In Jim Cummings' attention-grabbing 2016 short film Thunder Road, which spawned a 2018 feature by the same name, the writer-director played a grief-struck cop dealing with an angry estranged wife and his responsibilities to their young daughter. His role is nearly identical on paper in The Wolf of Snow Hollow, a bloody mystery that shares some of the previous film's uncategorizable edge but is never quite as compellingly strange.