Sofia Coppola Still Won’t Watch Spike Jonze’s ‘Her’ Years Later: “I Don’t Know If I Want To See Rooney Mara As Me”

Zack Sharf Digital News Director Sofia Coppola told the Wall Street Journal that her “Priscilla” budget was so “strained” at times that she thought of raffling off a pickleball game with her star Jacob Elordi in order to raise funds for additional shooting days. “Euphoria” alum Elordi plays Elvis Presley in the film opposite Cailee Spaeny in the title role. Spaeny won best actress honors at the Venice Film Festival for her performance.

Kirsten Dunst had a little hand in casting Cailee Spaeny in Priscilla.

“A lot of very impressive people have led this festival and what connects them is a love for movies and culture and what that can achieve,” Kristy Matheson told Deadline of her new job as Director of the British Film Institute’s London Film Festival.

Sofia Coppola drew from her own experiences in telling the story of Priscilla Presley.

Olivia Munn & John Mulaney are stepping out to celebrate Sofia Coppola!

Sofia Coppola was joined by so many of her celebrity friends to celebrate the launch of her first book, “Sofia Coppola Archive: 1999-2023.”

Camila Morrone and Elle Fanning are spending some quality time together in New York City!

Jaden Thompson Academy Award-nominated filmmaker Sofia Coppola and her longtime collaborator and costume designer Stacey Battat will receive the second annual Variety Creative Collaborators award at the Middleburg Film Festival in October. The award will honor their achievements together on films such as “The Bling Ring,” “The Beguiled,” “On the Rocks” and the upcoming A24 release “Priscilla.” Middleburg Film Festival executive director Susan Koch said, “We’re delighted that these two immensely talented women — director Sofia Coppola and her longtime costume designer, Stacey Battat — will be receiving Variety’s Creative Collaborators Award and presenting ‘Priscilla’ at this year’s festival.

Her, the sci-fi romantic drama written and directed by her ex-husband Spike Jonze.Coppola discussed Jonze’s 2013 film during an interview with Rolling Stone, where she noted the comparisons with her 2003 film Lost In Translation. Both films are said to have been partly inspired by the couple’s divorce in 2003.Speaking about Her, Coppola said: “I never saw it! From the trailer, it looks the same too.

Zack Sharf Digital News Director Fresh off the world premiere of her last directorial effort, “Priscilla,” at the Venice Film Festival (where star Cailee Spaeny won best actress), Sofia Coppola joined Rolling Stone to reflect on the 20th anniversary of her beloved “Lost in Translation.” Coppola, whose script for “Lost in Translation” won the Oscar for original screenplay, partly used the dissolution of her marriage to fellow director Spike Jonze as inspiration for the film, which follows a college graduate (Scarlett Johansson) who accompanies her celebrity photographer boyfriend (Giovanni Ribisi) on a trip to Tokyo. While he’s out flirting with a Hollywood actress (Anna Farris), she befriends a faded movie star (Bill Murray) who’s in town to shoot a commercial. Since the film premiered in 2023, viewers have associated Johansson’s character with Coppola and Ribisi’s with Jonze.

Film anniversaries are a great way to make someone feel old. Has it really been 20 years since Sofia Coppola’s “Lost in Translation?” Apparently so.

Elsa Keslassy International Correspondent Paris-based leading distribution company ARP Selection has bought a pair of U.S. indie gems from the fall festival circuit, Shane Atkinson’s feature debut “LaRoy” and Sofia Coppola’s “Priscilla.” “LaRoy,” a neo-noir Western comedy with Coen brothers influences, just won three major prizes at the Deauville Film Festival, including the Grand Prize, Audience Award and Critics Prize; while “Priscilla” world premiered at the Venice Film Festival and won best actress for Cailee Spaeny.

It's well known that Queen Elizabeth II had a soft spot for her grandchildren and Prince Harry always managed to bring out his granny's cheeky side.

Sofia Coppola’s new film about Priscilla Presley is earning rave reviews.

The tears flowed for Priscilla Presley following the world premiere of Sofia Coppola’s biopic, “Priscilla”, in Venice on Monday.

Sofia Coppola’s Priscilla got a rousing response at its world premiere at the Venice Film Festival on Monday evening. The pic, a biopic of Priscilla Presley, who was in attendance for the move based on the memoir she co-authored, scored a 7-minute, 45-second ovation.

Priscilla Presley was all shook up at the Venice Film Festival premiere of “Priscilla.” The subject of Sofia Coppola’s drama wiped away tears from her face on Monday night in Italy as the audience on the Lido exploded in a 7-minute standing ovation for the A24 indie film. Coppola and Presley attended the premiere alongside Cailee Spaeny and Jacob Elordi, who star as Priscilla and Elvis. The actors were granted a SAG-AFTRA waiver to promote the film amid the strike.

Owen Gleiberman Chief Film Critic The last time Sofia Coppola made a movie about a teenage royal living in a rococo palace that turned out to be a lavish prison, it was 2006, and the movie, “Marie Antoinette,” was a stylized dream of history — the story of the young queen as naïve and isolated rock star. Coppola’s new movie dramatizes the relationship between Priscilla and Elvis Presley, and the parallels with the earlier film are there if you want to see them.

The devil is in the details. Pink-nailed toes scrunching on a pink carpet; a packet of false eyelashes; piles of chips in a Vegas casino; the pills. Always the pills: squeezed in a palm that opens to reveal its little white prize; lined up in bottles on the bedside table; slipped into a pocket on the way to school. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. “I have doctors looking after me,” he growls. “I don’t need a second opinion.”

The most powerful aspect of Sofia Coppola’s “Priscilla,” premiering in Competition at this year’s Venice Film Festival, is in the title: to focus on Priscilla Presley, née Wagner, formerly Beaulieu, is to show a side of a marriage and of the King himself less familiar than and in some ways different from the romantic popular legend. But Coppola’s film does much more than simply show us the facts of how a fourteen-year-old girl gets to become the girlfriend and then wife of one of the biggest artists of all time.