Prince Philip (AKA Philip Mountbatten or the Duke of Edinburgh) turned 99 on June 10 and there’s no better way to celebrate him than a look back at his best fashion moments of all time.
22.05.2020 - 21:49 / variety.com
Esmé von Hoffman's reimagining of the ancient Roman poet as a Detroit lothario has plenty of ideas, but no clear audience in mind for them.
By Guy Lodge
Film Critic
Making the classics hip for a new generation is by now a storytelling tradition as embedded as the classics themselves: Screens and stages have been so flooded over the decades with updated, dressed-down interpretations of Shakespeare plays, or sundry Greek and Roman myths, that it’s tempting to label traditionalism the new
Prince Philip (AKA Philip Mountbatten or the Duke of Edinburgh) turned 99 on June 10 and there’s no better way to celebrate him than a look back at his best fashion moments of all time.
Prince Philip, Duke of Edinburgh, and Queen Elizabeth's husband marked his 99th birthday on Wednesday. One of the oldest members of the royal family, a new photo was released on social media to commemorate Prince Philip's special day.
Also Read: 'The Trip to Greece' Film Review: Fourth Time's Still a Charm for Steve Coogan-Rob Brydon TalkfestIn “Sometimes Always Never” — which is not to be confused with Eliza Hittman’s recent “Never Rarely Sometimes Always” — two-letter terms, mainly from the Greek alphabet, have secured many a Scrabble victory for Alan. It’s a brainy pastime he dominates with aggressive competitiveness.
Early in “Judy & Punch,” a wife who’s just helped her husband perform a vigorously slap-happy puppet show in a desultory corner of 17th century England poses the question, “Do you think the show really needs to be that punchy?”
More than a PSA or cinematic call to arms, this indie documentary is a compassionate, sincere manifesto on suicide prevention.
A hijacked drug deal's messy aftermath ensnares an entire family in Christian Sparkes' effective if overloaded crime drama.
Pushed over a metaphorical cliff, the two nonconformists in Josephine Decker’s “Shirley” — her follow-up to the mind-bending “Madeline’s Madeline” — bond over the maddening submissiveness expected of them, which they both come to furiously abhor. Their strange alliance makes for a psychologically layered portrait of unapologetic womanhood that’s dangerously sensual and sumptuously rebellious.
[Note: In the wake ofthe Hot Docs festival's postponement this year,The Hollywood Reporteris reviewing select entries that elected to premiere digitally.] In 1970 New York City, a series of ground-shifting, life-saving events took place in relatively quick succession. It's astounding that they aren't more widely known.
A film about a L.A. black lesbian strip club is smart, intimate and eye-popping — a documentary that both PornHub and the Criterion Channel could get behind.
The latest film from iconoclastic Canadian filmmaker Bruce McDonald proves at least one thing: The only thing better than Stephen McHattie in a movie is two Stephen McHatties. Playing both a heroin-addicted jazz trumpet player and a hitman who develops a conscience, the veteran character actor — you'll immediately recognize his face even if his name doesn't ring any bells — grounds Dreamland in emotional depths it otherwise strains to achieve.
A riotous, rule-ignoring Ugandan romp in which giddy exuberance obliterates amateurish filmmaking and a threadbare child-kidnapping plot.
Sharon Liese's documentary follows the contrasting trajectories of four transgender children in Kansas City with engrossing, sometimes surprising results.
This year's Scripps National Spelling Bee, which was scheduled to take place last week, was canceled due to the coronavirus pandemic. COVID-19 may well have been the only force capable of preventing an Indian American competitor from winning the contest for the 13th year in a row.
Everyone has their own journey, that much is for certain. For instance, Farrah Abraham started working in pornography around the same time as her role in Teen Mom from MTV.
Murderous escaped cons are no match for the wrath of a 13-year-old girl in this over-the-top yet effectively taut thriller.
This time it’s personal as Lynn Chen puts Asian actresses front and center in her winning conclusion to the 'Surrogate Valentine' trilogy.
By Owen Gleiberman