“How do we justify losing half a season, half a year?”
28.09.2023 - 09:55 / variety.com
the end of the Writers Guild of America’s 148 day strike. That set the tone of proceedings at the two-day confab and maybe added a slightly larger sense of forward momentum to the central issue at stake: a State of the Union take on the challenges and opportunities for the U.S and global film industry, from a market and producers’ perspective. Multiple audience members, many from Spain and Europe, commented on their delight at the caliber of panelists and attendees, many at the top of their game.
Their answers to questions marshalled by CAA Media Finance’s Roeg Sutherland on one key panel and San Sebastian’s Wendy Mitchell on many more, were often direct and sometimes counter-intuitive but convincing; which is what the audience of course was looking for. Below, a baker’s dozen of preliminary takeaways from the Conference. More from Variety on an overall industry wrap on Friday.
So How Has the WGA Deal Left Hollywood? In the wake of the WGA agreement, “it seems like the SAG strike will be resolved, hopefully, relatively soon,” said Sutherland. At the Conference’s first round table, Amblin’s Jeb Brody sensed that “a real feeling of enthusiasm and creativity.” That said, “A lot of the issues that led to the strikes are still with us. “The tension between streaming and theatrical remains, the larger studios working with their own streamers and trying to function well and make sure that that’s all making sense remains,” he added.
It’s going to be a couple of years, I think, until that gets really figured out,” he added. And Combined With the Pandemic? “COVID and the strike accelerated trends already there before,” said Goodfellas’ Vincent Maraval. “Local cinema market share in every country is going up.
“How do we justify losing half a season, half a year?”
Jessica Kiang Rather than horns, they look like tiny black catkins clinging to the grains on swaying stalks of rye. These little clusters — actually a fungus known as ergot — are a disease that affects the ovaries of their host plants, but can be made into an infusion that induces abortion in women.
The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.
Jessica Kiang A predictably spectacular sunset spreads streaks of pink and orange across a northern Spanish late September sky, heralding the end of another packed edition of the San Sebastian Film Festival, where at the closing gala, “The Rye Horn” the second feature from Spanish director Jaione Camborda has just been handed the Golden Shell, the festival’s top award. It is perhaps a surprising win, but does now mark the fourth consecutive year that the festival’s most prestigious prize has gone to a female director. But in another way it has to be a first: the international jury, comprising French director Claire Denis, alongside Chinese actor and producer Fan Bingbing, Colombian producer-director Cristina Gallego, French photographer Brigitte Lacombe, Spanish actor Vicky Luengo, Canadian producer and distributor Robert Lantos and German director Christian Petzold, has chosen to award not just a Spanish film, but one from a director who was born right here in San Sebastián.
“Why is this guy picking a fight with Mickey Mouse?” Bill Maher asked Ron DeSantis on Friday about the poll-lagging Florida governor’s ongoing jurisdictional and legal battles with Disney over the past year.
Liza Foreman SAN SEBASTIAN — Legendary Spanish writer-director Victor Erice received a standing ovation from a packed press conference on Friday, ahead of receiving the festival’s Donostia Award tonight. The award ceremony for San Sebastian’s accolade for career achievement follows on from the San Sebastian screening this morning of his first feature film in 30 years, “Close Your Eyes,” which, already pre-sold to France’s Haut et Court, world premiered in Cannes Premiere in May with the Basque director notably absent. “Close Your Eyes” sparked highly positive reviews.
In a good sign that the industry is quickly getting back on its feet after the WGA strike, Netflix returned to filming its Nicole Kidman, Liev Schreiber, Dakota Fanning and Omar Epps limited series, The Perfect Couple in Nantucket, Mass. today, less than 48 hours after scribe pickets stopped.
Joe Otterson TV Reporter As writers hit the picket lines during the 146-day WGA strike, they were absolutely barred from writing anything for the Hollywood studios and streamers. But there was no reason they couldn’t write their own scripts on spec. Now, as Hollywood’s writers return to work, those TV pilot and movie scripts written over the course of the strike could make their way to market.
