EXCLUSIVE: Nacelle, the Burbank-based production and distribution company behind The Toys and Movies That Made Us, Behind the Attraction and Biker Mice From Mars, has brought on Hud Woodle to run the company’s International Sales Division.
27.09.2023 - 13:21 / variety.com
Holly Jones As it plays in competition at San Sebastian’s Works In Progress Latam strand, Buenos Aires-based sales agency Meikincine has swooped on international sales rights for mother-daughter relationship drama “Maybe It’s True What They Say About Us” (“Quizás Es Cierto Lo Que Dicen De Nosotras”). Produced by Storyboard Media (“Santiago, Italia” “El pacto de Fuga”), the film is directed by Chilean filmmaking duo Camilo Becerra (“El último sacramento”) and Sofía Paloma Gómez (“Quiero morirme dentro de un tiburón”).
“We’re very happy to work with Storyboard Media again, this time in the company of Murillo Cine and Morocha Films, and excited to accompany the film’s international journey,” Julia Meik of Meikincine told Variety. “It’s important for us to be able to bring this very strong story, inspired by a brutal real case, to audiences around the world. The dynamics of family ties, especially those of women, take on great relevance,” she added.
“It’s a film with international commercial potential, with masterful direction and stellar performances in addition to an outstanding level of production,” she added. Struck between Meikincine’s Lucia and Julia Meik and Storyboard’s Gabriela Sandoval and Carlos Núñez, the deal promises to be a fruitful venture for all.
“We’re very happy about this important agreement with Meikincine, since they’re one of the most important boutique sales agencies in Latin America. We’ve worked together before with excellent results,” Núñez stated.
EXCLUSIVE: Nacelle, the Burbank-based production and distribution company behind The Toys and Movies That Made Us, Behind the Attraction and Biker Mice From Mars, has brought on Hud Woodle to run the company’s International Sales Division.
Christopher Vourlias Beta Film has acquired international sales rights to the Greek drama series “The Beach,” a primetime sensation for Greek public broadcaster ERT, the Munich-based production and distribution powerhouse announced on the eve of Mipcom. The 24-part one hour series begins on an idyllic commune on the shores of Crete in 1969, where love and freedom intertwine, until a murder exposes the messy entanglements spurred on by the hippie residents.
Tom Sandoval has his eyes on someone new!
Naman Ramachandran The enduring popularity of the Asian LGBT and horror genres and the relationship with giant streamer Netflix were among the topics of discussion at a lively panel focusing on distribution at the Busan International Film Festival‘s Asian Contents and Film Market. “I hate the fact that all the producers want to work with Netflix, it is also killing international sales as well. Because if all the big titles go to Netflix, it leaves very little room for independent distributors,” said Chen Shao-Yi, general manager at Screenworks Asia.
Jessica Kiang Rather than horns, they look like tiny black catkins clinging to the grains on swaying stalks of rye. These little clusters — actually a fungus known as ergot — are a disease that affects the ovaries of their host plants, but can be made into an infusion that induces abortion in women.
Anna Marie de la Fuente Chile’s Storyboard Media is making its first foray into series production by joining forces with Chilean actor-producer Pablo Díaz del Rio of Rios Estudio and Argentina’s Juan Pablo Gugliota of MagmaCine to co-produce a historical fiction series, “Habitación 205” (“Box 205”). The deal with MagmaCine was closed during the Madrid forum Iberseries & Platino Industria on Oct.
The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.
Jessica Kiang A predictably spectacular sunset spreads streaks of pink and orange across a northern Spanish late September sky, heralding the end of another packed edition of the San Sebastian Film Festival, where at the closing gala, “The Rye Horn” the second feature from Spanish director Jaione Camborda has just been handed the Golden Shell, the festival’s top award. It is perhaps a surprising win, but does now mark the fourth consecutive year that the festival’s most prestigious prize has gone to a female director. But in another way it has to be a first: the international jury, comprising French director Claire Denis, alongside Chinese actor and producer Fan Bingbing, Colombian producer-director Cristina Gallego, French photographer Brigitte Lacombe, Spanish actor Vicky Luengo, Canadian producer and distributor Robert Lantos and German director Christian Petzold, has chosen to award not just a Spanish film, but one from a director who was born right here in San Sebastián.
