The 20 Best Albums of the Year (So Far)
29.06.2023 - 17:07
/ variety.com
Chris Willman This Colombian-American singer’s third album finds all of the elements of her past records — R&B, dance, Latin and hip-hop — fusing into a lush, lavish, luscious hot tub of an album, conjuring visions of plush feather beds, fluffy pillows and bubble baths, although the lyrics will occasionally jolt the listener out of their chill (“One thing about karma, that bitch will find you”). Her voice might sound sweet, but Kali Uchis does not play.
While her previous album, “Sin Miedo,” was primarily sung in Spanish with occasional verses in English and a big contribution from superstar Latin producer Tainy, this one flips that lyrical formula and brings in a battery of collaborators: Omar Apollo, Summer Walker and Don Toliver each guest on a song apiece, and there are a dozen-odd different producers. But despite that polyglot team, clearly Uchis herself is setting the tone and calling the shots.
There are plenty of references here — “Blue” is the best Sade song since the last Sade album (complete with a “Smooth Operator” sax in the distance), and “Love Between” has a ‘70s Philly soul vibe that recalls Silk Sonic’s retro fetish — but those are passing glances. Cliché as it sounds, despite the kick in the lyrics, “Red Moon in Venus” is a record for dimming the lights, lighting the candles and leaving on “repeat.” —Jem Aswad There’s dynamite in that tunnel.
So don’t get too lulled by the languid rhythms with which the first two-thirds or so of “Did You Know That There’s a Tunnel Under Ocean Blvd” proceed; lyrically, it’s some of Del Rey’s most quietly explosive writing ever, even before the musical pace picks up in the final stretch. Is this her masterpiece to date? It might be, once you come up from under the density
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