‘The Marvels’ Director On Superhero Movie Fatigue & Why Her Film Is Different

Rebecca Rubin Film and Media Reporter This “Barbie” is officially the highest-grossing movie of the year in North America. Greta Gerwig’s fantasy-comedy, starring Margot Robbie and Ryan Gosling, has generated $575.4 million at the domestic box office, overtaking the previous champion, “The Super Mario Bros. Movie,” which has collected $574 million domestically.

Blue Beetle,” part of the DC Extended Universe, was squished last weekend when it made a measly $45 million at the worldwide box office. That floperoo follows a string of embarrassing DC bombs in the past year, including “Black Adam,” “Shazam! Fury of the Gods” and “The Flash.” Losers, all.Over at Marvel, the situation isn’t as bleak, but the party is winding down.

Camila Alves McConaughey is opening up about her husband, Matthew McConaughey‘s, personality.

Superhero films are frequently box office smash hits.

It’s been a while since Michel Gondry‘s last film: eight years, in fact.

Noel Gallagher makes a huge Manchester homecoming on the August bank holiday weekend at Wythenshawe Park. It will be Noel Gallagher's High Flying Birds' biggest ever UK outdoor headline gig.

Owen Gleiberman Chief Film Critic It’s a clockwork ritual of awards season. A movie in contention, one based on a true story, will be dinged for presenting a version of reality that isn’t real enough.

Quinton Aaron is coming to the defense of his on-screen mom, Sandra Bullock.Aaron spoke with ET's Kevin Frazier amid the ongoing legal drama between Michael Oher and the Tuohy family. Aaron, who played Oher in the 2009 hit film, spoke out about his former co-star, who took home an Oscar for her role as Leigh Anne Tuohy in the film about the NFL star and the Tuohy family.Oher filed a lawsuit against the Tuohys on Monday, alleging that they tricked him into a conservatorship shortly after he turned 18. Now Aaron is slamming those calling for Bullock to return her Oscar in the wake of the allegations against the family and their alleged treatment of Oher.

Jazz Tangcay Artisans Editor Prime Video has debuted the trailer for their upcoming drama “A Million Miles Away.” Based on a true story, Michael Peña stars as José Hernández, the first migrant farm worker to become an astronaut and go to space. The film will be released on Sept. 15 in honor of Hispanic Heritage Month.

They’re going higher, further, faster! Brie Larson is back as Captain Marvel/Carol Danvers in The Marvels, and she isn’t flying solo this time.

Are superhero films in trouble? It’s an argument that everyone’s been having in the last few years, and the pandemic hasn’t helped, given that it’s affected the bottom line of all moviegoing that’s in decline. DC doesn’t help the super narrative; they’re in freefall.

Zack Sharf Digital News Director “Candyman” filmmaker Nia DaCosta is making her superhero directorial debut with Marvel’s upcoming “The Marvels,” a sequel to “Captain Marvel” that teams Brie Larson’s eponymous superhero with Teyonah Parris’ Monica Rambeau from “WandaVision” and Iman Vellani’s Kamala Khan from “Ms. Marvel.” It’s been a shaky year for comic book tentpoles, with Marvel’s own “Ant-Man and the Wasp: Quantumania” and other films like “The Flash” and “Shazam! Fury of the Gods” flopping at the box office. Marvel is surely hoping “The Marvels” pans out more like “Guardians of the Galaxy Vol.

We’ve already reached a point in the evolution of superhero filmmaking where the tropes of the genre have been deconstructed with projects like “The Boys” and “Watchmen.” Now, the very process of making superhero films is being dissected in the upcoming series, “The Franchise.” READ MORE: ‘The Franchise’: Sam Mendes’ Superhero Satire HBO Pilot Adds Billy Magnussen, Daniel Brühl, Jessica Hynes, Richard E.

We’ve already reached a point in the evolution of superhero filmmaking where the tropes of the genre have been deconstructed with projects like “The Boys” and “Watchmen.” Now, the very process of making superhero films is being dissected in the upcoming series, “The Franchise.” READ MORE: ‘The Franchise’: Sam Mendes’ Superhero Satire HBO Pilot Adds Billy Magnussen, Daniel Brühl, Jessica Hynes, Richard E.

Ethan Shanfeld HBO has ordered Sam Mendes and Armando Iannucci’s superhero movie-making comedy “The Franchise” to series. Himesh Patel and Aya Cash star alongside previously announced cast Jessica Hynes, Billy Magnussen, Lolly Adefope, Darren Goldstein, Isaac Powell, Richard E. Grant and Daniel Brühl.

“This Past Weekend with Theo Von,” the “Pitch Perfect” actor, 39, said that while he thinks television comedies still deliver, the same can’t be said for films.“My theory is I think, I think like Marvel ruined it,” he shared. “I feel like superhero movies kind of ruined comedies.”“Because people go to the theater and you expect to watch something that costs $200 million to make and comedy movies aren’t that,” he added.The “Modern Family” actor said it’s now much tougher to pitch a comedy movie to studio bosses.“You have to like mask it.

Anna Marie de la Fuente Sanfic Industria, the industry component of Chile’s 19th Santiago International Film Festival (Sanfic), charges back in full in-person mode this year after three years online. This year’s selection, comprising 11 fiction and 10 documentaries, hails from Chile, Argentina, Colombia, Honduras, Mexico, Guatemala, Costa Rica, El Salvador, Peru, Spain and Brazil.

Adam Devine has a bold theory about the effect that Marvel films had on the general audience and said that “superhero movies ruined comedies.”

EDITOR’S NOTE: William Friedkin’s passing is a gutting experience for anyone lucky enough to have sat as he reminisced over his classic movies, with measures of regret for the recklessness, humor, and keen observations of why Hollywood’s Auteur Era gave way to the global blockbuster, and whatever it is we have today as two guilds strike seeking transparency, and residuals for writers and actors. This interview was originally published August 6, 2015 under the title ’70s Maverick Revisits A Golden Era With Tales Of Glory And Reckless Abandon. I am feeling a bit gutted by Friedkin’s passing. I looked forward to a long interview with him for his Venice-bound Showtime remake of The Caine Mutiny Court-Martial. After spending time with Billy and his elegant wife Sherry Lansing at Peter Bart’s 90th birthday where the back and forth between them proved the highlight of the evening, I wanted them to write a column for Deadline. On anything. None of that can happen now, and Deadline can only offer condolences to Sherry. And to Deadline readers who are Friedkin fans, a replay of this bracingly honest look at his career, done as he got a reissue of Sorcerer, the adaptation of the Georges Arnaud novel that first was filmed as 1953’s The Wages of Fear. The whole interview is presented as originally published nearly a decade ago. 

A lot has happened in the world of DC superhero filmmaking since David Ayer released “Suicide Squad” back in 2016. “Justice League” was released with a ton of controversy.