Sarajevo Film Festival Industry Head Maša Marković on How the Balkan Event Continues to Nurture Local Talent, Stay Relevant

K.J. Yossman Among the world premieres set for the BFI London Film Festival are Guillermo Del Toro’s “Pinocchio” and Emily Blunt series “The English.” Others include “Roald Dahl’s Matilda The Musical,” Asif Kapadia’s ballet-infused “Creature,” family animation “My Father’s Dragon” from Irish animation studio Cartoon Saloon and Nora Twomey, Jez Butterworth’s “Mammals,” which stars James Corden and “A Spy Among Friends,” starring Guy Pearce and Damian Lewis. The number of feature-length world premieres at the festival has gone up from 11% to 15% since 2019. This year three of those are Netflix productions: “Pinocchio,” “Roald Dahl’s Matilda The Musical” and “My Father’s Dragon.”

The 66th BFI London Film Festival is set to host the world premiere of Guillermo del Toro’s Pinocchio, the Oscar-winning director’s dark take on the classic fairy tale about a wooden marionette brought to life to mend the heart of a grieving woodcarver named Geppetto.

Patrick Frater Asia Bureau Chief The delayed 46th edition of the Hong Kong International Film Festival wrapped Wednesday with the award of 13 prizes for its young filmmaker, documentary and shorts competitions. Hailed by the jury as “one of this year’s most distinguished films both creatively and artistically,” Qiu Jiongjiong’s “A New Old Play” was named best film for the Young Cinema Competition (Chinese Language). “A New Old Play” is a tale of a family of Sichuan Opera artists living through a tumultuous era. It also collected the FIPRESCI Prize, with the jury commending the film for “its masterful approach and inventive visual style.”  In the global category, Palestinian director Maha Haj’s “Mediterranean Fever” was chosen as the Firebird Award winner for being “an all-rounded gem that is at once a thriller, social comedy, and odd couple bromance.” 

Chris Willman Senior Music Writer and Chief Music Critic The Nashville Film Festival announced the full lineup Friday for a fall gathering of filmgoers in Music City that will begin with the Brandi Carlile-produced documentary “The Return of Tanya Tucker” as the gala opening on Sept. 29 and end with director Sacha Jenkins’ “Louis Armstrong’s Black & Blues” for closing night on Oct. 5. The 53rd annual edition of the festival will take place both in-person and virtually, with a selection of more than 150 films that includes 38 full-length features, about 30 of which will be world, North American or U.S. premieres. Although the virtual component continues to be strong for the festival, its leaders note that of the 150 or so films in the festival, more than 50 will screen for audiences in Nashville venues, starting with the Tanya Tucker doc, which will be seen in the historic main auditorium of the city’s beloved Belcourt Theater, one of the original homes of the Grand Ole Opry. Other locations include the Franklin Theater in the nearby city of that name, and the TPAC Andrew Johnson Theater in downtown Nashville.

EXCLUSIVE: The Points North Institute today announced recipients of three of its prestigious fellowship programs, ahead of next month’s Camden International Film Festival in Maine.

The Venice Film Festival has announced two new initiatives in collaboration with The International Coalition for Filmmakers at Risk to support and raise awareness about directors, filmmakers, and artists who have been arrested or imprisoned around the world during the past year.

Nick Vivarelli International Correspondent The Venice Film Festival is launching two initiatives to support directors, filmmakers and artists who have been arrested or imprisoned around the world during the past year. In tandem with the International Coalition Filmmakers at Risk (ICFR), a panel will be held on Sept. 3 at the Palazzo del Casinò press conference room titled: “Filmmakers Under Attack:Taking Stock, Taking Action.” Panelists will include fest chiefs Alberto Barbera (Venice);  Vanja Kalurdjercic (Rotterdam); Orwa Nyrabia (Amsterdam Documentary Film Festival); Turkish producer Nadir Öperli; European Film Academy president Mike Downey and an unspecified Iranian director. 

Naman Ramachandran The BFI London Film Festival has revealed eight titles that will be in official competition. The films include Santiago Mitre’s political drama “Argentina, 1985” (Argentina); Clement Virgo’s brotherly love tale “Brother” (Canada); Marie Kreutzer’s irreverent period drama “Corsage” (Austria-Luxembourg-Germany-France); Fyzal Boulifa’s atmospheric domestic drama “The Damned Don’t Cry” (France-Belgium-Morocco); Mark Jenkin’s folk horror tale “Enys Men” (U.K.); Hlynur Palmason’s historical epic “Godland” (Denmark-Iceland-France-Sweden); Soudade Kaadan’s poignant family film “Nezouh” (U.K.-Syria-France); and Alice Diop’s courtroom drama “Saint Omer.”

