Taipei Film Festival Sets Competition Selection, Wang Xiaoshuai as Jury Head – Global Bulletin

Shanghai International Film Festival, but that did little to diminish the festive atmosphere. The ceremony was held at the Shanghai Grand Theater in the downtown area on an evening that was warm and spring-like and without the “plum rain” or summer downpours that the city is known for at this time of year. Arguably the biggest names in attendance were Hong Kong actor and “Westworld” star Daniel Wu, Hong Kong director Dante Lam, Chinese star actor-director-producer Xu Zheng and Japanese actor Yakusho Koji, who won the best actor award a year ago at Cannes for his leading role in Wim Wenders’ “Perfect Days.” Marco Mueller, a celebrated festival director and artistic consultant, was also on hand in his adopted home town.

Patrick Frater Asia Bureau Chief Parallax China, one of China’s leading independent film sales companies, has picked up rights to a pair of titles that debut this week at the Shanghai International Film Festival. It is handling world sales on “Qian Tang River,” directed by Wan Bo, and “Another Day of Hope,” by Liu Taifeng. Both are directorial debuts and both appear in the non-competitive Refreshing Chinese Cinema section.

Shanghai International Film Festival represent a showcase of directors who are also known-quantities, but who are worthy of higher profiles. (The festival’s Asian Talent selection has a further selection of six more directors seeking to break through.) The competition quartet fall into two pairs (a seventh and eighth generation maybe): the latest works of Guan Hu and the rarely seen Gu Changwei on one hand; and a younger generation of auteurs, Wei Shujun and Zhang Dalei. Guan is in need of rehabilitation after his 2019 war film was selected as the Shanghai festival’s opening film but experienced a last-minute cancellation due to the intervention of unforeseen layers of censorship.

Jenny S. Li Six first or second-time directors from China take up the majority of the 11 slots in the Shanghai International Film Festival’s Asian New Talents section. While family drama is the dominant genre, Variety takes a look what they are serving up: Adapted from the book of the same name, Wang Xinrui’s “Dreaming of Mother and Home” depicts the drama of an adult daughter and her mother who is struggling through the last stages of life.

Patrick Frater Asia Bureau Chief Along with a red-carpet opening ceremony, a press conference with the members of the main competition jury is a staple event of major film festivals and the 26th edition of the Shanghai International Film Festival kicked off in traditional form on Friday. Along with Vietnam-French director Tran Anh Hung, previously revealed as jury president, the other members of the decisive committee this year are: Australian director and screenwriter Rolf de Heer; German director Matthias Glasner; Hong Kong actor Tony Leung Ka Fai; Argentinian director Santiago Mitre; Chinese director Sonthar Gyal; and, the jury’s only woman, star actor Zhou Xun. A packed audience lobbed familiar questions about the criteria they jurors would employ to decide the Golden Goblet prize winners, and what informs those views.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed further deals for Ray Yeung’s “All Shall Be Well,”following the North American deal with Strand Releasing and the first international sales previously announced by Variety.The film has been acquired by Nour Films in France, One From the Heart in Greece, Mezipatra in Czech Republic and Slovakia, HBO Europe in Eastern Europe, Beta Film in Bulgaria and Falcon in Indonesia, in addition to the already announced deals with Vedette in the Benelux, Karma in Spain, Trigon in Switzerland and Lev in Israel.Films Boutique is in negotiations with potential buyers in the U.K., Latin America, Germany and Japan.Additionally, New Voice Film Productions Ltd. secured distribution deals with Golden Scene for Hong Kong and Macau and Flash Forward Entertainment in Taiwan.“All Shall Be Well” is written and directed by Yeung and was produced by Yeung’s frequent collaborator Michael J.

Crunchyroll Senior Vice President of Global Commerce Mitchel Berger was in ebullient mood as he gave a talk on the growing global reach of anime at the Annecy International Animation Film Festival this week.

Patrick Frater Asia Bureau Chief Reminiscent of the outsized Chinese box office success once enjoyed by a certain genre of Hollywood movie – think “Expendables 3,” Pacific Rim” and “Transformers: Age of Extinction” – some Japanese anime films are now earning more in China than they are in their native Japan. Last year, “Suzume” (pictured above) earned $117 million in China, coming in ahead of the film’s $104 million total in Japan.

