‘Rock Hudson: All That Heaven Allowed’ Shines a Light On The Secret Life Of A Hollywood Icon [Tribeca]

Kelly Clarkson unpacks her divorce from Brandon Blackstock on her new album Chemistry. In the process, she compares him to an Old Hollywood star with a tragic history.

Kate Aurthur editor SPOILER ALERT: This interview contains spoilers from the first two episodes of Season 2 of “And Just Like That,” now streaming on Max. When it came to making the second season of “And Just Like That” — Max’s popular revival of HBO’s iconic “Sex and the City” — showrunner Michael Patrick King found that he simply couldn’t fit what he and the writers had planned into the standard 10-episode season Max was expecting. After all, “Sex and the City” stars Sarah Jessica Parker (Carrie), Cynthia Nixon (Miranda) and Charlotte (Kristin Davis) had been joined by four new main characters, played by Nicole Ari Parker (Lisa Todd Wexley), Karen Pittman (Nya), Sara Ramírez (Che Diaz) and Sarita Choudhury (Seema). King knew he wanted to build on those characters, and integrate them more deeply into the story in order to smooth some of the bumpiness of Season 1.

A trans man has to navigate the complexities of gender transition treatment while also chronicling the Afghani Taliban in Monica Villamizar and Jordan Bryon’s intensely personal and political “Transition.” Despite its relatively straightforward title, this documentary, which premiered at Tribeca, is a staggering work that, somehow, manages to contextualize not only Bryon’s personal transition but also juxtapose that life against the deeply segregated Taliban fighters that he is chronicling for The New York Times.

on her blockbuster Eras Tour, then blame it on the Boss.According to no less than Paul McCartney, Bruce Springsteen is responsible for this concert season’s trend of marathon shows — stretching three hours and beyond — put on by everyone from Swift and Beyoncé to the “Born to Run” rocker himself.“I blame Bruce Springsteen,” McCartney, 80, joked about the New Jersey legend’s famously epic-length concerts, during a talk with Conan O’Brien at NYC’s Tribeca Performing Arts Center on Thursday night. “I told him so.

said.“[John] had a really tragic life,” he continued. “As a kid, his mother was decreed to not be good enough to bring him up…His father had left the home when John was 3.

Paul McCartney sat down with Conan O'Brien for a podcast recording of. And while looking at old photos of himself and his former Beatles bandmates, McCartney opened up about the late John Lennon, explaining why he looked so vulnerable in one of the images on display. "[John] had a really tragic life," McCartney said.

On paper, there’s a lot to like about “Bad Things.” The premise is intriguing and creepy. The cast is full of quality actors.

The prospect of retirement is something anyone may find themselves facing down at some point, regardless of your chosen career or pastime. Within the world of professional sports, it’s an inevitable end that reaches every athlete oftentimes sooner than one might desire, with factors chief among them being age and the subsequent deterioration of skills that may result.  As a player reaches a time anywhere from their late-20s to early-40s, the moment of realization where that door starts to close can be met with either gradual acceptance or stubborn defiance, but make no mistake, it comes for everyone, and it’s up to the person at the center to decide what happens next.

A compelling introduction to the cultural history of the Jamaican musical genre dancehall, Ben DiGiacomo and Dutty Vannier’s “Bad Like Brooklyn Dancehall” sheds light on what one interviewee calls the associated “attitude, culture, and lifestyle” that crops up around dancehall music. Produced by Shaggy, one of the most notable names to push the genre into popular culture, ‘Bad Like Brooklyn’ may seem paint-by-numbers in its formal approach to introducing and dissecting a cultural movement — there are a lot of talking heads, archival footage, etc.

A great movie comedy is something of a miracle, a combination of circumstances, personnel, and timing that would seem impossible to replicate, even under the most ideal circumstances.

Cyndi Lauper’s debut solo single, “Girls Just Want to Have Fun,” was flopping so badly that her record company had given up on it.But the singer and her then-manager and boyfriend, David Wolff, still believed in what would become her signature song. Given only two weeks to make the single a hit, Wolff came up with the idea for her to partner with wrestling legend Captain Lou Albano — who played Lauper’s father in the “Girls” video — to promote her music via the World Wrestling Federation, the precursor to today’s World Wrestling Enterprises.

Kids – er, teens – say the darnedest things. During a weekend excursion back to visit his family, the newly separated Nicky (Luke Evans) gets a bit of tough love from his nephew.