Anna Marie de la Fuente Italy’s Roberto Stabile, head of special projects, Directorate General for Cinema and Audiovisual-Ministry of Culture at Cinecittà, breezed through the San Sebastian Film Festival on Tuesday to tout Italy’s drive to amp up the distribution of Italian movies around the world. In a brief presentation at the city’s Museo de San Telmo, he held forth about the plan to increase the presence of Italian audiovisual content not only in cinemas, but also on streaming platforms, online distribution and television, among others.
Jessica Chastain is making a glamorous arrival at the 2023 San Sebastian Film Festival.
Holly Jones As it plays in competition at San Sebastian’s Works In Progress Latam strand, Buenos Aires-based sales agency Meikincine has swooped on international sales rights for mother-daughter relationship drama “Maybe It’s True What They Say About Us” (“Quizás Es Cierto Lo Que Dicen De Nosotras”). Produced by Storyboard Media (“Santiago, Italia” “El pacto de Fuga”), the film is directed by Chilean filmmaking duo Camilo Becerra (“El último sacramento”) and Sofía Paloma Gómez (“Quiero morirme dentro de un tiburón”).
Isabel Coixet recounts that she vowed to never to do another literary adaptation after her 2017 English-language feature The Bookshop based on Penelope Fitzgerald’s critically acclaimed 1978 novel of the same name.
Liza Foreman SAN SEBASTIAN – Top International business execs gathered on Tuesday at a rooftop venue, glistening in the Basque sunlight, for the second Creative Investors Conference at this week’s San Sebastian International Film Festival. The second panel of the day at this two-day confab, The Global Film Industry: State of the Union 2023 round table, was moderated by Roeg Sutherland, co-head, CAA Media Finance. Speakers took in Pete Czernin co-chairman of Blueprint Pictures, David Flynn, head of global drama at WIIP, Fionnuala Jamison, managing director of MK2, and Vincent Maraval, president of Goodfellas.
Amblin Partners Production of President Jeb Brody welcomed the tentative writers’ strike deal during an industry panel at the San Sebastian Film Festival on Tuesday but warned that some of the issues that sparked the industrial action in the first place were still swashing around.
Holly Jones Frenetic and high-flying ‘90s rock emblem Mauricio Aznar trades his position as enigmatic frontman of Zaragoza’s Más Birras for a journey towards the soul of his craft in Spanish writer-director Javier Macipe’s highly-anticipated second feature, “The Blue Star” (“La Estrella Azul”) saw its world premiere in the New Directors strand of the San Sebastian Film Festival on Monday. Macipe’s (“Los inconvenientes de no ser dios”) short efforts, 2014 release “Children of the River” and 2019’s “Gastos incluídos,” earned Spanish Academy Goya nominations, placing him among Variety’s 10 Spanish talents to track in 2021.
Holly Jones Incendiary Spanish director Isabel Coixet (“The Secret Life of Words”) heads to San Sebastian for the international premiere of her latest drama “Un Amor,” a take on devouring love starring Laia Costa (“Lullaby”) and Hovik Keuchkerian (“Money Heist”) that sets Coixet up to compete on the festival’s main stage for the first time. “Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).
Anna Marie de la Fuente Not long after the Miami episode of Netflix’s hit show “’Street Food: USA” dropped, its Emmy-nominated director Mariano Carranza received an Instagram message. It was from Gastón Acurio, Peru’s preeminent chef-restaurateur of Astrid & Gastón fame, but Carranza thought it was a prank.
J.A. Bayona was given a homecoming hero’s welcome at the San Sebastian Film Festival over the weekend as he touched down for the Spanish premiere of air crash survival drama Society Of The Snow.
Callum McLennan Latido Films is venturing yet more into the inspiring world of e-sports and viral fame with Goya Award winning producer-helmer Alvaro Longoria’s new doc-feature, “La vida de Brianeitor.” The film serves as a spin-off from Javier Fesser’s Spanish box office smash hit, “Championext,” which Latido is also selling. The doc follows Brian Albacete, better known as Brianeitor2022. With millions of social media followers, an acting role in a top-charting Spanish film “Championext” and a spot on Team Heretics—one of Spain’s leading e-sport entities—Brian is redefining what it means to be a star.
Noah Pritzker’s bittersweet father and sons tale Ex-Husbands (aka Men Of Divorce) world premieres in Competition at the San Sebastian Film Festival on Sunday as one of the few U.S. productions to be accompanied by its cast this year thanks to its SAG-AFTRA interim agreement.