‘The Invisible Man’ Review: Dir. Leigh Whannell [2020]

In an unprecedented move, Universal Pictures will make a bunch of their theatrical titles available on-demand from this coming Friday, including the box-office smash that is The Invisible Man. Recent releases The Hunt and Emma will also be available to rent in the United States and other ‘offshore markets where the titles are in release,’ so reports Deadline. The recommended price point will be $19.99 for a 48-hour rental.

In today’s film news roundup, “The Invisible Man” hits a milestone; “Kajillionaire,” “Come Play” and “Green Rush” get release dates; and Jack Eve’s romantic drama “Open” wraps shooting.

The Korean box office hit rock bottom this weekend due to coronavirus that is fast spreading in the country. According to KOBIS, the box-office tracking service operated by the Korean Film Council, the country’s box office managed some 230,803 ticket sales between Saturday and Sunday. That is lower than the previous weekend’s 285,663 admissions and is not even half the sales managed over the weekend before that.

When Benjamin Wallfisch learned that he was going to compose the score for the 2020 reboot of “The Invisible Man,” he deliberately stayed away from rewatching the 1933 original. The goal, he says, was “to keep the sound as fresh as possible.”

One of the first conversations production designer Alex Holmes had with “The Invisible Man” director Leigh Whannell was about grounding the film in reality and treating it like a psychological thriller, rather than a horror or science-fiction movie.

The Invisible Man revamp has spooked its way to the top of the North American box office.

LOS ANGELES -- The Elisabeth Moss-led thriller “The Invisible Man” rode a wave of good reviews to a very visible spot atop the box office this weekend. Universal Pictures on Sunday estimated that the film from writer-director Leigh Whannell earned $29 million from North American theaters. Internationally, it picked up an additional $20.2 million.

Despite a solid showing from Universal’s “The Invisible Man” at the international box office, Paramount’s family film “Sonic the Hedgehog” reigned supreme for the third weekend in a row.

A woman-in-peril movie is a not a new thing (just think of “Wait Until Dark,” “Eyes of Laura Mars,” or “Panic Room”), and neither is a woman-in-peril movie in which the heroine, after being stalked and terrorized, takes charges and fights back.

By Nancy Tartaglione

Universal’s “The Invisible Man” materializes at the top of box office charts after debuting to $29 million in North America over the weekend.

By Anthony D'Alessandro

By Bruce Haring

Fresh off the successful opening weekend of “The Invisible Man,” director Leigh Whannel has signed a first-look deal with Jason Blum’s Blumhouse Productions for film and television.

You might say that many moviegoers "saw" Leigh Whannell and Elisabeth Moss' The Invisible Man in theaters yesterday. The Dark Universe may be dead, but Universal’s monster mash is alive and well thanks to some old-fashioned showmanship.

Elisabeth Moss’ “The Invisible Man” scared up a solid $26 million opening weekend at 3,610 North American locations, estimates showed Saturday.

Elisabeth Moss’s “The Invisible Man” is dominating North American moviegoing and should scare up about $23 million at 3,610 locations, early estimates showed Friday.

In 2018, director Leigh Whannell met with Universal Pictures executives, thinking that they wanted to talk about another project. Instead, they brought up a surprising idea, to reinvent H.G. Wells’ “The Invisible Man” as a stand-alone thriller targeted to a new generation.