‘TÁR’: Todd Field Talks Working With Cate Blanchett, Lost Projects & Being OK With Never Directing A Feature Again [Interview]

Best FeatureAftersunCharlotte Wells, director; Adele Romanski, Amy Jackson, Barry Jenkins, Mark Ceryak, producers (A24)The CathedralRicky D’Ambrose, director; Graham Swon, producer (MUBI)Dos EstacionesJuan Pablo González, director; Ilana Coleman, Jamie Gonçalves, Bruna Haddad, Makena Buchanan, producers (Cinema Guild)Everything Everywhere All At OnceDaniel Kwan, Daniel Scheinert, directors; Joe Russo, Anthony Russo, Mike Larocca, Daniel Kwan, Daniel Scheinert, Jonathan Wang, producers (A24)TárTodd Field, director; Alexandra Milchan, Scott Lambert, Todd Field, producers (Focus Features)Best Documentary FeatureAll That BreathesShaunak Sen, director; Aman Mann, Shaunak Sen, Teddy Leifer producers (A Sideshow & Submarine Deluxe Release in Association with HBO Documentary Films)All the Beauty and the BloodshedLaura Poitras, director; Howard Gertler, John Lyons, Nan Goldin, Yoni Golijov, Laura Poitras, producers (NEON)I Didn’t See You ThereReid Davenport, director; Keith Wilson, producer (RePort Media)The TerritoryAlex Pritz, director; Alex Pritz, Darren Aronofsky, Sigrid Dyekjær, Will N. Miller, Gabriel Uchida, Lizzie Gillett, producers (National Geographic Documentary Films)What We Leave BehindIliana Sosa, director; Emma D.

The 2022 Gotham Award nominations are out this morning — the October noms and late November event are industry bellwethers, coming at the start of awards season following fall festival buzz. More to come, but here’s the list below.

Clayton Davis MGM and United Artists Releasing have revealed their acting submissions for all of their titles, particularly “Bones and All,” “Till” and “Women Talking.” “Women Talking,” written and directed by Sarah Polley, has opted to put Rooney Mara up in the best actress category while the rest of her female co-stars — Jessie Buckley, Claire Foy, Judith Ivey, Sheila McCarthy, Michelle McLeod, Kate Hallett, Liv McNeil, August Winter, Kira Guloien and Shayla Brown — will campaign in supporting actress. The most prominent male actor in the film, Ben Whishaw, will be the only one campaigning for best supporting actor. Mara enters a very stacked lead actress race that includes Cate Blanchett (“Tár”), Viola Davis (“The Woman King”) and Michelle Yeoh (“Everything Everywhere All at Once”). The universal acclaim for the film adaptation of the popular book could help propel her into the fold, especially given her two prior nominations for “The Girl with the Dragon Tattoo” (2011) and “Carol” (2015).

Clayton Davis After Nina Hoss received the role as Sharon in “Tár,” she happened to be in Budapest shooting Amazon Prime’s “Jack Ryan” — where her eventual co-star Cate Blanchett was also on location shooting Eli Roth’s “Borderland.” Hoss and Blanchett soon built a rapport and friendship that would become the foundation of their characters. After that, the German actress felt even more prepared to show her character’s strength: “You can easily make her the victim, but that’s too easy,” Hoss tells Variety’s Awards Circuit Podcast. “Especially when you’re a phenomenal musician in your own right.” Listen below: On this episode of the award-winning Variety Awards Circuit Podcast, we sit down with actress Nina Hoss to discuss her work in the inventive drama “Tár,” working with her co-star Blanchett, her adorations in classic cinema (such as Bette Davis, who helped inspire her career in acting) and reading the incredible script for the first time. “I put it down and I think I only got half of it,” she shares. “It evoked something in you. It invites you and fascinates you.”

In connection with the release of blockbuster queer drama “Tar,” Tracy E. Gilchrist of Advocate Today sat down with film stars Cate Blanchett and Nina Hoss to discuss the significance of narratives that feature LGBTQ+ women.

There was a very special guest at the Pinocchio red carpet premiere – a tiny statue of Pinocchio!

Introduced at the height of her powers, the world-renowned composer-conductor who lends Tár (★★★★☆) its brusque title is meticulous in every detail of how she conducts her life. Lydia Tár strives for perfection in her work, her image, and her bespoke suits, and demands the best from her musicians, students, and staff.But Lydia, portrayed with leonine intensity by Cate Blanchett, has grown increasingly sloppy in one area of her well-tended life.