Paul McCartney “Got Back” again.The 80-year-old Rock and Roll Hall of Famer is headed to New York City’s Tribeca Performing Arts Center on Thursday, June 15 at 6 p.m. for a conversation with Conan O’Brien.At the one night only event, the pair will discuss McCartney’s new “1964: Eyes of the Storm” about McCartney’s rediscovered photos from the height of Beatlemania as part of the Tribeca Film Festival’s Storytellers Series.And if you want to pick up last-minute tickets to see the Beatle live in the Big Apple, we’re here to let you know you still can.General admission tickets start at $254 before fees on Vivid Seats at the time of publication.Will Paul bust out his guitar and sing “Hey Jude” with Conan? What do the two have in store?All we know is the best way to find out is live.Want to go to the show?Here’s everything you need to know and more.All prices listed above are subject to inflation.As mentioned earlier, the lowest price on general admission tickets is $254 before fees on Vivid Seats.After that, there is a significant price hike — the next cheapest tickets start at a whopping $732 before fees.Therefore, if you see tickets available at a lower price — strike while the iron is hot.

How do you tell the story of a life? That’s a question many of the characters in “Bucky F*cking Dent” poise aloud, a little too aware of their construction. It’s a question its star David Duchovny should have asked himself behind the camera, too.

Sometimes, a company logo in the opening credits says it all. Redbox Entertainment – yes, they of the DVD kiosks that still exist – helped produce “Maggie Moore(s).” It’s easy to see why they would want a part of the film: stick the distinctive mugs of stars Jon Hamm and Tina Fey on a tile, and it’s bound to pick up some curious viewers who assume the presence of the “Mad Men” and “30 Rock” stars lend the project some prestige.

Some names, once viewed on a marquee or YouTube ad, tend to draw a specific audience ranging from real fans to, “Oh yes, that guy.“ I could put the Duplass brothers, Mark and Jay, into both of these categories, with a lengthy filmography largely encompassing projects their company Duplass Brothers Productions has spearheaded, such as 2010’s “Cyrus” and “Jeff, Who Lives at Home”; Mark, in particular, has emerged as the higher profile of the two, consistently delivering as an actor in diverse roles ranging from horror (“Creep”) to TV comedy (“The League”) offbeat humor (“Greenberg,” “Safety Not Guaranteed,” “Tully”) and more. “The Long Long Night,” another Mark Duplass vehicle, would likely fall into the latter category; originating from show creator/co-star Barret O’Brien, the six-episode series depicts the falling out between two former best friends, Pete (Duplass) and Carroll (O’Brien) and the night that kicked it off, told through black and white footage of said night in question as well as video messages the two send each other months later as they attempt to repair the damage done. Continue reading ‘The Long Long Night’: Simplicity & Complexity Somehow Propel The Unique Duplass Bros.

Gloria Gaynor is famous for belting out one of the most iconic survival anthems of all time — and she meant every word.Only months before recording her classic “I Will Survive” in 1978, the two-time Grammy winner had to overcome a devastating accident that occurred while she was onstage performing at NYC’s Beacon Theatre. “I fall backwards over a monitor onstage. I get back up, I finish with the show, went home, went to bed.

None of us were privy to the casting process for Alice Troughton’s “The Lesson,” but I sincerely hope, with my entire heart, that they opened a bottle of champagne after locking in Richard E. Grant.

The late Roger Ebert swore by the “Stanton-Walsh rule.” He claimed no film featuring character actors Harry Dean Stanton or M. Emmett Walsh could ever be entirely bad.

Peter Debruge Chief Film Critic During his lifetime, Rock Hudson was a model for American masculinity. That changed after his death, when the strapping, straight-acting (but occasionally sensitive) hunk from Winnetka became the poster boy for Hollywood homophobia: a closeted star who’d been forced to play a role his entire career that wasn’t true to himself, on screen and off. “Rock Hudson: All That Heaven Allowed” treats that compromise as a tragedy, leaning on the fact Hudson died of AIDS to underscore the injustice, but Stephen Kijak’s documentary does him a disservice, reducing Hudson’s career — in exactly the way he went so far out of his way to avoid — to the dimension of his sexuality. Built around interviews with a handful of former lovers and friends, Kijak spills private details from Hudson’s personal life, ranging from whom he shagged to how he arranged such trysts in the first place. A secretly recorded phone call reveals Hudson to be a “size queen,” audibly excited by the prospect of meeting a tall, well-endowed stranger. The whopper — which underscores the kind of salacious gossip Kijak gravitates toward in the film — comes from Joe Carberry, who recalls, “Rock had a sizable dick, but he tried to put that thing up my ass, and I couldn’t do it.”