EXCLUSIVE: Film Mode Entertainment has locked a series of deals on Blue Light, the latest feature from American filmmaker Andy Fickman (Race to Witch Mountain, Parental Guidance, The Game Plan, and She’s The Man).
29.01.2024 - 01:34 / deadline.com
Filmmakers Julian Brave NoiseCat and Emily Kassie deliver a multilayered film that invites audiences to confront questions about morality and justice, and to bear witness to the lasting intergenerational trauma of the Williams Lake First Nations (Secwepemc or Shuswap Nation) people from the residential school system which included forced family separation, physical and sexual abuse, and the destruction of First Nation culture and language. Drawing on their backgrounds in activism and journalism — as well as NoiseCat’s own personal connection to the story and community — the filmmakers deftly weave together multiple strands to form this compelling, heartbreaking narrative.
Demonstrating unparalleled humanity, and compassion for the affected First Nation communities in North America, their powerful documentary operates from a place of pure and total empathy. At the same time, NoiseCat and Kassie recognize the resilience of the survivors and their descendants, and their determination to seek answers to long-buried secrets. Ultimately, Sugarcane reminds us to respect the humanity in ourselves as well as in others.
Saint Joseph Mission residential school was among the 139 residential schools for Indigenous children that operated in Williams Lake, British Columbia. Like other residential schools in Canada, Saint Joseph aimed to assimilate First Nation youth into Euro-Canadian culture by removing them from their communities and suppressing their traditional languages, cultural practices, and identities. Students endured poor living conditions, menial labor, and frequent abuse.
The school leaves a tragic legacy, with many former students reporting physical, emotional, and sexual abuse, along with permanent separation from
EXCLUSIVE: Film Mode Entertainment has locked a series of deals on Blue Light, the latest feature from American filmmaker Andy Fickman (Race to Witch Mountain, Parental Guidance, The Game Plan, and She’s The Man).
Mexican director Alonso Ruizpalacios has had a winning record coming to the Berlin Film Festival since 2013, when his film Gueros took the Best First Feature prize. Five years later he was back with his second, the sensational museum-heist film Museo, and deservedly won the Silver Bear for Best Screenplay. His third, A Cop Movie, which plays with the traditional docu form by using actors, won Best Documentary at Mexico’s Golden Ariel Awards.
Alec Mills, a camera operator on five James Bond films before becoming a cinematographer on the Timothy Dalton-starring The Living Daylights and Licence to Kill, has died at 91.
Glasgow Film Festival (GFF) has revealed the stars who will be joining them for their 20th anniversary, including Viggo Mortensen and Maxine Peake.
Pamela Anderson Backs EarthDay365 Channel
Christopher Vourlias Gordon Main’s apartheid-era documentary “London Recruits” has been tapped as the opening film at the sixth Joburg Film Festival, which takes place Feb. 27 – March 3 in Johannesburg, South Africa. The film sheds light on a pivotal moment in South Africa‘s history, when the struggle against the apartheid government in South Africa developed a new secret weapon.
Caroline Brew editor “Christspiracy: The Spirituality Secret,” the follow-up to “Seaspiracy,” “Cowspiracy” and “What the Health,” will open in theaters in the U.S. for two nights of special screenings that will take place on March 20 and 24.
Vertical has nabbed U.S., Canadian, and UK/Ireland rights to thriller Firecracker. The action-packed film was directed, co-written and starring NY Film Award Winner, Andrew Lee Potts and produced by Charley McDougall, Jamie McLeod-Ross and Susan E. Clarke. The film will be released in theaters and On Demand in early 2024.
EXCLUSIVE: Vertical has claimed North American, UK, and Ireland rights to The Listener, an indie drama directed by Steve Buscemi and starring Tessa Thompson (Creed trilogy) that world premiered at the 2022 Venice Film Festival before making its way to Tribeca for its North American premiere.
Blur are set to release a new documentary and concert film charting their huge 2023 reunion.As Screen Daily reports, UK sales and distribution company Altitude has added the two upcoming titles to its European Film Market (EFM) slate. Both projects will be released in cinemas in the UK and Ireland later this year.The first film is a feature-length documentary detailing the Britpop band’s latest comeback, which saw Damon Albarn and co.
