John Hopewell Chief International Correspondent “La Mesías,” from “Veneno” creators Javier Ambrossi and Javier Calvo, drinks deep from Catholic tradition from its very title — literally, “The Female Messiah” — to iconography and focus on faith. Another awaited Movistar+ series, “The Left-Handed Son,” created by “The Plague” screenwriter Rafael Cobos, was presented to the press in July against a spectacular backdrop taking in, just across a waterway, Seville’s iconic Torre de Oro and, a little further away, the Giralda bell tower of Seville’s Cathedral. In line with platform production trends the world over, rather than playing down local elements, Movistar+ is playing them up. For the Telefonica SVOD/pay TV player in Spain, this has been a longterm philosophy, reaching back to its earliest series in 2017.
The Mars Volta debut new songs, play stacks of classics at first show in over 10 years
24.09.2022 - 06:23 / nme.com
The Mars Volta played their first live show in over 10 years, treating fans in their home state of Texas to a stacked showcase of new songs, classics and rarities – including the first-ever performance of their 2006 track ‘Vicarious Atonement’.The latter song opened the set – which The Mars Volta performed at the 4,300-capacity Factory in Deep Ellum – setting the scene for Omar Rodríguez-López and Cedric Bixler-Zavala to deliver the first performances of ‘Roulette Dares’ and ‘Eriatarka’ (both from their 2003 debut as The Mars Volta, ‘De-Loused In The Comatorium’) since 2010.They followed those up with the first of two songs showcased from their self-titled comeback album, ‘Graveyard Love’, before throwing back to 2005’s ‘Frances The Mute’ with ‘L’Via L’Viaquez’ – also played live for the first time since 2010.Other rarities included ‘Drunkship Of Lanterns’ and ‘Viscera Eyes’ (the former being another ‘Comatorium’ cut while the latter, like ‘Vicarious Atonement’, came from 2006’s ‘Amputechture’) – both of which hadn’t been played since 2009 – as well as the first performance of ‘Comatorium’ standout ‘Televators’ since 2007. Before The Mars Volta played the latter, they premiered the set’s only other self-titled song, ‘Blacklight Shine’.Have a look at fan-shot footage from the show, then see the full setlist (via setlist.fm) below:1. ‘Vicarious Atonement’ 2. ’Roulette Dares (The Haunt Of)’ 3. ’Eriatarka’ 4. ’Graveyard Love’ 5. ’L’Via L’Viaquez’ 6. ’Empty Vessels Make The Loudest Sound 7. ’Cygnus….Vismund Cygnus’ 8. ’Drunkship Of Lanterns’ 9. ’Viscera Eyes’ 10. ’The Widow’ 11. ’Cicatriz ESP’ 12. ’Blacklight Shine’ 13. ’Televators’ 14. ’Son Et Lumiere’ 15. ’Inertiatic ESP’The Mars Volta returned with their self-titled
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The Mars Volta Reunite, Finding Rich New Textures in Their Frenetic Prog Rock: Concert Review
William Earl “Don’t you pretend that I’m not alive” were the first words whispered by the Mars Volta vocalist Cedric Bixler-Zavala’s during the group’s reunion stop in New York City on Sept. 29. The tour, in support of a new self-titled record that marks the end of a decade-long hiatus for the Texas rockers, is a reminder not only that the group itself is back but keenly aware of their legacy as a taut, adventurous live act ready to blend genres at a breakneck pace. Their first four records, especially their beloved 2003 studio debut “De-Loused in the Comatorium,” have been a gateway for younger generations of prog fans, fresh to polyrhythms and double-digit song lengths. Yet the band’s final two pre-hiatus albums — 2009’s “Octahedron” and 2012’s “Noctourniquet” — felt like a group in need of a break. This year’s comeback album is perhaps their most far-afield, as it’s their approximation of a pop music, with the average song hovering at three minute mark and produced with a flatter palette than previous work.
Kelly Ripa makes hilarious family vacation confession in her new book
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Thelonious Monk Documentary ‘Rewind and Play’ Sells to Grasshopper Film for North America (EXCLUSIVE)
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Hailey Bieber Goes Pretty in Pink for Saint Laurent Fashion Show in Paris
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Iris Law shows off new blonde pixie hairstyle at Dior SS23 show during Paris Fashion Week
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‘Aftersun’ Trailer: Paul Mescal & Frankie Corio In Charlotte Wells’ Feature Breakout
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High Concept ‘Django’ Series Revisits the World of Cult Sergio Corbucci Western – First Clip (EXCLUSIVE)
Nick Vivarelli International Correspondent An English-language reimagining of the world of Sergio Corbucci’s cult 1966 spaghetti western “Django,” which launched the career of Italian icon Franco Nero, is set to launch from the Rome Film Festival in October. The high–concept TV series, titled “Django,” will play in 2023 exclusively on Sky and its streaming service NOW in all countries where Sky operates, including the U.K., Ireland, Italy, Germany and Austria. It will also air on Canal+ in France, Switzerland, Benelux and Africa. The Rome Film Festival runs from Oct. 13-23. The 10-episode “Django” show stars Matthias Schoenaerts (“Rust and Bone,” “Bullhead”) as the iconic gunman who is the title character, alongside Nicholas Pinnock (“For Life”) as John Ellis, described as the “visionary founder” of the town of New Babylon. Lisa Vicari (“Dark”) plays Django’s daughter Sarah and Noomi Rapace (Millennium Trilogy) has the adversarial role of John’s powerful and ruthless enemy Elizabeth Thurman.
‘The Amazing Race’ Host Phil Keoghan Teases ‘Little Changes’ They Made for Season 34 to ‘Keep Things Exciting’
The world is waiting for you, so says longtime Amazing Race host Phil Keoghan, who is once again gearing up for another season of the Emmy-winning CBS series.