Ruben Östlund Says His Next “Air Rage” Film Stars Woody Harrelson & Is Called, ‘The Entertainment System Is Down’

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NEON earned bragging rights tonight with the third consecutive Palme d’Or Cannes winner in a row, that being Ruben Östlund’s satirical comedy Triangle of Sadness, which was a huge crowd pleaser during the fest.

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Neon has acquired North American rights to Ruben Östlund’s buzzy satire, Triangle of Sadness, following its world premiere in competition at the Cannes Film Festival.

Elsa Keslassy International CorrespondentAfter winning the Palme d’Or with “The Square,” Ruben Östlund has shocked Cannes audiences again with “Triangle of Sadness,” an equally provocative social satire starring Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super-rich. “Triangle of Sadness” is so far the most buzzed-about movie in competition and a domestic deal believed to be in the $8 million arena is currently being negotiated. Östlund spoke to Variety about his original way of developing scripts and casting, and the sociological aspects of both “Triangle of Sadness” and his next project “The Entertainment System Is Down,” which he said will star Harrelson as the “captain of an airplane.”It’s now 2 hours and 22 minutes.

Clayton Davis The best movie involving a boat since “Titanic” with the best vomiting sequence since “Team America: World Police,”  Ruben Östlund’s “Triangle of Sadness” is an energetic and wacky examination of class, gender norms and culture, woven into a dynamite script. After debuting at Cannes, Östlund’s English-language debut will finally introduce the Swedish writer and director to more mainstream American audiences, and possibly even Oscar voters.The film tells the story of Carl (Harris Dickenson) and Yaya (Charlbi Dean), two fashion models and a celebrity couple who in three narrative chapters explore their roles in each other’s lives — following a dinner date, a luxury cruise and a shocking x-factor that presents an interesting turn of events.

CANNES, France -- Fashion models, Instagram influencers and Russian oligarchs collide on a yacht — and some very extreme sickness ensues — in Ruben Östlund's “Triangle of Sadness,” a social satire that had viewers at the Cannes Film Festival in hysterics.The Swedish filmmaker's latest, co-starring Woody Harrelson as a Marxist boat captain, has made one of the biggest splashes at this year's festival. At its premiere Saturday evening, there were such waves of laughter and applause that Östlund on Sunday compared it to a crowd at a soccer match.Östlund has already found an international audience for movies that take an uproarious, uncomfortable aim at money, masculinity and other big social targets in films like the Alpine marital drama “Force Majeure” (remade as “Downhill,” with Julia Louis Dreyfus and Will Ferrell) and the art-world satire “The Square,” which won the Palme d'Or top prize at Cannes in 2017.But in his first English-language film, and with a budget twice that of “The Square,” Östlund wanted to go even further with his particular brand of “rollercoaster for adults” cinema.“I wanted to do something that’s worth leaving your home and leaving your screens, leaving the streaming services you have at home,” Östlund said ahead of the film's premiere.

Annika Pham Half a dozen Sweden pics and co-prods are set to storm the Croisette, flagships of the solid public support system in place, and fully or partly shot in a foreign language. Headlining the slate are the completion entries “Triangle of Sadness” by former winner Ruben Östlund (“The Square”), shot in the English language, and the Arabic-speaking thriller “Boy From Heaven” by Tarik Saleh (“The Nile Hilton Incident”), set in Cairo.

Rolling applause, and lots of it, greeted Ruben Östlund and the cast of Triangle Of Sadness as they entered the Cannes press conference this morning.

Elsa Keslassy International CorrespondentWoody Harrelson will reteam with “Triangle of Sadness” director Ruben Östlund for his next film “The Entertainment System is Down.” The Oscar-nominee broke the news during the press conference for “Triangle of Sadness” at Cannes on Monday, the morning after the movie world premiered in competition.In “Triangle of Sadness,” Harrelson plays a rabid Marxist who is the captain of a cruise for the super-rich. The yacht sinks, leaving survivors, including a fashion model celebrity couple, marooned on an island.

After his 2017 art-world satire “The Square” scored the Palme d’Or at Cannes, Swedish provocateur Ruben Östlund swaggers back to competition with “Triangle of Sadness,” a mixed-bag of social commentary and gross-out comedy that could only come from a filmmaker with a secured reputation and zero f—s to give. Taking aim at the 1% and shouting “Eat the rich!” with the anger of a sea storm and the subtlety of an exploding toilet, the film is both over-long and under-stuffed, but it nevertheless left Cannes’ notoriously tough crowd doubled over in laughter.Running just under two-and-a-half hours and split up into three chapters, the film lifts as much from Noam Chomsky as from John Waters as it hoses down beauty standards and luxury culture with gallons of projectile vomit.

Woody Harrelson‘s new movie Triangle of Sadness, which is billed as a social satire, got a warm reception during its premiere at the 2022 Cannes Film Festival.

Zack Sharf SPOILER ALERT: Minor plot points for Ruben Östlund’s “Triangle of Sadness” are discussed below.Cannes attendees waiting for David Cronenberg’s “Crimes of the Future” to give the festival a stomach-churning shock got an electrifying surprise with the world premiere of Ruben Östlund’s latest social satire, “Triangle of Sadness.” The movie earned an uproarious eight-minute standing ovation after a lively screening that found the audience at Cannes’ Palais theater shrieking in horror and delight.“Triangle of Sadness” stars “Beach Rats” and “The Kingsman” actor Harris Dickinson as an aspiring model who gets the chance to vacation aboard a luxury yacht after his influencer girlfriend wins them a free trip. Woody Harrelson plays the yacht’s alcoholic captain.

It’s one of modern life’s most beguiling paradoxes that social media influencers are, of course, the scum of the earth, and yet the pop culture skewering them always plays so uncharitably that a viewer feels compelled to defend the indefensible. Ruben Östlund comes out swinging against Instagrammers in the first third of his new film “Triangle of Sadness,” which joins a pair of logged-on models after a casting-call prologue introducing us to the chiseled Carl (Harris Dickinson, cementing his place in the next generation of movie stars).

The titular Triangle Of Sadness in previous Palme D’Or winner Ruben Ostlund’s current Cannes competition entry, we’re told, is the small space between the eyebrows and the bridge of the nose where nasty, aging lines register an accumulation of inconvenient emotions that, quite frankly, don’t sell a suit on the catwalk. “Do you think he needs Botox?,” mutters a model casting agent as Carl (Harris Dickinson) — who, being on the wrong side of 20, should worry — struts his stuff. He will soon find himself at a fashion show where a huge neon screen announces “Everyone is equal!” That’s nonsense, obviously. Carl can’t even find a seat.