‘Shang-Chi’ Director Was “Intimidated” About Asking ‘Iron Man 3’ Actor To Return

Naman Ramachandran Disney release “Shang-Chi and the Legend of the Ten Rings” has retained pole position at the U.K. and Ireland box office with a weekend gross of £1.5 million ($2.1 million), according to numbers released by Comscore.The Marvel Cinematic Universe film now has a total of £18.2 million in its fourth week of release.“The Sopranos” prequel “The Many Saints Of Newark,” released by Warner, proved to be popular, bowing with £945,319 in its opening weekend.

Motherwell, at around 4pm on Monday, September 27. Police have now launched an urgent search for the missing 59-year-old and are calling on the public's help to find her.

Notting Hill director who died on Wednesday (September 22) aged 65.Michell’s death was announced the following day. A statement from Michell’s publicist said: “It is with great sadness that the family of Roger Michell, director, writer and father of Harry, Rosie, Maggie and Sparrow, announce his death at the age of 65 on September 22nd.” A cause of death has not been given.Among those paying tribute to Michell was Julia Roberts, who worked with Michell on Notting Hill.

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' undisputed standout is Morris, a faceless lump with wings, six legs and the heart of a champion.Morris is an unwitting expat from the realm of Ta Lo, who finds himself on a buddy adventure with Ben Kingsley's Trevor Slattery. Though unlike anything you've probably seen onscreen, he is based on a being that has existed since ancient Chinese mythology.

Pep Guardiola has asked for more Manchester City fans to come to the Etihad for Saturday's match against Southampton.

Angelino insists he is grateful for Pep Guardiola's help as he returns to Manchester aiming to dent the hopes of former club City.

Patrick Frater Asia Bureau Chief“Shang-Chi And The Legend of The Ten Rings” held on the top place at the South Korean box office for the second weekend. But it failed to sustain overall cinemagoing in what used to be, pre-COVID, the world’s fourth largest theatrical market.“Shang-Chi” earned $2.63 million in its second weekend for a market share of 50%.

According to Imax chief executive Rich Gelfond, the box office power of Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings should lay to rest the question of moviegoers’ willingness to return to theaters.

Shang-Chi isn't just a part of Marvel's cinematic universe now. Following his superhero origin story — which saw him content mythical dragons and soul-sucking kaiju, underground fight clubs, assassins with knives for hands and his dad — Shang-Chi (Simu Liu) is told, in so many words, that's he's part of a bigger universe.

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Adam B. Vary Senior Entertainment WriterSPOILER WARNING: Do not read this story if you haven’t seen “Shang-Chi and the Legend of the Ten Rings,” currently playing in theaters.Throughout “Shang-Chi and the Legend of the Ten Rings,” there are only a few small signs that the 25th feature film in the Marvel Cinematic Universe is actually a part of it.

SPOILER ALERT – Do not continue reading if you don’t want to know what happens in the Shang-Chi end credits scenes!

, Marvel's new joint ushering the Master of Kung Fu from the comics into the MCU: Of the months of training star Simu Liu took on to master those martial arts and look the part of a Marvel superhero. Of the long weeks spent shooting even one of the set pieces, with much of the stunt work done by the cast themselves.

Much like Disney/Marvel’s 2018 mega blockbuster and Oscar-winning feature Black Panther was a breakthrough for diversity on the big screen, the studios continue to shine with that this coming weekend with Shang-Chi and the Legend of Ten Rings, in what is the first Hollywood Asian-American superhero movie.

Destin Daniel Cretton took his first meeting with Marvel Studios roughly two and a half years ago to discuss “Shang-Chi and the Legend of the Ten Rings,” he never actually expected to be handed the reins of the latest film in the biggest movie franchise in cinema history. Up to that point, Cretton had directed a series of small-scale independent dramas — “Short Term 12,” “The Glass Castle” — that were exceptional in the all-inclusive empathy the filmmaker deployed for all of his characters.