Ever since Bob Shaye launched the company in 1967 to release arthouse, foreign language and cult films on college campuses, New Line Cinema had been a studio known for out-of-the box choices necessitated by being the last stop for good material. From the audacious early John Waters films like Pink Flamingos to Wes Craven’s A Nightmare on Elm Street, New Line found gems others missed, even after Ted Turner bought the studio.