Hulu is now searching for a new director and star for its upcoming limited series The Devil In The White City. Director Todd Field is the latest to depart the project, sources confirmed to Deadline. Hulu declined comment.

Joe Otterson TV Reporter In another blow to Hulu’s series adaptation of “The Devil in the White City,” Todd Field has exited the project on which he was to serve as director and executive producer, Variety has learned exclusively. According to an individual with knowledge of the situation, the search is now on for a new director. News of Field’s departure from the show comes just days after Variety also exclusively reported that series star Keanu Reeves had bowed out as well. Field most recently wrote and directed the Cate Blanchett-led drama feature “Tár,” which debuted at the 2022 Venice International Film Festival. The film received rave reviews upon its debut and is being touted as an early Oscar contender. In his review for Variety, Owen Gleiberman wrote, “The movie is breathtaking — in its drama, its high-crafted innovation, its vision. It’s a ruthless but intimate tale of art, lust, obsession, and power.”

A long and belated 16 years after his last film (“Little Children,” 2006), filmmaker Todd Field has returned with something of a masterpiece with “TÁR,” starring Cate Blanchett. A bold, audacious, uncompromising work, “TÁR” centers on power and all its forms, its transactional nature, and the way it’s seemingly granted and taken away with lighting speed in our modern world.

Rebecca Rubin Film and Media Reporter After two years of upheaval and unfamiliarity at the box office, there’s something refreshingly familiar about the theatrical release of “Tár.” The acclaimed movie, directed by Todd Fields and starring Cate Blanchett as a world-famous conductor embroiled in a controversy of her own making, generated a stellar $160,000 from four theaters (two in New York City and two in Los Angeles) over the weekend, averaging a mighty $40,000 per location. Next weekend, it’s expanding its theater count (ever so slightly), to 30 new venues in 10 domestic markets. That kind of steady and deliberately paced rollout, one that relies almost entirely on positive word-of-mouth, is about as traditional as it gets for an arthouse film. Yet for most of the pandemic, it was rendered obsolete.

Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic.

After a pandemic recovery year in which Focus has started many of its releases with larger theater counts, “Tár” is starting with a return to the traditional four-screen launch in New York and Los Angeles, earning $160,000 for a per-theater average of $40,000. With the LA theaters that first got platform releases, the Arclight Hollywood and Landmark Pico, both now closed, Focus has turned to the AMC locations in Century City and the Grove on Fairfax to release “Tár,” while releasing it at the Angelika and AMC Lincoln Square in New York.

Today Focus Features opens Tár, the strikingly original return of Todd Field, in four locations in NY and LA. The film premiered at Venice winning star Cate Blanchett Best Actress as musician and conductor Lydia Tár. Early this week, it seemed to mesmerize a sold-out Allice Tully Hall at the New York Film Festival.

Two-time Oscar winner Cate Blanchett is back and better than ever in Focus Feature’s latest drama, “Tár.”Written and directed by Todd Field (“In the Bedroom,” “Little Children”), the intense film gives audiences a peek behind the veil at what it really means to hold absolute power over others. Centering on an award-winning composer who has accomplished more in her career than many, the drama interrogates if acclaim is worth its sacrifices. Here’s how to watch “Tár” when it comes out on Friday, Oct.

Bohemian Rhapsody” about a celebrated maestro we would all be more familiar with if we had the time and money to regularly attend the Berliner Philharmoniker and skim Der Spiegel. Nein! She’s fake.Running time: 158 minutes.

“Listen, I Googled you.’ I’ve had people say that: ‘I’ve Googled you.’ And it’s so incredibly offensive,” director Todd Field told The Washington Post in 2006. “You think, ‘Why? Because it’s so simple? Because it’s so impulsive? Because it’s so pervasive?’ It’s effectively the same as saying I hired a private investigator to find out who the hell you were.

Adam Sandler is back in the limelight thanks to his latest performance in “Hustle,” which hit Netflix earlier this year in June. Like “Punch Drunk Love” and “Uncut Gems” before it, it’s the rare dramatic role for Sandler in a sea of low-grade comedies he typically stars in, and it’s received great press.

Cate Blanchett is opening up about her take on method acting, especially when it came to her new film, TÁR.