San Sebastian Film Festival Stands By Selection Of Film Featuring Interview With Former ETA Terror Org Leader Josu Urrutikoetxea

The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.

Anna Marie de la Fuente Italy’s Roberto Stabile, head of special projects, Directorate General for Cinema and Audiovisual-Ministry of Culture at Cinecittà, breezed through the San Sebastian Film Festival on Tuesday to tout Italy’s drive to amp up the distribution of Italian movies around the world. In a brief presentation at the city’s Museo de San Telmo, he held forth about the plan to increase the presence of Italian audiovisual content not only in cinemas, but also on streaming platforms, online distribution and television, among others.

Jessica Chastain is making a glamorous arrival at the 2023 San Sebastian Film Festival.

Holly Jones As it plays in competition at San Sebastian’s Works In Progress Latam strand, Buenos Aires-based sales agency Meikincine has swooped on international sales rights for mother-daughter relationship drama “Maybe It’s True What They Say About Us” (“Quizás Es Cierto Lo Que Dicen De Nosotras”). Produced by Storyboard Media (“Santiago, Italia” “El pacto de Fuga”), the film is directed by Chilean filmmaking duo Camilo Becerra (“El último sacramento”) and Sofía Paloma Gómez (“Quiero morirme dentro de un tiburón”).

There’s nothing like New York in the Fall— crisper air, pumpkin spice lattes, Cityside Pumpkin patch, the leaves changing in Central Park, and the New York Film Festival. What could be better? The 61st annual New York Film Festival kicks off in a few days, and there is a lot to look forward to.

There’s nothing like New York in the Fall— crisper air, pumpkin spice lattes, Cityside Pumpkin patch, the leaves changing in Central Park, and the New York Film Festival. What could be better? The 61st annual New York Film Festival kicks off in a few days, and there is a lot to look forward to.

Isabel Coixet recounts that she vowed to never to do another literary adaptation after her 2017 English-language feature The Bookshop based on Penelope Fitzgerald’s critically acclaimed 1978 novel of the same name.

Nick Vivarelli International Correspondent The Montpellier Mediterranean Film Festival’s Cinemed industry section has teamed up with Beirut-based cultural nonprofit Aflamuna on a new initiative, under which 10 film and doc projects from a wide range of Arab countries will soon be unveiled to prospective partners. The new program, called Cinemed and Aflamuna Professional Encounters, features 10 Arab works in development that reflect a slew of themes relevant to the region, including political turbulence, societal changes, female empowerment and climate change concerns.

Amblin Partners Production of President Jeb Brody welcomed the tentative writers’ strike deal during an industry panel at the San Sebastian Film Festival on Tuesday but warned that some of the issues that sparked the industrial action in the first place were still swashing around.  

Holly Jones Frenetic and high-flying ‘90s rock emblem Mauricio Aznar trades his position as enigmatic frontman of Zaragoza’s Más Birras for a journey towards the soul of his craft in Spanish writer-director Javier Macipe’s highly-anticipated second feature, “The Blue Star” (“La Estrella Azul”) saw its world premiere in the New Directors strand of the San Sebastian Film Festival on Monday. Macipe’s (“Los inconvenientes de no ser dios”) short efforts, 2014 release “Children of the River” and 2019’s “Gastos incluídos,” earned Spanish Academy Goya nominations, placing him among Variety’s 10 Spanish talents to track in 2021.

Holly Jones Incendiary Spanish director Isabel Coixet (“The Secret Life of Words”) heads to San Sebastian for the international premiere of her latest drama “Un Amor,” a take on devouring love starring Laia Costa (“Lullaby”) and Hovik Keuchkerian (“Money Heist”) that sets Coixet up to compete on the festival’s main stage for the first time. “Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).

Anna Marie de la Fuente Not long after the Miami episode of Netflix’s hit show “’Street Food: USA” dropped, its Emmy-nominated director Mariano Carranza received an Instagram message. It was from Gastón Acurio, Peru’s preeminent chef-restaurateur of Astrid & Gastón fame, but Carranza thought it was a prank.

Callum McLennan Latido Films is venturing yet more into the inspiring world of e-sports and viral fame with Goya Award winning producer-helmer Alvaro Longoria’s new doc-feature, “La vida de Brianeitor.” The film serves as a spin-off from Javier Fesser’s Spanish box office smash hit, “Championext,” which Latido is also selling. The doc follows Brian Albacete, better known as Brianeitor2022. With millions of social media followers, an acting role in a top-charting Spanish film “Championext” and a spot on Team Heretics—one of Spain’s leading e-sport entities—Brian is redefining what it means to be a star.

Noah Pritzker’s bittersweet father and sons tale Ex-Husbands (aka Men Of Divorce) world premieres in Competition at the San Sebastian Film Festival on Sunday as one of the few U.S. productions to be accompanied by its cast this year thanks to its SAG-AFTRA interim agreement.

LatAmCinema.com. Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse and fantasy in “Mi Bestia”; the true-life horror of “Maybe It’s True What They Say About Us”; the sense of surreal in Colombia’s “Jungle.” As LatAmCinema.com notes, multiple titles are co-productions, a fact martín hazards, could be for the reduction in moneys from Argentina’s INCAA film institute, with Argentine titles dominating in the selection. This year, of the total six films at WIP Latam, four come from Argentina, one from Chile and one from Colombia.

John Hopewell Chief International Correspondent Spain’s 71st San Sebastian Film Festival is tracking to welcome an even larger industry presence than 2022, currently up 10% in attendance on 2022’s already bullish figures, its status as the biggest movie event in the Spanish-speaking world remaining undiminished. Here are 10 key takes on potential highlights and trends which look likely to shape this year’s edition, running Sept.

Leo Barraclough International Features Editor European pay TV platform Sky has released the trailer for Sky Original film “Dance First,” ahead of its world premiere at San Sebastian Film Festival on Sept. 30. The film is directed by BAFTA and Academy Award winner James Marsh (“The Theory of Everything”) and written by BAFTA winner Neil Forsyth (“Guilt”).

Callum McLennan A San Sebastian competition contender, Isabel Herguera’s awaited debut feature film, animated feature “Sultana’s Dream,” (“El sueño de la sultana”), has a first trailer, which Variety can share exclusively. Seen at Annecy as a work in progress, the feminist film will world premiere at Spain’s 71st San Sebastian, becoming the first animation feature directed by a woman to garner selection. Producers of “Unicorn Wars” Abano Producións and UniKo, join El Gatoverde Producciones, Sultana Films and Fabian & Fred, to bring this three-part animated feature, recounting the modern-day vicissitudes of a Spanish artist in India; the travails of real-life feminist thinker Rokeya Hossain; and the story she published remarkably as early as 1905 about Ladyland, where women hold the dominant power.

A first-time filmmaker has claimed the top prize at the 19th Annual Camden Film Festival in Maine, one of the country’s foremost all-documentary festivals.

Watching Mountains, which just made its international debut as part of the Toronto Film Festival’s Centerpiece program, I could not help but think of two other landmark films it seems to recall in its own way. One was 2019’s The Last Black Man In San Francisco, a remarkable story of gentrification and its effect on those being edged out of their home that starred Jimmie Falls and launched the career of Jonathan Majors. The other was the 1960 film version of Lorraine Hansberry’s oft-performed A Raisin In The Sun in which Sidney Poitier as Walter Lee Younger played a struggling husband, son, and father with a dream for a new house and a better life for his family.