Patrick Frater Asia Bureau Chief “Furiosa: A Mad Max Saga” enjoyed one day at the top of the mainland China box office before being deposed by a crop of local new releases that opened in time for the Dragon Boat holiday. “Civil War” performed even more slowly. China’s Friday to Sunday weekend box office saw “Be My Friend” score $8.1 million (RMB57.7 million), albeit earned over just two days.

Refresh for latest…: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.

Lexi Carson Montreal’s Fantasia International Film Festival has unveiled its second wave of titles, which includes Ant Timpson’s “Bookworm” as the opening night film. This year’s edition, the 28th for the festival, will run from July 18 to August 4.

Patrick Frater Asia Bureau Chief Two foreign-made animation movies opened on top of the mainland China box office over the latest weekend. Japanese film, “Doraemon the Movie: Nobita’s Earth Symphony” landed in first place, ahead of “The Garfield Movie,” though the match-up was not like-for-like. According to data from consultancy Artisan Gateway, “Doraemon” earned $12.6 million (RMB89.5 million) over the three days from its Friday release.

Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled a selection that is weighted heavily to world premieres and Chinese, local titles. That gives the festival showcase screenings for the newest works by established Chinese directors Gu Changwei (“Peacock, “Till Death Do Us Part”), Wei Shujun (“Only the River Flows,” “Striding Into the Wind”) and Guan Hu (“Old Fish”). Guan was rewarded in Cannes only last week for his Un Certain Regard-winning picture “Black Dog,” but will unveil his next effort “The Hedgehog in Shanghai’s main competition.

Patrick Frater Asia Bureau Chief Columbia Pictures’ action-comedy movie “Bad Boys: Ride or Die” is set to play in cinemas in mainland China from June 22, it was announced on Thursday. Starring Will Smith and Martin Lawrence, the film is the fourth in the nearly 30-year-old Bad Boys franchise. It sees the titular Miami cops investigate corruption in the police force after their late boss is accused of colluding with a foreign mafia.

Murder with the Stars.” Craig Shoemaker penned the screenplay and will serve as a producer, with Jonathan Silverman set to direct and act in the movie. “This concept came to me several months ago, and I knew I was onto something unique and fun,” Shoemaker said. “Since then, the creative process has unfolded effortlessly with two old friends signing on, Jonathan Silverman and Jeff Franklin.

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

Patrick Frater Asia Bureau Chief The 27-member European Film Agency Directors Association and the Asian Film Alliance Network, which was established this time last year and currently has seven members, have agreed to work together on topics of common interest and to jointly develop a better world film ecosystem. At a meeting this week held on the sidelines of the Cannes Film Festival, EFAD and AFAN promised to enhance understanding and collaboration between Asian and European national film agencies. Topics included: dialog on policy and regulations; the development of the film industry in both regions; and addressing new media and challenges ahead. Separately, the founding AFAN members convened for a closed-door roundtable discussion on May 16.

Anne Hathaway– and Jessica Chastain-starring psychological thriller “Mothers’ Instinct” is set for release in Chinese theaters. Directed by cinematographer-turned-helmer Benoît Delhomme, the 1960s film depicts a pair of model homemakers and next-door neighbors whose close friendship is severely undone by sudden tragedy. The film is an English-language remake of the 2108 French-language effort by Belgium’s Olivier Masset-Depasse’s film, which was an adaptation of the 2012 novel “Derriere La Haine” by Barbara Abel. The film will release in China on May 24 on 2,500 screens.

Rebecca Rubin Senior Film and Media Reporter Disney and 20th Century’s “Kingdom of the Planet of the Apes” conquered the international box office again with $40.6 million in its second weekend of release. So far, the fourth chapter in the “Apes” reboot franchise has generated $136 million overseas and $237 million globally. It currently stands as the fourth-highest grossing movie of the year, behind “Kung Fu Panda 4” ($533 million), “Godzilla x Kong: The New Empire” ($561 million) and “Dune: Part Two” ($710 million).

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.