‘Ruby Gillman, Teenage Kraken’ Review: DreamWorks Wrestles With How to Train Its Kraken Concept

Madelaine Petsch has experienced a multitude of emotions about saying goodbye to Riverdale, telling Us Weekly exclusively that she’s thrilled about Cheryl Blossom’s ending and excited about her own future.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

Warning: This post contains plot spoilers from “Ruby Gillman: Teenage Kraken.”Lana Condor, who voices the lead in “Ruby Gillman: Teenage Kraken,” finds Dreamworks’ first female title character very relatable.Ruby lives in Oceanside with her family, who disguise their secret Kraken identities by claiming they moved from Canada. Unaware of her Kraken lineage, she worries more about typical teenage things like the boy she has a crush on, Connor (Jaboukie Young-White) and the upcoming prom that she wants to attend with her friends.“I’ve always wanted to work with DreamWorks. I think like so.

Starting today, Paramount+ is the new streaming home of Showtime, the latest in a string of moves at major media companies looking to integrate their offerings to boost engagement and reduce churn.

Cynthia Littleton Business Editor Go big and go broad – that is Paramount Global’s strategy as it formally raises the curtain Tuesday on the Paramount+ With Showtime premium tier on the company’s primary streaming platform. Paramount+ will begin offering its new top tier of service that now encompasses Showtime’s large library of content for $11.99 per month. That’s up $2 from the previous top-end Paramount+ package. But it’s less than the cost to consumers today for both services, even with Paramount’s previous discounts for those who subscribed to both services. The company’s ad-supported Paramount+ Essential Plan (without Showtime) is going up from $4.99 to $5.99 per month.

Murtada Elfadl From the pre-credits screen that implores audiences, “This film should be played loud bitch,” “John Early: Now More Than Ever” announces itself as a very gay show. The comedian’s most comfortable and funniest speciality is using gay vernacular mockingly. At just over an hour in length, his first HBO special is a fleeting and sharp dissection of how Early’s “generation” behaves or misbehaves, particularly online. Known for his pairing as a writer with comedian Kate Berlant and for his role in TV’s “Search Party,” Early has amassed a devoted following without achieving mainstream stardom … yet, at least. He should have broken out as an actor. His small but memorable part as the best friend of the lead character in the 2016 movie “Other People” hinted at a casual and comfortable presence on screen. The role ought to have led to more parts toeing the line between comedy and drama. Now, in a project more reflective of his stand-up persona, Early shows a confrontational and restlessly physical presence. Whether singing covers of artists such as Britney Spears or telling jokes, making faces, pointing and dancing, the comic holds our attention.

A teenager trapped on the missing Titanic submarine is a student at Strathclyde University in Glasgow.

Charlie Puth is not holding back.

Marta Balaga DreamWorks Animation is committing to “subverting the hero’s journey,” said president Margie Cohn at Annecy, introducing “Ruby Gillman, Teenage Kraken” and “Orion and the Dark.” One of the big U.S. world premieres at Annecy, the world’s biggest animation festival, “Ruby Gillman, Teenage Kraken” featured at a DreamWorks Animation studio focus at Annecy, the world’s biggest animation festival. “DreamWorks has a long tradition of taking an unlikely hero, like a chubby panda or an ogre with a heart of gold, and subverting your expectations. We will take what you think might be an evil sea monster and convince you she is actually the hero,” “Ruby Gillman” producer, Kelly Cooney Cilella, added.

Molly-Mae Hague has revealed she does want a second child ‘some day’ - but admitted she has found caring for a baby harder than she expected. The Love Island star, 24, and boxer boyfriend Tommy Fury, also 24, welcomed daughter Bambi in January and Molly-Mae has been documenting her motherhood journey on her social media accounts. On Tuesday evening, she invited her 7.5 million Instagram followers to join her for a Q&A, writing: “Bambi is down for the night, let's catch up.” One fan asked her: “Are there plans for a little Bambi sister or brother soon?!” Molly-Mae replied: “Definitely not for a good while.” She added: “'Some day I'll be ready, but it's not unknown that I have found it harder than I expected to (even though I'm doing so much better now).

“Succession” may be over, but there’s another show still on HBO about a wealthy patriarch with three meddlesome children that seems only to be growing in popularity. And this one shows no signs of ending soon.

