As the title suggests, the documentary “Queer Japan” is big and broad, not focused.
20.11.2020 - 02:34 / hollywoodreporter.com
When it comes to baseball sayings that apply to real life, the term "swinging for the fences" couldn’t be more suitable for the three major-league hopefuls at the heart of Sami Khan and Michael Gassert’s gripping new sports documentary, The Last Out.
Focusing on a trio of Cuban defectors who live and train together in Costa Rica as they try to land a lucrative contract in the U.S., the film portrays just how high the stakes are for athletes who are betting not only their careers, but also their
.As the title suggests, the documentary “Queer Japan” is big and broad, not focused.
Meryl Streep is Alice Hughes, a demanding well-renowned writer struggling to complete her newest manuscript. Karen (Gemma Chan) is her young new agent.
As venues around the world open and shutter in sync with the fits and starts of local pandemic containment measures, it's reassuring to know that one of London's most cherished institutions, the jazz club Ronnie Scott's, founded in 1959, is still chugging along. (It's reopening after a short lockdown again Dec.
Caroline Framke Chief TV CriticWhen I think of “Euphoria,” I think of neon lights, glitter smeared across bleary eyes, dizzying camera angles betraying the disoriented teenage mania that fuels it. I think of Rue (Zendaya) staring across a crowded room at Jules (Hunter Schaefer) with such palpable longing that it hurts.
Bad Bunny and The Weeknd are among the Most-Streamed Artists of 2020.Streaming giant Spotify has unveiled its annual Wrapped list for the year, and the 26-year-old Puerto Rican rapper came out on top, with more than 8.2 billion streams globally.Reacting to the news, Bad Bunny – whose real name is Benito Ocasio – said: “Nahhh! Oh, wow! Thank you. I don’t know what to say.
An elegantly composed mosiac of real events and artfully restaged memories, Iranian director Firouzeh Khosrovani's stylized documentary Radiograph of a Family is a personal passion project with rich political and cultural resonance.
“There are eight million stories in the naked city,” went the voiceover in Jules Dassin’s classic Big Apple-set film noir. Two such stories make up the crux of the documentary Five Years North, which follows a pair of New Yorkers who couldn’t be more incompatible, even if their lives are connected in larger, more meaningful ways.
Joe Leydon Film CriticMore than two years after filming wrapped, “Superintelligence” the latest joint effort of Melissa McCarthy and her director husband Ben Falcone, has finally popped up on a streaming platform — specifically, HBO Max — which arguably is the natural habitat for a lightweight, undemandingly engaging comedy that can be enjoyed either entirely in one sitting, or sporadically in bite-sized chunks.
Watch Video: Melissa McCarthy Apologizes as HBO Max Nixes Donation to Group With Anti-LGBT History: 'We Blew It'Carol (McCarthy), our protagonist, does want to good in the world; since stepping down from her exec position at Yahoo, she’s spent most of her time working for environmental and pet-rescue non-profits.
Also Read: See Johnny Flynn as David Bowie in First Look at Unauthorized Biopic 'Stardust'For better and for worse, “Stardust” grapples with those issues as it follows a 24-year-old Bowie on a promotional tour through the United States in 1971, accompanied by a long-suffering Mercury Records publicist named Ron Oberman.Johnny Flynn plays Bowie, Marc Maron plays Oberman, and the point of director and cowriter Gabriel Range’s film is to trace the seeds of Bowie’s breakthrough character, Ziggy
An intellectual inquiry with burning present-day resonance, The Meaning of Hitler is also a road trip through some of the darkest chapters of European history. In one of the artfully constructed film's visual motifs, we watch the road itself through a windshield, a not-to-be-ignored Mercedes-Benz hood ornament positioned prominently in the frame.
Prolific, lyrical, and possessed of that entrepreneurial optimism which afflicts some who have seen the worst of what the world has to offer, David Wojnarowicz was a multivalent artist who survived a tormented childhood and decanted that bone-deep fury into his work.
Not to take anything away from filmmaker Dana Nachman, but her new documentary certainly benefits from the timing of its release. The film focuses on the 107-year-old Operation Santa program run by the U.S.
When Gary Duncan was arrested on trumped-up charges, essentially for being Black, his situation was hardly unique. But his readiness to fight the bogus case was nothing short of heroic, especially in 1966 Plaquemines Parish, near New Orleans, part of a region that one of the interviewees in Nancy Buirski's film calls a "totalitarian nation." The word "totalitarian" is uttered several times in A Crime on the Bayou, and on the evidence of this real-life drama, it isn't hyperbole.
In her 60-some years on Earth, Lorine Padilla has seen, done and endured enough to fill several lifetimes.
The kind of story at the heart of Baby God is sadly familiar from news reports. As text at the end of the documentary points out, "More than two dozen U.S.
Though he's adept enough at sleight-of-hand and other stage trickery to have earned the admiration of people like Ricky Jay, Penn & Teller and David Blaine, performer Derek DelGaudio bristles at the term "magician." Anyone inclined to think that makes him pretentious can look to Derek DelGaudio's In & Of Itself, in which Frank Oz documents the singular 2017 off-Broadway show (also directed by Oz) that embodies his ideal: Here, the patter employed by some ambitious illusionists becomes full-blown
Rebecca Danigelis was a 75-year-old housekeeping supervisor at a hotel when she was fired. She had $600 in savings and had cashed in her 401K to send her younger son, Sian-Pierre Regis, to college.
Near the start of Alex Gibney’s documentary “Crazy, Not Insane,” his subject asks the kind of essential question that feels so unanswerable that it is brought up not nearly as often as it should be. Thinking about the nature of evil and recalling her childhood interest in the Nuremberg Trials, she asks very plainly, “How come I don’t kill?” Everyone gets angry.
In 1976 Clive Cussler published Raise the Titanic!, a novel in which a team of undersea adventurers attempted to bring the famous shipwreck to the surface and recover its treasures. But Cussler's hero Dirk Pitt was late to this game: For the previous six or seven years, the CIA had been secretly attempting something similar in the real world, with a much more dangerous treasure in mind.