Aquaman and the Lost Kingdom is undergoing some changes.
06.07.2023 - 18:09 / theplaylist.net
Believe it or not, horror fans, but “The Conjuring” Universe is the genre’s most lucrative franchise ever. How profitable are we talking? $2.1 billion at the box office over eight films costing a mere $178 million to produce.
Yup, James Wan and Peter Safran hit the cinematic motherlode with these movies, and their success looks like it’ll continue for a while. READ MORE: The 25 Most Anticipated Horror Films Of 2023 So, it’s safe to say expectations are high for “The Nun II,” the sequel to the franchise’s highest-grossing entry, 2018’s “The Nun.” The ninth installment in “The Conjuring” Universe takes place four years after the events of the first film, with Taissa Farmiga‘s Sister Irene returning to face off against an ancient evil force she’s all too familiar with.
Aquaman and the Lost Kingdom is undergoing some changes.
Zooey Deschanel, Storm Reid, Alyson Hannigan, Brittany Snow, JoJo, and Whitney Port, the founder has mastered all the faux tanning tricks, and she’s sharing them with ET. «Going faux means all the confidence of a tan, without harmful UV rays. … I definitely have a little more pep in my step when I wake up with a fresh tan,» she says.«S+B is obsessed with providing a flawless service to everyone who comes through our doors.
The Last Of Us is a huge hit and it always has been. Now, according to new remarks from executive producer Craig Mazin, HBO’s TLOU will go for at least 3 Seasons. “It’s going to be more than one season.
Grace Van Patten and Jackson White are going strong and looking as chic as ever.
Fear asked then to film a sex scene that hadn't been made explicit in the script, she said no. But she says the experience was formative for the rest of her career. In the movie, also starring Marc Wahlberg, Wahlberg's character uses his fingers to make Witherspoon's character orgasm while the two are on a rollercoaster—but Witherspoon said the details of that scene weren't known to her beforehand.“It wasn’t explicit in the script that that’s what was going to happen, so that was something that I think the director thought of on his own and then asked me on set if I would do it, and I said no.
Barry‘s Anthony Carrigan is having a top-notch day, having been announced as part of the cast of James Gunn’s Superman: Legacy just after landing his third Emmy nomination for his work on the HBO dark comedy.
Congrats to the rookies!
Warner Bros has begun rounding out the cast for DC franchise resetter Superman: Legacy, studio chief Peter Safran has announced in a new piece with Vanity Fair, with Nathan Fillion (Guardians of the Galaxy Vol. 3), Isabela Merced (Madame Web) and Edi Gathegi (The Harder They Fall) coming aboard.
The Nun II has been released – you can watch it above.Directed by Michael Chaves, the upcoming sequel from The Conjuring universe returns to familiar ground as Sister Irene (Taissa Fermiga) once again comes face-to-face with Valak, the demon nun.Alongside Farmiga, the film also stars Jonas Bloquet, Storm Reid, Anna Popplewell, and Bonnie Aarons.The Nun II was written by Ian Goldberg, Richard Naing, and Akela Cooper, and based on characters created by James Wan and Gary Dauberman.In the newly released trailer, a priest is mysteriously killed before Sister Irene once again finds herself confronting the demon nun in a number of jumpy moments.
Owen Gleiberman Chief Film Critic Halfway through “Insidious: The Red Door,” there’s a moment that encapsulates why the movie isn’t more insidious. Josh Lambert (Patrick Wilson), the father from the first two “Insidious” films (this one is number five), has just dropped his son off for his freshman year at college. The son, Dalton, is once again played by Ty Simpkins, who was just a spooked kid in the earlier films; now he’s a spooked surly emo art student draped in hippie hair. Eight years ago, Dalton and his father were hypnotized so that they would lose all memory of the Further, the spirit zone Dalton got sucked into as an astral projection of himself. The hypnosis worked; they’ve forgotten the living nightmares they saw. But now the visions are coming back.
