‘Spenser’ Snubbed, ‘French Dispatch’ Steady – Specialty Box Office

In a benchmark that was to be expected, Warner Bros./Legendary’s feature adaptation of Frank Herbert’s Dune has clocked past $100 million at the domestic box office. This brings the global running total to north of $370M; the ultimate exclamation point here for the Denis Villeneuve directed movie being $400M WW. Dune made $400K on Thanksgiving yesterday sending its domestic total to $100.1M.

EXCLUSIVE: By this weekend, Warner Bros/Legendary’s Dune will cross $100M, making it the second movie from the studio this year to clear the century mark stateside off their controversial day-and-date theatrical HBO Max pandemic strategy.

Broadway box office held steady last week, slipping a negligible 2% from the previous week to $25,074,048, with paid attendance of 212,819 off a small 1%.

C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter.

Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.”

J. Kim Murphy administrator“Eternals” will keep its crown at the domestic box office, as the Marvel entry is projected to repeat as No.

Pablo Larraín’s 2021 drama “Spencer.”Wharfe, who was the Princess of Wales’ personal protection officer from 1989 until 1993, was her bodyguard during the time when the movie takes place in 1991 during a three-day period at Christmastime in Sandringham with the rest of the royal family.“Out of all the people who have played Diana over the past 10 years, she’s the closest to her,” he told People about the “Twilight Saga” star.

Tomris Laffly An air of claustrophobia inhabits “Spencer,” Pablo Larraín’s psychological drama that follows a distressed Princess Diana (Kristen Stewart) as she spends the Christmas of 1991 at the Royal Family’s Sandringham estate.

Spencer—the highly-anticipated Pablo Larraín film starring as —Diana drives her two young sons away from Sandringham Estate to a KFC in the middle of London. Yes, a KFC. With a bucket of chicken and large fountain drinks in hand, the three head to a bench overlooking a stunning harbor.

Rebecca Rubin Film and Media ReporterThere’s been something notable about ticket sales for “Dune,” and not only because the sci-fi adaptation of Frank Herbert’s landmark novel has managed to draw crowds in theaters despite playing simultaneously on HBO Max.In its first weekend of release, half of domestic box office revenues for the Warner Bros. film came from Imax, Dolby and other high-end screens, known in the film business by the unwieldy moniker of premium large formats (PLF).

Naman Ramachandran James Bond film “No Time to Die” and epic Frank Herbert adaptation “Dune” slugged it out at the top of the U.K. and Ireland box office with the iconic spy edging out the desert warriors.

, the upcoming biopic that stars Kristen Stewart as the late Princess Diana, shows the embattled royal wrestling with motherhood, life in the spotlight and the end of her marriage to Prince Charles, capturing an imagined Christmas holiday with the royal family in 1991.In ET's exclusive clip from the upcoming film, directed by Pablo Larraín, Stewart's Diana sits on the floor of a bedroom at the queen's lavish Sandringham Estate with her sons, 9-year-old Prince William (Jack Nielen) and 7-year-old

“Spencer”, the upcoming biopic that stars Kristen Stewart as the late Princess Diana, shows the embattled royal wrestling with motherhood, life in the spotlight and the end of her marriage to Prince Charles, capturing an imagined Christmas holiday with the royal family in 1991.

Warner Bros/Legendary’s sci-fi epic Dune is crossing the $300M mark globally today, with North America totaling $71M through Monday and including $228.3M at the international box office.

“Dune” now has a 10-day domestic total of $69.4 million and a global total of $292 million. Theatrical profits will be minimal for the film, particularly considering that the film’s full support from IMAX — which has accounted for $17 million of the film’s domestic gross — will end when “Eternals” is released on Friday.

Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may have dinged October’s stellar recovery.)

Disney, which now handles the theatrical release of the 1975 film after its acquisition of 20th Century Fox, reports that the film grossed $250,000 this weekend, putting it 15th on the charts. According to industry estimates, the film has grossed over $120 million during its run as the longest theatrical release in film history.

“Dune” now has a 10-day domestic total of $69.4 million and a global total of pver $250 million. While theatrical profits will be minimal, Warner Bros.

The Denis Villeneuve blockbuster is set to pass $300 million worldwide and post a modest profit in its theatrical run, which given the state of the recovering theatrical market was enough for Legendary and Warner to greenlight a sequel this past week for release in 2023. Support from IMAX and other premium formats is helping to mitigate the effects of its release on HBO Max, as “Dune” is estimated to drop 59% from its $41 million opening.