‘Super/Man: The Christopher Reeve Story’ Review: A Superbly Made and Supremely Moving Portrait of the Actor’s Fall and Rise

Katcy Stephan A new standalone “Predator” movie is in the works at 20th Century Studios, with filmmaker Dan Trachtenberg set to direct. Plot details for “Badlands,” which will be set in the future, are currently under wraps, but the film will begin production this year.

Owen Gleiberman Chief Film Critic If would be hard to name an artist in any medium who illustrated Flaubert’s famous maxim of creativity (“Be regular and orderly in your life like a bourgeois, so that you may be violent and original in your work”) better than Ennio Morricone. Morricone, who died in 2020 (at 91), was certainly one of the greatest composers of movie soundtracks who ever lived. But even if you consider him next to his fellow giants (Bernard Herrmann, John Williams, Nino Rota, Hans Zimmer, Max Steiner), Morricone scaled his own wild peak, inventing his own kind of beauty, his own transcendent cacophony.

A man who is currently wanted by police on recall to prison is a convicted murderer, the Manchester Evening News can reveal.

Katie Hopkins will be making an appearance in Manchester next month at the Manchester branch of Karen's Diner. The diner, dubbed the UK's 'rudest restaurant', confirmed the news that Hopkins would be taking over the diner 'for an evening of madness' via a video shared on social media yesterday.

Michaela Zee Netflix has acquired “Skywalkers: A Love Story” following the documentary feature’s debut at the Sundance Film Festival. “Skywalkers,” which premiered Jan. 18 at the Ray Theatre, follows daring couple Angela Nikolau and Ivan Beerkus from Moscow, who saved their relationship and career by climbing one of the world’s tallest buildings.

Magdalene Laundries, a real church-run institution where so-called “immoral women,” such as pregnant teens out-of-wedlock, endured harrowing living conditions, frequent abuse and harsh work.And, Lorna’s baby was taken away from her. Father Percy was involved in this group home and police become suspicious of Lorna and other women who spent their youth there.Making matters more complicated, this is a bad time for Lorna to attract attention from authorities, since she also finds a dead woman in her home in a crime that’s seemingly unrelated to Father Percy’s murder.Since Lorna has had sleepwalking incidents after her teen trauma, she doesn’t know if she’s responsible for the corpse.

Ability Magazine, Reeve increased his weight by 30 pounds and added four inches to his chest and three inches to his biceps during his training for “Superman.” He also increased his bench press from 100 pounds to 350. Reeve’s first trainer was David Prowse, who played the role of Darth Vader for the entirety of the original “Star Wars” trilogy.A 1978 “behind the scenes” video feature said that at first, “Superman producers” considered him “too young, and maybe even too skinny” for the role. Before landing on the then-unknown Reeve, producers reportedly considered bigger stars for the lead, including Robert Redford, Burt Reynolds, Sylvester Stallone and Caitlyn Jenner (who was then Bruce).

Patrick Frater Asia Bureau Chief “Concrete Utopia,” the highly regarded drama-thriller that was South Korea’s Oscars contender and one of the biggest box office hits of 2023, has scored a streaming release in North America. Rakuten Viki, which specializes in Asian content, has licensed exclusive rights to the film in the U.S. and Canada and will begin streaming it to North American audiences from Friday.

Owen Gleiberman Chief Film Critic I will never forget the first time I saw Devo. It was October 14, 1978, and my college roommates and I were watching “Saturday Night Live.” The band, which I had never heard of (I would guess that was true of 98 percent of the people watching the show), came on in their yellow jumpsuits, stiff and mechanical, swiveling like angry androids as they performed their brutalist robo version of “(I Can’t Get No) Satisfaction.” When the song ended, one of the band members shot up his hand in what looked kind of like a Hitler salute.

Nick Holdsworth There is a certain inevitability about a film inspired by Hermann Hesse’s novel “Steppenwolf,” first published in German in 1927, and two famous Westerns of the 1950s — John Ford’s “The Searchers,” and Howard Hawks’ “Red River.” In acclaimed Kazakh director Adilkhan Yerzhanov’s latest film — also called “Steppenwolf” — two characters who are essentially loners existing outside of the usual moral boundaries of the world come together united in a common task: to save a small boy who has gone missing. The world premiere of “Steppenwolf” is slated for International Film Festival Rotterdam’s Big Screen Competition.

