Jon Hyatt's documentary doesn't exactly go out on a limb by positing that we're becoming ever more addicted to technology.
08.05.2020 - 02:15 / hollywoodreporter.com
You really can't trust movie posters these days. The one for the new adventure drama The Legion features Mickey Rourke and Bai Ling prominently above the title, but, as is all too typical of internationally geared productions these days, their presence is designed to fool global audiences.
Rourke, playing a Roman general, spends almost the entirety of his brief stint in the film having a one-sided discussion with a bust of the Emperor Nero. And Bai Ling, letting her garish makeup do much of her
.Jon Hyatt's documentary doesn't exactly go out on a limb by positing that we're becoming ever more addicted to technology.
A cinematic history lesson that will be all-new to most Americans lacking ties to Korea, Min-ho Woo's The Man Standing Next observes the inner circle of South Korean president Park Chung-hee during the 40 days before his assassination on Oct. 26, 1979.
After chronicling the struggles of a talented junior writer to be seen and given a deserving opportunity by a ferocious female titan of their field in Late Night, director Nisha Ganatra steers the wish-fulfilment scenario from network television to the music industry in The High Note.
There are plenty of bodies in motion, clothed and not, in Aviva, a love story propelled by inventive dance sequences and uninhibited sex. But the first bodies we see in Boaz Yakin's atypically experimental film are defiantly still.
Esmé von Hoffman's reimagining of the ancient Roman poet as a Detroit lothario has plenty of ideas, but no clear audience in mind for them.
If armed criminals invade your home and take you hostage, don't despair. Instead, make the most of it.
Bruce Willis’ grizzled granddad may help save the day, but the star will be hard pressed to rescue this action drama
An ex-con finds the criminal life won't leave him alone in firsttime director Philip Barantini's solid Brit gangster entry.
As we all know from watching TV and movies (and from reading history books and newspapers), the super-rich are different from you and me. The endless pursuit and maintenance of wealth, status and power isn't your usual 9-to-5, and along the way it's not unusual to accrue one or two skeletons in the closet — or, in the case of the Monroe family in the would-be thrillerInheritance, a prisoner in the dungeon.
Lily Collins "inherits" her tycoon father's terrible secret — a captive Simon Pegg — in this overlong, implausible thriller.
Stop me if you've heard this before. Someone who's always been on the wrong side of the law is determined to go straight and start a new life.
Kumail Nanjiani and Issa Rae are a quarreling couple out to solve a murder, but the first movie directed by Michael Showalter since "The Big Sick" is a crime comedy that aims lower than it thinks.
As a grieving cop, Mary J. Blige serves and protects a tricky storyline in this socially-engaged supernatural thriller.
"I didn't have any goals; I just went where the winds of curiosity blew me." So says Diana Kennedy, a groundbreaking authority on Mexican cooking, in Elizabeth Carroll's intimate portrait. On the superficial face of it, those words might sound disingenuous, but they go to the heart of Kennedy's unconventionality and lifelong pursuit of authenticity.
An intriguing and well-executed attempt to supply something Americans were denied in 2014, Roee Messinger's American Trial: The Eric Garner Story uses non-actors and real community members to imagine a trial that Staten Island grand jurors inexplicably refused to hold: In this conjured reality, unlike our own, NYPD officer Daniel Pantaleo is indicted for reckless manslaughter and first-degree strangulation in the killing of unarmed New Yorker Eric Garner.
Set aside the fact that present circumstances may make viewers resentful of a film motivated by its makers' urge to see exotic tourist destinations and eat in expensive restaurants that are closed now. The format of Michael Winterbottom's Trip series, in which Steve Coogan and Rob Brydon take luxurious foodie vacations together, has served up various pleasures for moviegoers in the past, and there was no way of knowing how tone-deaf it might appear upon its mid-lockdown release.
Dea Gjinovci’s empathetic documentary on an asylum-seeking family's plight is touching despite some mishandled priorities.
Has it really been 10 years? The fourth 'Trip' film — and maybe the last — finds Steve Coogan and Rob Brydon retracing the path of Odysseus as they continue to eat, drink, and be quippy.
Film critic and filmmaker Dan Sallitt's fourth feature tracks the ebb and flow of young female friendship with exquisite specificity and grace.
Proximitywears its old-school sci-fi heart on its sleeve, beginning with the Close Encounters-quoting pow of an opening and flipping through a catalog of movie references. The homage, however endearing, proves limiting too for this tale of alien abduction, wide-eyed innocents and covert government baddies.