Leo Barraclough International Features Editor Bill Nighy and “Jojo Rabbit” breakout Roman Griffin Davis are lined up to star in “500 Miles,” directed by BAFTA winner Morgan Matthews. Beta Cinema has acquired international sales rights to the film, and will launch sales at next week’s European Film Market.
Sandra Oh is pretty in a light blue dress while hitting the purple carpet at the premiere of her new movie The Tiger’s Apprentice on Saturday (January 27) held at Paramount Studios’ Sherry Lansing Theatre in Los Angeles.
Michael Schneider Variety Editor at Large Comedian Bert Kreischer is sticking with Netflix, signing with the streamer to film two more stand-up comedy specials. This reps the fourth and fifth specials for Kreischer at Netflix, following “Razzle Dazzle” (2023), “Hey Big Boy” (2020), and “Secret Time” (2018). The first of the two specials will be filmed by Kreischer at the Mahaffey Theater in St.
Carlos Aguilar Bursting with unruly energy that practically escapes the confines of the screen, “Kneecap” is a riotous, drug-laced triumph in the name of freedom that bridges political substance and crowd-pleasing entertainment. The three members of the eponymous Irish rap group — Liam Óg Ó hAnnaidh, Naoise Ó Cairealláin, and JJ Ó Dochartaigh — play themselves in this liberally fictionalized reimagining of their origin story set in Belfast, Northern Ireland.
Viggo Mortensen To Attend Glasgow Film Festival
Patrick Frater Asia Bureau Chief The CinemAsia Film Festival in Amsterdam has unveiled titles from seven different Asian countries for its competition section. The festival will play at the Studio/K, Rialto De Pijp and Rialto VU venues March 5-10, 2024. The event will close with the out-of-competition screening of “Gaga,” a drama about indigenous communities in Taiwan, directed by Laha Mebow. “Gaga” documents the challenges faced by a commune after the death of a respected tribal elder who, while alive, had held things together.
EXCLUSIVE: After making a splash at Sundance with his first narrative feature Kneecap, which Sony Pictures Classics swooped on ahead of its Thursday night premiere, filmmaker Rich Peppiatt has signed with Anonymous Content and WME.
Love Lies Bleeding is an intense, queer, unconventional love story between two unstable people. Directed and written by English filmmaker Rose Glass, and starring Kristen Stewart, Katy O’Brian, Ed Harris, Dave Franco, Jena Malone, and Anna Baryshinkov, the film explores the destructive nature of relationships marked by strong performances and a visually arresting narrative.
Guy Lodge Film Critic The opening minutes of “A New Kind of Wilderness” promise some kind of documentary advertorial for off-the-grid living. Over idyllic shots of her hippy-hunky husband Nik and their three cherubic children camping, foraging for food and literally hugging trees in verdant Norwegian woodland, photographer Maria Vatne’s voiceover soothingly espouses the liberating virtues of “getting out of the rat race” and “being free and full of love.” It all looks wonderful, like “Swiss Family Robinson” updated for the era of Instagram cottagecore, and a cynic might say that it hardly seems sustainable.
EXCLUSIVE. When the alternative book of film trivia is written, a page will be dedicated to the influence of Leonard Nimoy’s paranormal-themed late-’70s TV show In Search of… on director siblings. It was here that Albert and Allen Hughes first heard about Britain’s most notorious serial killer, Jack the Ripper, beginning an obsession with Victorian London that resulted in their 2001 horror-drama From Hell. And for David and Nathan Zellner, the cultural impact was very similar. “We loved that show,” recalls David. “As kids, there wasn’t much out there, that we were exposed to, that covered those sorts of things. They’d cover the Loch Ness monster, everything. I remember one about plants, wondering if they were able to think and what kind of music they’d like to listen to. They got really obscure with some of the subjects, but we loved that show. We loved the vibe of it. And that’s where we first learned about Bigfoot…”