Gaspar Noé On Directing ‘Vortex’ And Dario Argento – Specialty Box Office

FRIDAY MIDDAY UPDATE: Focus Features sequel Downton Abbey: A New Era is heading toward an $18M opening after a projected $8M Friday that includes $1M in Thursday night previews.

“Downton Abbey: A New Era,” the follow-up to the 2019 feature film and the latest in the story of the aristocratic Crawley family established in the hit series, earned $1.05 million in its Thursday box office previews from 3,300 screens. “A New Era” opens on 3,815 screens this weekend, which is the widest opening for a Focus Features film in the specialty distributor’s history.

Box office is big news this week, not so much for its totals as for its totemic significance. Throngs will greet Top Gun: Maverick, but will kids join the grownups to see a nearly 60 year-old actor starring in a sequel to a 36 year-old hit? At the other end of the audience spectrum, will seniors conquer their torpor to catch the new Downton and even lure their kids – the movie is dubiously titled Downton Abbey: A New Era to motivate the youth quadrant.

Last week’s Tony Award nominations translated into box office sales for at least some of the contenders, with A Strange Loop seeing the biggest boost: The musical, which topped the Tony list with 11 nominations, saw a $213,871 increase in its weekly grosses, taking in $690,668 for the week ending May 15.

Patrick Frater Asia Bureau ChiefThe mainland China box office remained moribund over the latest weekend, lacking direction or new releases and achieving nationwide revenue of just $11.4 million.The country is continuing to suffer from clusters of COVID infections that have caused mass lockdowns in some cities and the temporary closure of many cinemas. Even as there is now talk of easing restrictions in Shanghai, which had been locked down for five weeks, there is the prospect of new restrictions in capital city Beijing. The government has also imposed a blanket ban on all but essential overseas travel.U.S.

Roadside Attractions’ faith-based family comedy Family Camp opened to $1.42 million and is no. 9 of the top 10 ten this weekend on 854 screens. One of the strongest indie openings this year, the film saw a release campaign led by WTA Media lean heavily into the faith-based audience with strong grassroots marketing to churches and ministry organizations, an active digital and social presence and partnerships with the K-LOVE and Air1 faith-based radio networks.

J. Kim Murphy The sorcerer continues to reign supreme in North America’s multiplexes of madness.

That would be a somewhat larger second weekend drop from its $187 million opening weekend than MCU films like “Captain America: Civil War” and “Avengers: Age of Ultron,” which had similar opening weekends and topped $70 million in their second frame. Still, Sam Raimi’s MCU film is close to joining “Spider-Man: No Way Home” and “The Batman” as only the third film of the COVID era to earn over $300 million at the global box office, and will also pass $600 million in global grosses this weekend.

This review of “Lux Aeterna” was first published on May 20, 2019, after its premiere at the Cannes Film Festival.Cinematic provocateurs have flourished at the Cannes Film Festival for years, with everyone from Jean-Luc Godard to Lars von Trier coming to the Croisette with works designed to provoke, confront or even annoy an audience. At this year’s festival, you could say that some of the extreme sections of Nicolas Winding Refn’s “Too Old to Die Young” have been designed to test an audience’s limits and make viewers uncomfortable.But nobody does provocation these days quite like Gaspar Noe does.

Naman Ramachandran Disney’s “Doctor Strange in the Multiverse Of Madness” opened atop the U.K. and Ireland box office with a mighty £19.5 million ($24.3 million), according to numbers released by Comscore.

Four years, two films, and one near-fatal experience after his last feature, writer-director Gaspar Noé has a lot to share. The experimental Argentinian filmmaker – who’s built his career in France over the past 25 years – had a brain hemorrhage in between the 2019 Cannes midnight premiere of “Lux Aeterna,” his assaulting, intellectual 52-minute strobe light thriller about a witch shoot from hell, and the making of his next film “Vortex,” a patient, heartrending, nearly two-and-a-half-hour dementia drama.

Audrey Diwan’s opened to an estimated $34k on four screens in NY and LA this weekend for a PTA of $8,500. The locations on both coasts — IFC Center/AMC Lincoln Square and The Landmark/AMC The Grove — while limited showed the abortion drama set in 1968 France competing successfully in commercial crossover multiplexes as well as arthouses.

Rebecca Rubin Film and Media Reporter“Doctor Strange in the Multiverse of Madness,” the newest timeline-altering tentpole in Disney’s Marvel Cinematic Universe, captured a huge $265 million in its international box office debut.Those mighty ticket sales represent the second-biggest opening weekend overseas in pandemic times. Sony’s “Spider-Man: No Way Home” still stands as the highest-grossing COVID-era debut with $340 million internationally.The second “Doctor Strange” film, starring Benedict Cumberbatch as the goatee-rocking sorcerer, generated $185 million in North America over the weekend, bringing its global tally to a massive $450 million.

Patrick Frater Asia Bureau Chief“Doctor Strange in the Multiverse of Madness” opened with a stunning $14.4 million debut weekend in South Korea, far in excess of any film this year at the Korean box office. Its five-day opening score was $29.1 million.Data from the Korean Film Council’s Kobis tracking service shows the film garnered an 87% market share over the weekend, as it lifted nationwide box office to pre-COVID levels for the first time in more than two years.

Rebecca Rubin Film and Media ReporterDoctor Strange and his questionably effective book of spells has summoned a blockbuster $185 million at North American movie theaters over the weekend, reaffirming the box office dominance of Disney’s Marvel Cinematic Universe after a shakier, pandemic-battered year for the franchise.The timeline-bending “Doctor Strange in the Multiverse of Madness” represents a return to form for Disney’s MCU after COVID-era releases “Black Widow” ($80 million debut, plus $60 million on Disney Plus), “Shang-Chi and the Legend of the Ten Rings” ($75 million debut), and “Eternals” ($71 million debut). Due to the pandemic and other extenuating circumstances, those installments failed to live up to their franchise predecessors in terms of ticket sales.

It’s official: Doctor Strange in the Multiverse of Madness is massive.

Though that’s below the $202 million opening that industry estimates had following the MCU film’s $90 million opening day, it is still at the top of the $170-185 million estimate that Disney posted. Globally, “Doctor Strange 2” has earned an opening of $450 million, second only to “Spider-Man: No Way Home” for worldwide openings since the COVID-19 pandemic began.

despite poor reviews.The star-studded flick, with Benedict Cumberbatch as Dr. Strange, is now projected to top $200 million in US sales through Sunday, well ahead of the $160 million to $180 million previously expected, according to Variety.“Dr.