Christopher Vourlias A tiger on the loose terrorizing the inhabitants of an unnamed city becomes the launching pad for a meditation on love, loss and grief in Romanian filmmaker Andrei Tănase’s feature debut, “Day of the Tiger.” The film, which had its world premiere in the Bright Future strand at the Intl. Film Festival Rotterdam, plays this week at the Transilvania Film Festival. The movie follows Vera (Cătălina Moga), a rundown and emotionally drained veterinarian grappling with some unknown grief as she plods through her daily routine at the zoo. She’s suddenly shaken by the arrival of a tiger that was being kept as a pet by a local gangster, awakening her long-dormant nurturing instincts.

UPDATE: The judge who will oversee Donald Trump’s arraignment on Tuesday says that cameras are a no-no in the courtroom and the courthouse.

Programs from Elliot Page’s production company and the team behind comedy Letterkenny are among Paramount+’s latest Canadian slate.

EXCLUSIVE: Ruby Gillman, Teenage Kraken has a lot going for her.

Elsa Keslassy International Correspondent Temtem, the popular multiplayer creature-collection game, is set for a series adaptation with Josh Hamilton (“Avatar: The Last Airbender”) on board as showrunner. Somewhere Animation, which is part of Mediawan Kids & Family company, and the L.A.-based banner Marla Studios have teamed up to produce a comedy-adventure series based on the game. The Japanese-style game, often compared with Pokémon, was developed by the Spanish studio Crema and released in 2020. It’s set on the Airborne Archipelago, six colorful and diverse islands, where humans live alongside feathery creatures called Temtem.

John Hopewell Chief International Correspondent ANNECY — Opening under the pall of Thursday’s knife attack, – which prompted a spirited show of solidarity and communal defiance at its opening ceremony on Sunday – this year’s Annecy Intl. Animation Film Festival has never been bigger. Creativity is exploding, from “Spider-Verse” and beyond.  Animation is flowering in India and Africa.  Yet studio work, much courtesy of streamer orders, may rebound, but never return to the halcyon levels of the last few years. Theatrical for most animation titles has yet to return, moreover – save for extraordinary mega-blockbusters such as “Across the Spider-Verse” and “The Super Mario Bros. Movie.” 10 takes on this year’s Annecy, the biggest animation festival on the world:  

Peter Debruge Chief Film Critic During his lifetime, Rock Hudson was a model for American masculinity. That changed after his death, when the strapping, straight-acting (but occasionally sensitive) hunk from Winnetka became the poster boy for Hollywood homophobia: a closeted star who’d been forced to play a role his entire career that wasn’t true to himself, on screen and off. “Rock Hudson: All That Heaven Allowed” treats that compromise as a tragedy, leaning on the fact Hudson died of AIDS to underscore the injustice, but Stephen Kijak’s documentary does him a disservice, reducing Hudson’s career — in exactly the way he went so far out of his way to avoid — to the dimension of his sexuality. Built around interviews with a handful of former lovers and friends, Kijak spills private details from Hudson’s personal life, ranging from whom he shagged to how he arranged such trysts in the first place. A secretly recorded phone call reveals Hudson to be a “size queen,” audibly excited by the prospect of meeting a tall, well-endowed stranger. The whopper — which underscores the kind of salacious gossip Kijak gravitates toward in the film — comes from Joe Carberry, who recalls, “Rock had a sizable dick, but he tried to put that thing up my ass, and I couldn’t do it.”

Carole Horst DreamWorks Animation brings three features to Annecy, and screens the world premiere of “Ruby Gillman, Teenage Kraken,” with director Kirk DeMicco, producer Kelly Cooney Cilella and co-director Faryn Pearl in attendance, on June 15 at the festival. The animated adventure opens June 30 in the U.S. and features an all-star cast of Lana Condor, Toni Collette, Jaboukie Young-White, Jane Fonda, Sam Richardson, Annie Murphy, Colman Domingo and Will Forte. “Ruby Gillman, Teenage Kraken” follows the the shy teenager Ruby, who discovers that she’s part of a legendary royal lineage of mythical sea krakens and that her destiny, in the depths of the oceans, is bigger than she ever dreamed.

Religion of Sports and Showtime Sports are teaming up on “Goliath,” a new three-part docuseries examining the life, career and impact of basketball icon Wilt Chamberlain from his emergence on the national scene as a high schooler in the 1950s through his death in 1999.“We are honored to team up with this group of talented filmmakers to bring the under-examined story of Wilt Chamberlain’s complex life to the masses,” Showtime Sports president Stephen Espinoza said in a statement. “Everybody knows Wilt for his legendary accomplishments on the basketball court — scoring 100 points in a game, averaging 50 points and 25 rebounds in a season — but there’s so much more to him than his stats.