Clayton Davis It’s late summer, so it’s time to start talking about awards season. Cannes issued the first slate of contenders in the international feature Oscar race, and now Venice and Toronto are ready to screen another batch, which begs the question: What looks like the breakout pics from the festival circuit that should contend for kudos? More than 90 countries have been submitting films for Academy consideration for the past few years, in order to walk away with the coveted best international feature Oscar. Coming off the Cinderella story of Japan’s “Drive My Car” from Ryûsuke Hamaguchi, which was also nominated for three other Oscars including best picture, it became the tenth film to be recognized for both best picture and international feature.

K.J. Yossman The line-up for Grimmfest’s International Festival of Fantastic Film 2022 edition has been unveiled.“The Loneliest Boy In The World” (U.K.) is set to open the U.K.

Christopher Vourlias Croatian writer-director Juraj Lerotić’s “Safe Place,” an emotional story of a family reeling in the wake of a suicide attempt, took the top prize at the Sarajevo Film Festival, which wrapped a record-setting 2022 edition in the Bosnian capital on Friday night.The Heart of Sarajevo Award for best feature film was given by a jury headed by Austrian filmmaker Sebastian Meise (“The Great Freedom”), which included French filmmaker Lucile Hadžihalilović (“Earwig”), Croatian writer-director Antoneta Alamat Kusijanović (“Murina”), Serbian actor Milan Marić (“Dovlatov”) and Israeli producer and consultant Katriel Schory.“Safe Place” plays on Lerotić’s own pained family history, with the Croatian multihyphenate taking on the lead role in his deeply personal story — a performance that also earned him the award for best actor in Sarajevo. Fresh off a triumphant world premiere in Locarno, where the film won three awards including best first feature, “Safe Place” was described by Variety’s Guy Lodge as a “supremely poised and moving first feature” and a “shattering” debut, “with a long trail of further festival bookings surely ahead.”Ukrainian director Maryina Er Gorbach was named best director for “Klondike,” which portrays the brutal realities of the war unfolding in Ukraine’s Donbass region through the lens of a pregnant farmstead owner whose life and home fall apart.

Eight films battled it out in competition at the 28th Sarajevo Film Festival, but Austrian director Sebastian Meise’s jury—including French director Lucile Hadžihalilović , Croatian director Antoneta Alamat Kusijanović, Serbian actor Milan Marić and Israeli producer Katriel Schory—spread the love quite widely.

After recently unveiling its gala premieres program, the Zurich Film Festival has set its Hashtag section with movies to screen under the title “#MyReligion.” Since 2018, the fest has annually dedicated the strand to showcase a hot topic that is also trending on social media. #MyReligion will deal with questions of faith, euphoria and modern deities.

tiff.net.The full list of new additions:TIFF DOCS“752 Is Not a Number,” Babak Payami | Canada“All the Beauty and the Bloodshed,” Laura Poitras | USA“Buffy Sainte-Marie: Carry It On,” Madison Thomas | Canada“Casa Susanna,” Sébastien Lifshitz | France, USA“Ciné-Guerrillas: Scenes from the Labudovic Reels,” Mila Turajlic | Serbia, France, Croatia, Montenegro“The Colour of Ink,” Brian D.

The Los Angeles Latino International Film Festival (LALIFF) announced the call for submissions for its third annual LALIFF Inclusion Fellowship which aims to champion underrepresented filmmakers within the Latino community. With continued support from Netflix’s Fund for Creative Equity, ten visionary self-identifying Indigenous Latino and Afro/Black Latino directors will each be awarded $30,000 for the production of their short films.

Christopher Vourlias When the first edition of what would become the Sarajevo Film Festival was held in 1995, the Bosnian capital was in the final year of a devastating, four-year siege. Electricity shortages plunged the city into darkness, while food and hard currency were scarce.

Naman Ramachandran American narrative feature projects in rough or final cut seeking finishing funds are now invited to submit to the 2022 edition of U.S. in Progress, which takes place Nov. 9-11 during the 13th American Film Festival (Nov.8-13) in Wroclaw, Poland.

EJ Panaligan editorCinema Guild has acquired the North American distribution rights for Hong Sangsoo’s upcoming film “Walk Up.” The film will world premiere at the Toronto International Film Festival in September and will also play in competition at the San Sebastián International Film Festival. Cinema Guild will open the film in theaters in 2023 following its release of Hong’s other 2022 title, “The Novelist’s Film,” this fall.Kwon Haehyo, in his ninth film for Hong, plays Byungsoo, a film director who goes with his daughter, an aspiring interior designer, to a building owned by an old friend who is already established in the design field.

James Gray’s Armageddon Time will be a main slate selection of the New York Film Festival as well as a special 60th anniversary screening event celebrating the history of the fest.