Sundance: Study Finds Lack of Inclusion at Film Festivals

Landlocked by South Africa on all sides, the kingdom of Lesotho is a place of high skies, wide landscapes and narrow prospects for its two million inhabitants: a set of dimensions somehow captured in every exquisitely constructed, square-cut frame of “This Is Not a Burial, It’s a Resurrection.” A haunted, unsentimental paean to land and its physical containment of community and ancestry — all endangered by nominally progressive infrastructure — this arresting third feature from Lesotho-born

A leisurely, somewhat hazy travelogue compared to the piercing political indictments of his acclaimed prior “We Come as Friends” and Oscar-nominated “Darwin’s Nightmare,” Austrian documentarian Hubert Sauper’s new “Epicentro” looks at Cuba on the brink of colossal transition, as the old Communist system is in its apparent death throes, and free-market capitalism waits in the wings. It’s a fascinating moment for cultural stock-taking.

“Giving Voice” has won the Festival Favorite Award, selected by audience votes from the 128 features screened at the 2020 Sundance Film Festival.

Filmmaker Tabitha Jackson has been named the incoming director of the Sundance Film Festival, succeeding outgoing director John Cooper.

The Sundance Film Festival awards are underway.

If you care about cinema, you take the Sundance Film Festival for granted at your peril. Yet despite some early-in-the-festival grousing (“Oh no! The first day has gone by without a masterpiece!”), this was the sort of year that didn’t allow one to take the festival for granted.

PARK CITY, Utah — What do “Reservoir Dogs,” “Napoleon Dynamite,” “Clerks” and “Wet Hot American Summer” all have in common? The Sundance Film Festival.

Anne Hathaway enjoyed a rare public night out with her husband, Adam Shulman, on Monday night. 

The tale of the McDonald’s Monopoly-game heist was one hell of a story. Indeed, it seems to have been too much story for “McMillions,” a documentary series premiering at Sundance ahead of a bow on HBO, to tell — even with the benefit of six episodes.

Imagine a high-ratings, high-stakes game show that trivializes a convict’s life-or-death fate for public consumption. As wild as it sounds, a version of this reality TV entertainment apparently really exists in modern-day Iran, where writer-director Massoud Bakhshi’s “Yalda, a Night for Forgiveness” is set, and where a wildly popular edition of it has been airing for nearly a decade.

Here’s a challenge: Watch the opening moments of “The Truffle Hunters” and try not to fall hard for the immediate flavors of joy it spreads.

Amazon Studios has bought “Uncle Frank,” an acclaimed drama about a closeted gay man forced to come out to his Southern family in the 1970s. The film debuted this weekend at the Sundance Film Festival.

PARK CITY, Utah — At long last, a movie based on Twitter. Well, a movie based on an article based on Twitter. OK, a movie based on an article based on Twitter, Reddit, Facebook and a partridge in a pear tree.

Taylor Swift arrived at this year's Sundance Film Festival in style and was met with a really warm welcome.

The creator of Netflix comedy Dear White People has said he is not surprised by a lack of diversity in recent Oscar nominations.

Incredible. That’s the word that comes to mind with Benjamin Ree’s “The Painter and the Thief,” a stranger-than-fiction friendship story in which vérité techniques produce unbelievable results.

“The Cost of Silence,” a new documentary about the aftermath of the 2010 Deepwater Horizon explosion, doesn’t just chronicle the worst oil drilling disaster in history. It looks at the devastating impact that the use of chemicals called “dispersants” had on Gulf Coast families.

Taylor Swift has a lot to look forward to in 2020 with the first important event being the release of her documentary, Miss Americana. Ahead of the Netflix documentary release, we got a small glimpse into what to expect from it through a refreshing trailer.