Starring Sean Hayes as the sad-sack heroine, this tepid comedy is a drag in more ways than one.
15.03.2020 - 05:23 / variety.com
Dim echoes of David Lynch and early Roman Polanski abound throughout “The Carnivores,” a fitfully fascinating mix of teasing narrative opacity and stylized psycho-thriller atmospherics.
The shot-in-Austin indie feature, originally set to premiere at the cancelled SXSW Film Festival, instead had a March 14 unveiling at a private event in the Texas capital city attended, according to a press release, by “the film’s crew, cast, friends & family, and prominent members of the Austin film community.”
.Starring Sean Hayes as the sad-sack heroine, this tepid comedy is a drag in more ways than one.
A drama about the drug scourge that's ravaging the heartland — a bit of sociology with a touch of vigilante — feels like a rough indie sketch for the powerful contempo drug movie we have yet to see.
A tone-deaf attempt to recreate the nasty comic vibe people associate with certain '80s buddy cop films, Michael Dowse's Coffee & Kareem names a key character for director Walter Hill, just to make sure we know what it's going for. Then it tweaks the Eddie Murphy-era format by pairing a white cop with a distractingly foul-mouthed black 12-year old.
Her rowdy and emotionally stirring second album represents the pinnacle of what contemporary mainstream country can be.
Can bullying be defeated by self-bullying, or public threats of self-harm? That's the premise of Paul A. Kaufman's Butter, in which a lonely, obese teen tries to shock classmates into silence by threatening to eat himself to death.
Sure, the premise is puerile, but the humor is decidedly inappropriate for young viewers in this Netflix action comedy pairing Ed Helms with a 12-year-old.
A gang of highly dysfunctional, co-dependent teenagers face down encroaching adulthood in Melanie Waelde's erratic but often electric debut.
German-born, Austin-based director Bastian Günther has crafted an artful but unnaturally pessimistic retelling of Texas' infamous 'Hands on a Hard Body' competition.
NEW YORK -- The popcorn will be bring your own and the barbecue won't be as good, but the Austin, Texas, SXSW Film Festival is moving online after having its 27th edition canceled by the coronavirus pandemic.
Out of the vast universe of nature documentaries, I don’t think I’m alone in finding films about life under the sea to occupy a special place. The very fact that they exist, of course, is amazing — though when you watch one, part of the wonder is that you’re not thinking about how aquamarine filmmakers actually hovered in the ocean depths to shoot this stuff.
With the exception of Flipper from 1960s television, or maybe the talking Fa and Bea from Mike Nichols' 1973 movie The Day of the Dolphin, few cinematic dolphins have displayed quite as much personality as Echo, the main character in Dolphin Reef, Disneynature's new documentary premiering on Disney+, narrated by Natalie Portman.
A riveting and radical act of empathy, with actress Deragh Campbell’s unforgettably embodied portrayal of mental instability as the eye of its storm, Canadian director Kazik Radwanski’s astonishing third feature (after “How Heavy This Hammer” and “Tower”) is a brief, bracing burst of microbudget indie filmmaking at its most powerful.
South by Southwest, the sprawling Austin, Texas, conference and festival, was one of the first major gatherings canceled by the coronavirus pandemic. But its organizers, eager to lend a hand to the movies that had been set to premiere at SXSW, on Tuesday (March 24) went ahead with the festival’s film awards.
South by Southwest, the sprawling Austin, Texas, conference and festival, was one of the first major gatherings canceled by the coronavirus pandemic. But its organizers, eager to lend a hand to the movies that had been set to premiere at SXSW, on Tuesday went ahead with the festival’s film awards.
Refreshing as a river dip on a hot day, but also mildly melancholic, as though perhaps it is the last swim of the summer, Guillaume Brac’s wise, witty “À l’abordage” is an optimistic portrait of gentle disappointment, the kind a youthful generation has to experience before growing up a little bit.
NEW YORK -- South by Southwest, the sprawling Austin, Texas, conference and festival, was one of the first major gatherings canceled by the coronavirus pandemic. But its organizers, eager to lend a hand to the movies that had been set to premiere at SXSW, on Tuesday went ahead with the festival's film awards.
Though this year’s SXSW was canceled due to the coronavirus pandemic, the film festival held annually in Austin, Texas announced 2020 award winners.
“ The Banker ” is an odd title for this film. It has the effect of underselling a fascinating story about a black business savant that was inspired by real events.
“Charm City Kings” won over many critics in its Sundance premiere earlier this year, and likely would have been doing the same in Texas this week if it were showing, as planned, at the canceled South by Southwest Film Festival.
Erykah Badu is making social distancing a fashion statement.