Swimming Camels, Radiation, Drought, AI and Climate Change Among Sunny Side of the Doc 2024 Global Pitch Themes

Naman Ramachandran Award-winning artist Justin Anderson’s debut feature “Swimming Home” has its world premiere in competition at International Film Festival Rotterdam. Variety has secured access to the first clip from the film. The film, an adaptation of Deborah Levy’s 2012 Man Booker Prize shortlisted novel, centers on poet Joe (Christopher Abbott) and war photographer Isabel (Mackenzie Davis), whose marriage is dying when Kitti (Ariane Labed), a naked stranger found floating in the pool at their sunny holiday villa in Greece, is invited to stay.

Elsa Keslassy International Correspondent French mini-major Pathé has acquired Les Films des Tournelles, the production company founded by Anne-Dominique Toussaint whose recent credits include Louis Garrel‘s Cesar-winning “The Innocent.” Besides Garrel, Les Films des Tournelles has worked with a flurry of auteurs on some of their most successful films, including Riad Sattouf’s “The French Kissers,” which won the Cesar for best first film in 2010; Nadine Labaki’s “Caramel”; Emanuele Crialese’s “Respiro”; Valeria Golino’s “Miele”; and Mona Achache’s “The Hedgehog.” “The Innocent” won two prizes at last year’s Cesar Awards and screened at Cannes on the 75th anniversary of the festival. Toussaint has also worked with Philippe Le Guay and Emmanuel Carrère.

Elsa Keslassy International Correspondent Thomas Cailley’s supernatural drama “The Animal Kingdom” and Justine Triet’s Palme d’Or winning “Anatomy of a Fall” are leading the race at the 49th Cesar Awards with 12 and 11 nominations, respectively. Triet’s movie, which just garnered an impressive five Oscar nominations, and “The Animal Kingdom,” which opened at Cannes’ Un Certain Regard and won a prize, will vie for for top Cesar awards, including best director and film.

Elsa Keslassy International Correspondent By now, even the most hardcore fans of French cuisine and “Chocolat” star Juliette Binoche can agree that Justine Triet‘s “Anatomy of a Fall” – rather than Tran Anh Hung’s “The Taste of Things” — was the one movie that could have given France its first Oscar win for best international feature in over 30 years, since Régis Wargnier’s “Indochine.” Over the last three decades, a number of French movies have earned Oscar recognition, but none have been the official French Oscar submission. Michael Haneke’s “Amour” earned five Oscar noms in 2013 and even won the best foreign-language Oscar but it represented Austria.

Elsa Keslassy International Correspondent After keeping a fairly low profile as president of France’s leading commercial network TF1 Group for seven years, Gilles Pelisson, the discreet Harvard-educated executive, is ready for showtime. He has been propelled into the spotlight to promote French film and TV in his new role as president of Unifrance, succeeding Serge Toubiana last summer.

Ben Croll French film promotional organization Unifrance put talent in the spotlight at this year’s Rendez-Vous in Paris, where the 10 actors and filmmakers selected as 2024’s Talents to Watch were fêted with flutes of champagne at France’s Ministry of Culture before being introduced to the international press at a dedicated event. For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema.

Justine Triet’s Anatomy Of A Fall continued its prize-winning run on Monday at France’s 29th Lumière Awards clinching Best Film and Best Screenplay, while its German star Sandra Hüller won Best Actress.

Leo Barraclough International Features Editor The Match Factory has secured the rights for Berlinale Competition title “Dying,” by German director Matthias Glasner. Wild Bunch will be distributing the film in Germany, Austria and German-speaking Switzerland. Glasner credits include Golden Bear nominees “Gnade” (2012) and “Der Freie Wille” (2006).

So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level. 

Good afternoon Insiders, Jesse Whittock back with you. So much news to get through this week — here’s a pick of the biggest and best stories. Sign up for the newsletter here.

EXCLUSIVE: German Films, the agency that promotes German cinema globally, has unveiled the seven participants for the ninth edition of its annual Face to Face campaign, which include talents who have worked on projects ranging from television series such as Deutschland ‘89 and Kafka to feature film Turning Tables. 

Nick Vivarelli International Correspondent A group of 20 prominent screen trade organizations have united to ask governments around the world to enact regulations ensuring that global streaming giants like Netflix and Disney+ invest more resources in local content. The joint plea — hailing from production bodies in Europe, Canada, Australasia and Latin America — comes as streaming services have scaled down on acquiring and commissioning local content across many markets within the last year in order to ramp up profitability.

Following the success of the official opening season of Aviva Studios, Factory International has announced a captivating line up for its 2024 spring programme at the city's landmark venue.

The British Film Institute has revealed the list of TV, film, and animation companies that have won funding from its latest £3.3M ($4.2M) Global Screen Fund payout.

Ben Croll Capping a growth year that saw Gallic productions draw 37. 4 million global theatrical admissions for a total of $254 million in international receipts, producers and sales agents indicated that geopolitical tensions and eco-responsible transformation would be two of the major stressors on France’s film export business in the months to come.

Nick Vivarelli International Correspondent Italy’s Sveva Alviti (“Dalida”) and U.S. actor Newton Mayenge (“Winning Time: The Rise of the Lakers Dynasty”) are attached to star in Cannes-set romantic drama “The Other Side of Fame” to be directed by Erik Bernard (“Free Dead or Alive”).

Dennis Harvey Film Critic During the Cold War, we had “I Married a Communist” and “I Married a Monster From Outer Space” — two predicaments that the era’s paranoias rendered basically the same thing. In recent years, however, a more common screen fantasy might be summarized as “Whoops, My Significant Other Turns Out to Be an International Spy/Assassin.” There have been numerous efforts in that vein, of variably intentional absurdity.

EXCLUSIVE: Germany’s Gebrueder Beetz Filmproduktion is gearing up for Sundance Film Festival by changing its corporate identity to Beetz Brothers Film Production, and unveiling new projects on Boney M and the Titan Disaster as part of an international push.

EXCLUSIVE: Grasshopper Film and streaming platform DOCUMENTARY+ have acquired North American rights to the Oscar-shortlisted feature Apolonia, Apolonia, a deal announced as the nomination voting window opens for the 96th Academy Awards.

As awards season switches up a gear, with the handing out of the Golden Globes and the publication of the Bafta shortlists, one major title stands out in the International categories of both: Justine Triet’s Palme d’Or winning courtroom drama Anatomy of a Fall. It would be a reasonable bet for the Oscar win in any year — if it were actually eligible. In lieu of Triet’s film, which fell well within Academy rules in terms of the amount of English spoken, the French selection panel opted instead for period gourmet drama The Taste of Things to do battle for the country’s honor, a move that is sure to cause a lot of confusion in the coming weeks.