Insidious: The Red Door brings a sense of finality to the supernatural horror franchise.Directed by Patrick Wilson, who also returns as Josh Lambert, the franchise’s fifth installment brings back fellow original cast members Ty Simpkins, Andrew Astor, Rose Byrne and Lin Shayne for what’s billed as the Lambert family’s “final chapter”.The film also stars newcomers Hiam Abbass and Sinclair Daniel, from a screenplay by Scott Teems.A sequel to Insidious: The Red Door has not been announced. Speaking to DiscussingFilm, producer Jason Blum explained the fifth installment will be the last we’ll see of the franchise for a “while”.“It may not be a forever rest, but it’s certainly going to be a very long rest,” Blum said.
The fifth film in the franchise and a direct sequel to 2013’s “Insidious: Chapter 2,” “Insidious: The Red Door” is a confident and satisfying addition to the series. READ MORE: The 25 Most Anticipated Horror Films Of 2023 Picking up ten years after the events of the second film, the Lamberts are a fractured family in mourning. Patrick Wilson returns as Josh Lambert, a father struggling with the loss of his mother, Lorraine, and keen to mend the relationship with his oldest son, Dalton, again played by Ty Simpkins.
The Nun’s back!
Taissa Farmiga is back as Sister Irene and she’s about to come face-to-face once again with Valak in The Nun 2.
Charna Flam New Line Cinema has released the trailer for its latest “Conjuring” project, “The Nun 2.” The sequel, starring Taissa Farmiga, is set to premiere in theaters on Sept. 8. The film begins in 1956 after a priest is viciously murdered in France.
Meet the new Superman. David Corenswet has been cast as Clark Kent in Superman: Legacy.
Matt Donnelly Senior Film Writer DC Studios has knighted a new Clark Kent and Lois Lane. David Corenswet and Rachel Brosnahan will play the coveted parts in James Gunn’s “Superman: Legacy.” The latest on-screen iteration of the iconic comic book hero will largely be a workplace origin story, Gunn said when he and fellow DC steward Peter Safran laid out their narrative plans in January. Corenswet, who broke out in Ryan Murphy’s Netflix series “Hollywood,” will play cub reporter Kent at the fictional newspaper The Daily Planet. Brosnahan will be his coworker and co-lead. Gunn is directing the project from his own screenplay, based on the character created by Jerry Siegel and Joe Shuster. Safran (“Aquaman,” the upcoming “Aquaman 2,” and The Conjuring franchise) will produce. The project is set for release on July 11, 2025.
Following months of audition tapes and in-person screen tests, Warner Bros and DC Studios have their new Clark Kent and Lois Lane. David Corenswet has been set to play Superman while Rachel Brosnahan are on board to play Lois Lane in James Gunn’s Superman: Legacy.
Zack Sharf Digital News Director James Gunn agreed during a recent interview on the “Inside of You” podcast that there are “too many” superhero movies and television shows. Gunn is the new co-boss of DC Studios alongside Peter Safran, and he assured fans the company will not “overextend” itself with content as it begins to launch a new DC Universe that includes Gunn’s “Superman: Legacy” and more. “We’re going to be very careful with the product that we put out and making sure everything is as good as it can possibly be,” Gunn said. While the sheer volume of superhero content is a problem, Gunn stressed that lazy storytelling is a much bigger issue facing the genre at the moment.
Rebecca Rubin Film and Media Reporter “The Flash” continues to stumble at the box office, collecting $26.6 million from 78 international territories over the weekend and bringing its overseas tally to just $123.3 million. The Warner Bros. comic book movie, starring Ezra Miller as the eponymous, timeline-spanning speedster, has grossed $210.9 million globally, including a lousy $87 million at the domestic box office. It’s far less than what a film of its size and scope — it cost $200 million to make and another $100 million to market — needs to break even in its theatrical run. China is leading the foreign territories with a lackluster $23.6 million followed by Mexico with $14.4 million and the United Kingdom with $8.5 million.