‘The Flash’ Predicted To Rule Box Office In 2nd Weekend Of Release

When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut.

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

McKinley Franklin editor Let’s-a-go: “The Super Mario Bros. Movie” is officially making its way to Peacock on Aug. 3, the streamer announced on Thursday. Fans will also get treated to bonus content when the blockbuster animated film arrives on Peacock, including behind-the-scenes interviews with the voice cast, an immersive video field guide and a lucrative “Peaches” lyrical video. Peacock $4.99/Month Buy Now

Angels Studios’ Jim Caviezel thriller, Sound of Freedom, came on strong on Tuesday givingDisney/Lucasfilm’s Indiana Jones and the Dial of Destiny a run for his money, however, until actuals are reported, it remains to be seen who won July 4th, both distributors reporting $11.5M.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. The film earned $117 million, according to data from consultancy Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the second biggest film on the planet, behind “Indiana Jones,” according to Comscore. After two weekends on release, it has accumulated $320 million. “Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,” which itself was adapted from a Robert Thomas stage play. It sees a woman disappear while on an overseas trip with her husband. Just as mysteriously, she reappears at the moment that the search for her is running out of steam. But the man refuses to accept that she is the same woman and believes that she is an imposter.

according to IMDB’s Box Office Mojo.The film stars Harrison Ford in his fifth and final portrayal of archeologist-extraordinaire Jones. “While Ford is scrappy and lovable as ever, Indy was never a role that should have been played for 41 years,” The Post said.“Spider-Man: Across the Spider-Verse” remained in second place this week, taking home $3.435 million.

“Indiana Jones and the Dial of Destiny” hit theatres on Friday, but given the long-awaited sequel’s weak opening-day numbers, a better title may have been “Indiana Jones and the Box Office of Doom”.

The Super Mario Bros. Movie” and “Guardians of the Galaxy Vol. 3” have generated massive business, the kind that would have been impressive in pre-COVID times. And movies like “Cocaine Bear,” “Scream VI” and “Evil Dead Rise” have been solid mid-budget hits, selling tickets in the spring and winter months when cinemas are hustling to keep seats filled. Overall, the domestic box office stands at $4.35 billion, a 20.7% improvement over where ticket sales clocked in at the same point in the pandemic-blighted 2022, according to Comscore. So things are getting better, and there are several promising films on the horizon such as “Mission: Impossible – Dead Reckoning Part One” and “Barbie” that could prove to be big summer hits.

As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” was the top-grossing film on the planet over the latest weekend – despite playing only a single territory. The film earned $70.7 million (RMB502 million) between Friday and Sunday in mainland China, according to data from consultancy Artisan Gateway. That put it far and away ahead of other Chinese new releases and Hollywood’s holdovers “Transformers: Rise of the Beasts” and “The Flash.” With the Dragon Boat Festival holiday occurring on Thursday, the film was given an unusual one-day advance on the normal releasing pattern in China. Including Thursday takings, the film made a total of $98.3 million (RMB968 million).

according to IMDB’s Box Office Mojo.The Jennifer Lawrence-led flick centers around a 32-year-old bartender and Uber driver who accepts a job to date a 19-year-old from a Craigslist ad created by his parents.Rolling Stone said the A-List actress is “easily the best thing in this comedy about a woman hired to ‘date’ a shy high school senior — yet not even foul-mouthed, no-filter J-Law can save this mess.”“Spider-Man: Across the Spider-Verse” crawled up to second place after being in third last week, earning 5.7 million. There was buzz from fans that a sequel to the flick would be released in March, but that rumor was dispelled from an anonymous artist who worked on the movie.“There’s no way that movie’s coming out then,” the employee dished to Vulture.“Everyone’s been fully focused on Across the Spider-Verse and barely crossing the finish line.

Sony’s new comedy “No Hard Feelings” is making a respectable run at the box office.

Sony’s mission to return comedy to the big screen with the R-rated Jennifer Lawrence movie No Hard Feelings began Thursday, when the film grossed $2.15 million from showtimes that began at 4 p.m. at 2,745 locations. The pic hopes to do around $12M this weekend in what will be second session where Warner Bros’ misfire The Flash hopes not take a -70% tumble. At the low end that’s $16.5M. A good hold will be off 55% to north of $24M.

Jennifer Lawrence’s much-discussed return to studio star vehicles, in a film being pitched as a canary in the coal mine for the theatrical strength of star-driven comedies, got off to a promising start as Sony’s “No Hard Feelings” earned $2.15 million in Thursday previews. Meanwhile, Wes Anderson’s “Asteroid City,” which shattered records for a per-theater-average for a six-screen (or more) release last weekend, expanded into 1,675 theaters with $1.1 million for Focus Features.

Warner Bros DC’s The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independent Day stretch. That weekend 2 slide for The Flash reps a 55% to 70% decline.

Naman Ramachandran Warner Bros.’ superhero film “The Flash” debuted atop the U.K. and Ireland box office with £4.2 million ($5.4 million), according to numbers released by Comscore. In second place, in its third weekend, Sony’s “Spider-Man: Across The Spider-Verse” swung to £2.6 million for a total of £20.3 million. In third position in its fourth weekend, Disney’s “The Little Mermaid” earned £1.3 million and now has a splashy £22 million total. Paramount’s “Transformers: Rise Of The Beasts” collected £1.1 million in fourth place in its second weekend for a total of £4.99 million. Elysian’s “Greatest Days” debuted in fifth position with £536,955.

Patrick Frater Asia Bureau Chief Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It deposed “Transformers: Rise of the Beasts” which opened a week earlier and which slipped to second place in its sophomore frame. “Transformers” took a 69% fall and recorded $12.4 million between Friday and Sunday in China. That produces a $61.7 million cumulative after ten days in Chinese theaters.

Rebecca Rubin Film and Media Reporter After struggling at the domestic box office, this weekend’s two major releases — the Warner Bros. superhero adaptation “The Flash” and Disney’s Pixar adventure “Elemental” — failed to catch fire with international audiences. “The Flash” pulled in $75 million in its international box office debut, which doesn’t sound all that bad… except when considering the movie is available in 78 overseas markets. That means it failed to hit $1 million in the vast majority of the territories in play. China led the way with a lackluster $13.8 million, followed by Mexico with $9.4 million, the United Kingdom with $5.3 million, Korea with $3.7 million and Brazil with $3.5 million.

Ben Croll The walls of Barcelona’s international convention center might soon rattle once the 4,000 European exhibitors, suppliers and service providers in town for the CineEurope trade show breathe out a collective sigh of relief. At the root of such succor are Europe’s more than encouraging box-office admissions, which saw a marked uptick in late 2022 and have continued to rise into the new year. “I think this edition will be very much about celebrating because 2022 was a much better year than 2021,” says Laura Houlgatte, CEO of the Intl. Union of Cinemas (UNIC), which tends to the needs of cinema trade associations and exhibitors across the old continent. “[What’s more] the numbers for the first quarter of 2023 have left everyone in a very good mood.”

The Flash is currently No. 1 at the box office, although the numbers are not quite matching expectations.