Bella Thorne and fiancé Mark Emms steal the spotlight at the 80th Venice Film Festival

Writer-director Eddie Alcazar’s dystopian sci-fi thriller Divinity, starring Stephen Dorff, Bella Thorne, and Scott Bakula, has landed a SAG-AFTRA Interim Agreement. The pact will allow cast members to get out and promote the theatrical release of the film, which hits Regal Union Square in New York on October 13th and LA on the 20th, ahead of a wide expansion on November 3rd.

Coco Gauff reflects on what it’s like to win the US Open with a special video.crazy Emrata makes hilarious TikTok about her actions when she was newly single, possibly poking fun at the way some of the men she dated looked. grateful this period of the healing process has passed Meg Thee Stallion gets the last laugh when it comes to speculation she was fighting with Justin Timberlake at the MTV VMAs.

“People find that hard to believe that I was never really paid very much money for any of the jobs I’ve done,” Sopranos actress Drea de Matteo said about her decision to post racy content on subscription site OnlyFans. “People think I’m f***ing made of gold, and I’m not. I’ve worked job to job.”

EXCLUSIVE: Screen Media has announced its acquisition of all North American rights to Helen’s Dead, a mystery comedy starring Dylan Gelula (Dream Scenario), Emile Hirsch (Into the Wild), Tyrese Gibson (Fast X), Annabelle Dexter-Jones (Succession), and Oliver Cooper (Red Oaks). Set to hit theaters in at least the top 10 markets, the film will open day-and-date on November 3.

Eddie Alcazar’s latest movie, “Divinity,” premiered at the Sundance Film Festival earlier this year and had many varied, sometimes puzzled, but dazzled, reactions. Alcazar is no stranger to giving viewers unique moviegoing experiences, and it seems like “Divinity” will be his most ambitious piece of work yet.

Holly rings her school to tell them she is staying at home. She isn’t sick. She just can’t bring herself to go. “Bad things are going to happen today,” she says just above a whisper, her voice cracking.

The Venice Film Festival’s Golden Lion has been given to a winner!

There’s been a lot of jealous talk about nepotism in the film world lately, but who would really want to come into the movie world as a, what, fourth-generation Huston? There are likely swords already being sharpened for Jack Huston, the handsome, charming, 40-year-old nephew of Anjelica, grandson of Jack and great-grandson of Walter. But his directing debut, Day of the Fight, which premiered this week in the Venice Film Festival’s Horizons Extra section, is certainly worthy of the family name. It’s a little earnest, sometimes a bit too style-conscious, and Huston is inclined to put performance before story every time. But the emotional input really earns its payoff in a confident, imaginatively mounted calling card.

It was 22 years ago that Skip Hollandsworth wrote a Texas Monthly article about Gary Johnson, a school teacher who moonlights as a hit man who doesn’t kill people. Now if that doesn’t sound like the formula for a hit movie, you may understand why it has taken so long for Gary’s story to make it to the silver screen, so long in fact that its subject passed away before he could hit the red carpet of the Venice Film Festival where the film is having its World Premiere tonight. Nevertheless Glen Powell never forgot the story and has teamed with Richard Linklater to finally tell it, but it is only “loosely” based on the article. Certain details in the screenplay co-written by Linklater and Powell are made up, and those are the details that actually help make this a hilarious winner, as well as perhaps Linklater’s most commercial movie since School Of Rock. Its quirky true crime element also has a bit in common with Linklater’s Bernie which starred Jack Black. The director seems drawn to this kind of offbeat tale, with some level of truth to it.

As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieska Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its directors age. Awards-wise, this may prove to be the international feature to beat.

Exactly who are these people? They’re rich, obviously. They’re Parisian, which means that they are already fantasy figurines in the European curiosity shop of Woody Allen’s imagination. But does any actual modern man, no matter how rich and unfathomably French, come home from work in 2023 to request a cognac from his wife, who then calls out to the maid to bring Monsieur a cognac while she configures herself into a glamour position on the couch? Is this actually 1953? Or maybe 1923 – the Gatsby era, where Woody Allen is clearly a very enthusiastic visitor?

Ellise Shafer While receiving amfAR’s Award of Inspiration at the AIDS nonprofit’s Venice gala on Sunday night, Ava DuVernay recalled the first time she fell in love with movies. “It was the original ‘West Side Story,'” DuVernay said.

Kate Beckinsale and Rita Ora both went dramatic with their red carpet looks at the 2023 amfAR Gala in Venice, Italy.

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Thanks to science fiction, we all have a basic grip on the theory of the multiverse: the idea that there are innumerable parallel worlds in which the chances and choices of the past – the roads not taken, whether by ourselves or the dinosaurs – have split off into alternative stories, endlessly bifurcating into other pasts, other futures that must be peopled, most provocatively, with other versions of ourselves. It is an idea that has proved rich pickings for comic-book adventures, where peril can come from any available universe and there is always a chance of confronting a doppelganger, but German director Timm Kröger has returned to the theory – which dates back to the 1950s – to explore how mysterious, sinister and terrifyingly vast a proposal it really is. This is a theory of everything where everything – that familiar word – is infinite. Where nothing, in fact, is ever going to be “everything.”

Roman Polanski’s Venice Film Festival feature The Palace received a 3 minute ovation tonight at its world premiere screening.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Mads Mikkelsen and his son Carl Jacobsen Mikkelsen make quite a dashing pair!

When Andy Kaufman passed away in May 1984, it was the final full stop in a life that seemed to be endlessly self-regenerating. Or was it? Rumors that this was another of his bizarre stunts were rife at the time, so much so that one of the mourners at the comedian’s funeral poked the body that lay in the casket to see if it would move.

Back in 2009, Yorgos Lanthimos led the so-called Greek Weird Wave with the Oscar-nominated Dogtooth, an unsettling exploration of a family of teenagers kept from the world by their father in a gated estate that they could never leave. The family is rich, so they can have anything they want except the wide world and their freedom; even sex can be bought in.