It’s Friday, aka Insider Day. Jesse Whittock back again to run you through the international film and TV stories dominating the headlines this week.
Anna Marie de la Fuente Italy’s Roberto Stabile, head of special projects, Directorate General for Cinema and Audiovisual-Ministry of Culture at Cinecittà, breezed through the San Sebastian Film Festival on Tuesday to tout Italy’s drive to amp up the distribution of Italian movies around the world. In a brief presentation at the city’s Museo de San Telmo, he held forth about the plan to increase the presence of Italian audiovisual content not only in cinemas, but also on streaming platforms, online distribution and television, among others.
the end of the Writers Guild of America’s 148 day strike. That set the tone of proceedings at the two-day confab and maybe added a slightly larger sense of forward momentum to the central issue at stake: a State of the Union take on the challenges and opportunities for the U.S and global film industry, from a market and producers’ perspective. Multiple audience members, many from Spain and Europe, commented on their delight at the caliber of panelists and attendees, many at the top of their game.
Jessica Chastain is making a glamorous arrival at the 2023 San Sebastian Film Festival.
Isabel Coixet recounts that she vowed to never to do another literary adaptation after her 2017 English-language feature The Bookshop based on Penelope Fitzgerald’s critically acclaimed 1978 novel of the same name.
Amblin Partners Production of President Jeb Brody welcomed the tentative writers’ strike deal during an industry panel at the San Sebastian Film Festival on Tuesday but warned that some of the issues that sparked the industrial action in the first place were still swashing around.
Holly Jones Frenetic and high-flying ‘90s rock emblem Mauricio Aznar trades his position as enigmatic frontman of Zaragoza’s Más Birras for a journey towards the soul of his craft in Spanish writer-director Javier Macipe’s highly-anticipated second feature, “The Blue Star” (“La Estrella Azul”) saw its world premiere in the New Directors strand of the San Sebastian Film Festival on Monday. Macipe’s (“Los inconvenientes de no ser dios”) short efforts, 2014 release “Children of the River” and 2019’s “Gastos incluídos,” earned Spanish Academy Goya nominations, placing him among Variety’s 10 Spanish talents to track in 2021.
Holly Jones Incendiary Spanish director Isabel Coixet (“The Secret Life of Words”) heads to San Sebastian for the international premiere of her latest drama “Un Amor,” a take on devouring love starring Laia Costa (“Lullaby”) and Hovik Keuchkerian (“Money Heist”) that sets Coixet up to compete on the festival’s main stage for the first time. “Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).
Anna Marie de la Fuente Not long after the Miami episode of Netflix’s hit show “’Street Food: USA” dropped, its Emmy-nominated director Mariano Carranza received an Instagram message. It was from Gastón Acurio, Peru’s preeminent chef-restaurateur of Astrid & Gastón fame, but Carranza thought it was a prank.
Anna Marie de la Fuente Spain’s Onza Distribution, with offices in Madrid and Miami, has seized international rights to mini-series “Allende, the Thousand Days,” released this year to mark the 50th anniversary of the death of Chile’s first socialist president, Salvador Allende, and sadly, the military coup that kickstarted general Augusto Pinochet’s brutal regime. Lead produced by Chile’s Parox (“Invisible Heroes,” “The Substitute”), in collaboration with Mediterraneo Media Entertainment, Aleph Media, 1010 Mente Colectiva and HD Argentina, the mini-series premiered Sept.
Callum McLennan Latido Films is venturing yet more into the inspiring world of e-sports and viral fame with Goya Award winning producer-helmer Alvaro Longoria’s new doc-feature, “La vida de Brianeitor.” The film serves as a spin-off from Javier Fesser’s Spanish box office smash hit, “Championext,” which Latido is also selling. The doc follows Brian Albacete, better known as Brianeitor2022. With millions of social media followers, an acting role in a top-charting Spanish film “Championext” and a spot on Team Heretics—one of Spain’s leading e-sport entities—Brian is redefining what it means to be a star.
Noah Pritzker’s bittersweet father and sons tale Ex-Husbands (aka Men Of Divorce) world premieres in Competition at the San Sebastian Film Festival on Sunday as one of the few U.S. productions to be accompanied by its cast this year thanks to its SAG-AFTRA interim agreement.