Five years ago the UK had eradicated measles. But now a national incident has been declared over a sharp spike in the highly infectious virus.

Christopher Reeve’s children are telling his story and remembering his legacy. The actor, who played the beloved character Superman in 1978 with three sequels, left a mark on the entertainment industry and is known for his resilience and advocacy for spinal cord injury research and treatment after a horse-riding accident in 1995 left him paralyzed from the neck down.Christopher made his first appearance after the accident at the Academy Awards on March 25, 1996.

told People magazine at Sunday night’s Sundance Film Festival premiere of the new documentary, “Super/Man: The Christopher Reeve Story.““And what sticks with me most,” he said, “was after that incredible warm welcome and that very long standing ovation that he received, his introduction — he followed it up with a wonderful speech about how cinema and movies are at their best when they not only entertain, but they inform and educate and address issues.”Among those in the audience applauding the “Rear Window” actor that night were Tom Hanks, Quentin Tarantino, Brad Pitt, John Travolta, Meryl Streep, Jim Carrey and Nicolas Cage.Reeve also remembered how clips from movies including “Coming Home” and “Terms of Endearment” addressed important human issues.“So that’s always stuck with me,” he told People.

Owen Gleiberman Chief Film Critic More actors than ever are now stepping behind the camera to take a shot at directing. To me, they always end up falling into one of three categories. There are the ones who simply aren’t very good at it.

Owen Gleiberman Chief Film Critic There was a time, in the ’90s, when indie film noir thought it was being hip by imitating the trappings of ’40s thrillers ­— the dark shadows, Venetian blinds and “slinky” femme fatales. But a true noir never really looks back; it’s always pushing forward, toward fresh new varieties of desire and dread. “Love Lies Bleeding” is like that.

Owen Gleiberman Chief Film Critic For some of us, “American Fiction” has a satirical audacity that’s funny right out of the gate, gathers speed and force on the runway — and then, somehow, just when the comedy should be taking off, it turns muted and moralistic instead. I think the hitch is that after Jeffrey Wright’s Monk sells his fake memoir of Black street life, there’s a strong urge to see him — and the film — take a certain vengeful joy in how the book’s popularity skewers the racism of clueless white people. Instead, Monk is made so miserable by what happens that the movie never allows itself to discover that joy.

Owen Gleiberman Chief Film Critic “Presence,” a ghost story directed by Steven Soderbergh, is set entirely inside a lovely, renovated, 100-year-old suburban home, and before the characters even have a chance to move in, the place is already occupied. The camera literally seems to be peering at things, staring out the second-floor windows, then coming down the stairs to witness the arrival of a harried real-estate agent, then the family of four she’s about to sell the house to. Darting from room to room in an unbroken wide-angle-lens shot, the camera gives us an impromptu tour of the house, letting us drink in the crisp mint-green walls, the vintage wood that lines everything (windows, doors, stairway, fireplace), the ancient smoke-glass mirror and polished oak-board floors and elegant sprawling kitchen.

Owen Gleiberman Chief Film Critic “Skywalkers: A Love Story” lends new meaning to the words “high anxiety.” It’s a documentary set in the world of rooftoopers, the new generation of daredevils who scale the tallest buildings they can find, climbing to the tips of skyscrapers and posting top-of-the-world footage of themselves on social media. Directed by Jeff Zimbalist (a former rooftopper himself), the film is brilliantly edited, and it’s full of amazing, terrifying, transfixing verité shots of figures walking on girders, sprawling on ledges, and scaling the spindly, often curved spires that shoot out of the tops of buildings, consisting up close of ladders in the form of precarious slats.

Owen Gleiberman Chief Film Critic Even next to David Bowie, with his alien regalia and mutating persona, it was Brian Eno who always seemed like the supreme spaceman of the pop-music universe. In 1972, when he first came onto the scene as the 24-year-old synthesizer wizard of Roxy Music, he sported a look that was pure glam, except that he somehow appeared even more baroque than the gender-bending rock stars of the time (the New York Dolls, Bowie, Lou Reed), because they were Dionysian pansexual strutters, whereas Eno was his own unique thing: a delicate sci-fi gamine, a geek in thrift-shop drag.

A man has been charged with murder as part of investigations into the death of Andre Marshall in 2015. Andre, from Whalley Range, was shot dead on May 20, 2015, and his body was found near St Clement's Church.