Netflix has opened an office in Italy and unveiled a huge slate of scripted and unscripted series and films from many of the country’s biggest producers, with Co-CEO Reed Hastings detailing the streamer’s roots in the nation.
17.04.2022 - 22:01 / deadline.com
The Tale Of King Crab, a cinematically striking fable shot in rural Italy and Argentina, opened to a three-day gross of $5,120 at Film at Lincoln Center this weekend — the first in a string of Italian offerings set to arrive on the specialty scene through the summer.
“In today’s challenging arthouse market, we count this early result as a success and believe the film will continue to find a devoted audience as it rolls out nationally,” said Andrew Carlin, head of distribution for Oscilloscope Laboratories, which presents the film directed by Alessio Rigo de Righi and Matteo Zoppis. Set in a remote 19th-century Italian village and the distant Argentine province of Tierra del Fuego, it expands to LA’s Landmark Nuart on April 29 and into top 50 markets throughout May.
“We saw this at Cannes last year on the biggest and best screen possible and found it equal parts beguiling and immersive. The first part, a tragic love story in beautiful pastoral settings in rural Italy, then Tierra del Fuego [where] a fake priest surrounded by pirates is being led to treasure by a crab,” Carlin said. “We know this is the kind of film that presents a challenge, certainly, in the marketplace today. But it’s tried and true arthouse cinema at its finest.”
Luciano (Gabriele Silli) is a wandering outcast in a small Italian village who becomes undone by alcohol, forbidden love and a bitter conflict with the prince of the region over the right of passage through an ancient gateway. When the quarrel escalates, Luciano is exiled to the distant Argentine province to search for a mythical treasure.
The film is being supported by Cinema Made In Italy, a initiative sponsored by Cinecitta’ and led by Ira Deutchman, the longtime producer, distributor and
Netflix has opened an office in Italy and unveiled a huge slate of scripted and unscripted series and films from many of the country’s biggest producers, with Co-CEO Reed Hastings detailing the streamer’s roots in the nation.
Nick Vivarelli International CorrespondentNetflix on Friday officially opened its Italian base in Rome, in a classy neoclassical building near the iconic Via Veneto, and announced a substantial slate of originals that stand as testament to what co-CEO Reed Hastings called the streaming giant’s “growing business in Italy.”“The breadth and variety of our Italian slate perfectly represents our ambitions,” said Hastings, who took the stage at the presentation’s conclusion. Hastings took the opportunity to note how pleased he is that Paolo Sorrentino’s “The Hand of God,” which Netflix produced, scooped top honors at Italy’s David di Donatello Awards, the country’s top film prizes, earlier this week.Netflix’s new Italian slate is headlined by a high-end English-language series adaptation of “The Leopard,” the classic Sicily-set novel by Giuseppe Tomasi di Lampedusa.
EXCLUSIVE: James McArdle (Mare Of Easttown) and Fionnula Flanagan (The Others) have been set to lead the ensemble cast of Four Mothers, an Irish-set adaptation of Gianni di Gregorio’s 2008 festival and box office hit Mid-August Lunch (Pranzo Di Ferragosto).
Vortex — which opened this weekend to a full house at NYC’s IFC Center — has an unusual star, Dario Argento. Here’s how the film’s helmer Gaspar Noe convinced the iconic Italian horror movie director into his first lead acting role.
Nick Vivarelli International CorrespondentAs they celebrate being held as a physical event, Italy’s upcoming 67th David di Donatello Awards epitomize the ongoing shift in generations and genres that is underway in Cinema Italiano. Leading the pack this year are seasoned auteur Paolo Sorrentino’s most personal film “The Hand of God” and young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out,” which is set in 1943 Rome and involves four “freaks” working in a circus when the Eternal City is bombed by Allied Forces.
Joe Exotic is planning to marry his fiancé John Graham wearing a specially designed wedding suit costing $11. 500. The 'Tiger King' star - who is currently doing time after being found guilty of a murder-for-hire plot against rival Carole Baskin and violations of animal welfare law - is preparing to met John Graham, who he met in prison in February 2021 when they were both behind bars in Fort Worth, Texas, and he's enlisted the services of Odain Watson of Otaingerous to create outfits for himself and his partner.
Jazz Tangcay Artisans EditorDealmaking and double-crossing ran deep in the third season of HBO’s “Succession.” Power dynamics shifted as did loyalties to patriarch Logan Roy, played by Brian Cox. For composer Nicholas Britell, that meant finding a score with a lot of movement.“In season three, there’s a lot of this feeling of things being a little off-kilter,” says Britell of his approach to the score.
Damijan Vinter Nejc Gazvoda, whose previous films include “A Trip” and “Dual,” has started shooting “Father Figure” in his home town, Novo Mesto, Slovenia. The film will be shot in 25 days and is expected to be completed in the spring of 2023, online news service Film New Europe reports.“Father Figure” is an absurdist tale, written by Gazvoda, which follows a mother and her son who move from Ljubljana to a small town after the mother’s divorce. Jan is in his final year of elementary school, and Maja is a psychologist at the same school.
Leo Barraclough International Features EditorMunich-based sales agency Beta Cinema has closed sales to several major territories for stylish comic-book adaptation “Diabolik,” which is among the leaders in the race for Italy’s top film awards – the David di Donatello Awards – with 11 nominations. Beta Cinema will kick off presales on the film’s sequels in Cannes.“Diabolik” has been acquired by buyers in France (Metropolitan), Spain (Flins & Piniculas), and Latin America and Portugal (Sun Distribution Group).
Peter Debruge Chief Film CriticIn the Italian town of Vejano, local hunters gather to share stories rich enough to inspire movies. Over the past decade, filmmakers Alessio Rigo de Righi and Matteo Zoppis have been dutifully documenting these sessions — some fact-based, others blurring the lines of reality — translating them to screen via films that entertain, while also testing what audiences might believe.
It is a story steeped in action and intrigue, but is it true?
Naman Ramachandran The Fédération Internationale de Football Association (FIFA), the highest governing body of international soccer, has launched digital platform FIFA Plus with plans to stream 40,000 live games per year. The games will be from 100 FIFA member associations and will include 11,000 women’s matches. Live coverage will range from Europe’s topflight leagues to previously unserved competitions from around the world in men’s, women’s and youth football.
Patrick Frater Asia Bureau ChiefThe Far East Film Festival in Italy’s Udine has set Chinese-Italian co-production “The Italian Recipe” as the opening title of a revived, largely in-person event.The film, directed by Hou Zuxin, sees an unexpected series of events bring together a Chinese reality TV show contestant and a woman already resident in Italy. The collision of personalities, connections and chemistry between stars Liu Xun and Yao Huang resemble those of “Roman Holiday,” festival organizers suggest.
Nick Vivarelli International CorrespondentItalian producer Massimo Cristaldi, who as a production manager worked with masters such as Federico Fellini and Francesco Rosi before setting up his own company and shepherding films including prizewinning drama “Sicilian Ghost Story,” has died. He was 66.Cristaldi’s death was announced over the weekend by his Rome-based company Cristaldi Pictures in a statement that did not specify the cause.Born in 1956, Massimo Cristaldi was the only son of prominent producer Franco Cristaldi, the triple Oscar-winner who made Pietro Germi’s “Divorce Italian Style,” Federico Fellini’s “Amarcord” and Giuseppe Tornatore’s “Cinema Paradiso.”In 1974 Massimo Cristaldi started cutting his teeth in the film business first as a production assistant and eventually, starting in the 1980s, becoming a line producer on many of his father’s productions, working with Fellini, Rosi, Tornatore, and many other Italian cinema greats.