Sean Penn to Star in Director Myroslav Slaboshpytskyi’s Ukraine War Movie

Members of Stirling’s Ukrainian community took part in a ‘silent picket’ in the city centre on Tuesday following the breaching of a dam in the south of the country.

Blake Lively is spending another day on set.

EastEnders star Jessie Wallace, famed for her role as Kat Slater on the BBC soap, looked stunning as she attended the 2023 British Soap Awards in a gorgeous strapless black lace gown alongside her co-stars on Saturday night.

Sean Penn is seemingly ready to put himself out there again.

Paloma Faith, a singer and actress in shows like Pennyworth and Dangerous Liaisons, watched The Little Mermaid over the weekend and is calling out the storyline.

Callum McLennan There’s nothing quite like having an Oscar-winning actor in your corner, or perhaps a star of one of the biggest TV Series of all time. In the case of Kick Gurry, creator, producer and actor in the forthcoming Stan Original Series “Caught,” the backing of Sean Penn and Matthew Fox has undoubtedly been a boon. After Gurry shared an early teaser of the show crafted with friends in Australia, Penn’s reaction was music to his ears. As Gurry shared with Variety, “He said everyone’s afraid of stories right now and we have to be pushing forward with courage in storytelling.” Indeed, the courage to tell bold, new stories has resulted in an audacious six-episode satirical comedy series slated to premiere later in 2023. The series boasts a formidable cast that Gurry describes as a “murderer’s row of talent.” Among them, Sean Penn, who also serves as an executive producer, Matthew Fox, Ben O’Toole, Lincoln Younes, Alexander England, Mel Jarnson, Fayssal Bazzi, Dorian Nkono, Rebecca Breeds, Bella Heathcote, Bryan Brown, and Erik Thomson. Gurry himself also stars, and further casting announcements are expected.

“It felt like this bloody world needed some love stories now,” Fallen Leaves director Aki Kaurismäki said of his Palme d’Or contender this afternoon.

Christopher Vourlias U.S. writer and political advocate Dane Waters and “Superpower” co-director Aaron Kaufman announced the launch of a new global nonprofit group, Humanity for Freedom, Monday in Cannes. The organization is dedicated to the fight against authoritarian governments through educational and advocacy work. The group’s global kick-off event, 72 Hours for Freedom, will feature screenings around the world of “Superpower,” the documentary about Ukrainian president Volodymyr Zelenskyy, co-directed by Kaufman and Sean Penn. The event will take place in over a dozen countries on six continents, starting in London on June 6 and wrapping in Washington, D.C., June 8, including stops in Rome; Tbilisi, Georgia; Sofia, Bulgaria; Abuja, Nigeria; Tokyo; Sydney; and Buenos Aires.

Christopher Vourlias XYZ Films has acquired North American sales rights to “StayOnline,” from Ukrainian director Anton Skrypets, which uses the innovative Screenlife format to tell the story of a young Kyiv woman who risks her life to help a boy whose parents have gone missing after the Russian invasion. “StayOnline” was co-written by Skrypets and Eva Strelnikova, who also served as director of photography. It was produced by Marina Kvasova and Alla Lypovetska of the Organization of Ukrainian Producers (OUP). The film begins when a young woman volunteering in Kyiv is given one of the thousands of laptops donated by ordinary Ukrainians to support the war effort. She’s asked to install a sensitive military application and deliver the laptop to her brother serving on the frontline.

Sean Penn strongly backed the current Hollywood screenwriters strike while speaking at the Cannes Film Festival on Friday, saying the dispute over artificial intelligence is “a human obscenity.”

Owen Gleiberman Chief Film Critic In “Black Flies,” a movie that keeps working to get high on its own intensity, Sean Penn and Tye Sheridan play paramedics who spend their nights driving through hell (I mean, Brooklyn). There are countless shots of the two in their EMS van, riding along under the tracks of an overhead subway train — the exact kind of grungy Brooklyn boulevard that Popeye Doyle went smashing through in the famous “French Connection” car/subway chase. As Rut (Penn) and Cross (Sheridan) patrol the borough neighborhood of Brownsville, one of the poorest and most crime-ridden sections of New York City, those overheard tracks become part of the film’s meticulously oppressive visual design. The two have so little breathing room they can barely see the sky. After a while, though, you start to think: Don’t these guys everdrive down a side street? Like everything else in “Black Flies,” those subway tracks are stylish signifiers of doom that are a little too in-your-face.

There will be no late night laughs in Moscow, comrade. Or anywhere else in Russia, for that matter.

Sean Penn and Tye Sheridan hit up the photo call for their new movie, Black Flies, during the 2023 Cannes Film Festival at Palais des Festivals on Friday (May 19) in Cannes, France.

Sean Penn has voiced his support for the Writer’s Guild of America strike.

In Jean-Stéphane Sauvaire’s “Black Flies,” silence is as scarce a commodity as hope. Young first responder Ollie Cross (Tye Sheridan) learns very early on that the job comes with two partners: the one sitting next to you and the relentless cacophony of sounds that cut through the vastness of night as shears.

TheWrap called it “visceral and vicious,” and overall it has received largely negative reviews after premiering in the Main Competition in Cannes on Thursday.While Sheridan initially said that he’d had a good time making the film, Penn took a different tack. “It’s a little more gray to me that we had a really good time,” he said. “I think we had a really valuable time.

Sean Penn is standing in solidarity with the writers guild, whose members are currently on strike to fight for better wages and work conditions in the streaming era. “My full support is with the writers guild,” Penn said during Friday’s press conference for his latest movie “Black Flies,” which debuted in competition at Cannes Film Festival. “There are a lot of new concepts that are being tossed around, including the use of AI. And it just strikes me as human obscenity that there’s been a pushback on that.” Penn also slammed the PGA as a “bankers guild,” saying “the first thing we should do in these conversations is change the Producers Guild and title them how they behave, which is the bankers guild. It’s difficult for so many writers and people in the industry who cannot work.”

Refresh for updates…Sean Penn, asked about the current state of big wig studio chiefs and the plight of writers and directors, said today at the Black Flies presser, “The industry has been uspending the writers and directors for a long time. I fully support the situation with writers guild, of course.”

It’s probably instructive to go into “Black Flies” knowing that the title comes from insects that can smell death before we can, and that show up on screen swarming a dead, rotting body in a bathtub.And it might help to know that the drone that gradually surfaces under the hysterical opening scene resolves itself into the overture to “Das Rheingold,” which returns at the end of the film. “Black Flies” is darkness and chaos on an operatic scale – maybe even a Wagnerian scale, though viewers may feel as if they’ve been assaulted by heavy metal (say, Judas Priest’s “Evil Never Dies,” which also appears in the film) rather than immersed in the warring gods of the Ring cycle.Screening in the Main Competition at the 2023 Cannes Film Festival, “Black Flies” is visceral and vicious.

Black Flies,” the Sean Penn and Tye Sheridan film about emergency medical first responders, smacked the Cannes Film Festival in the face with a brutal world premiere on Thursday. Splattered brains, dead dogs, an addict giving birth with a needle dangling from her arm — these and a litany of other horrors confronted Penn and Sheridan, who play veteran and rookie paramedics, respectively, at the New York Fire Department. Interestingly enough, the black-tie screening at the Grand Palais enjoyed the dose of reality, giving the film a five-minute standing ovation. “We carry the misery,” a weary Penn tells Sheridan in the film of their chosen profession. That’s an understatement, as chaos unfolds neighborhood by neighborhood in a portrait of an unforgiving city.