frances McDormand Hits the Road in Quiet, Lyrical DramaThey become fast friends, and then lovers.

Chloé Zhao’s “Nomadland” is a tiny indie film on a huge scale, an intimate drama set against the vast spaces of the American West.

Todd McCarthy Go-her-own-way director Chloé Zhao closes out her exceptional trilogy about the dispossessed and left-behind in the modern American West with Nomadland, a cool, contemplative look at contemporary American outcasts whose foothold in society grows more precarious with every passing year.

The green-eyed monster is but one of the problems of the protagonist of My Best Part (Garçon chiffon), the directorial debut from French actor Nicolas Maury (from Netflix’ Call My Agent!). Constructed entirely around the layered central performance of Maury himself as the mercurial man-child protagonist, this is a bittersweet comedy-drama that manages to be hilarious in one scene and extremely touching in the next.