‘Road House’ Review: Jake Gyllenhaal Takes Command in an Ultraviolent Retread That Makes Slumming Look Artful
09.03.2024 - 04:41
/ variety.com
Owen Gleiberman Chief Film Critic “Road House” is an infectiously stylish piece of slumming. It’s a remake of the 1989 Patrick Swayze cheeseball action cult film, and it’s staged with a verve and wit and dynamic grittiness that make the original film look even more rickety than it once did. Doug Liman, the director of the new “Road House,” has always been a gifted maverick, but I still like his earliest films (“Go,” “Swingers”) the best.
For years now, he has worked hard to make interesting and responsible dramas, but watching “Road House” you can taste how good it must have felt to him to be irresponsible — to give in to his inner savage B-movie id. The action in “Road House” is beyond brutal; at moments, it’s vicious. Yet if the movie is far more violent than your average action film, in its slightly crackpot bare-knuckle way it’s also more humane.
Liman stages the pulp for maximum realism (he wants you to believe what you’re seeing), and Jake Gyllenhaal, as a fallen Ultimate Fighting Championship brawler who gets hired to clean up a road house in Glass Key, Florida, gives a true performance. In “Road House,” Liman and Gyllenhaall bring the pain, but they also make you feel it. The original “Road House” was nominated for five Golden Rasberry Awards, and it probably deserved most of them, yet it was a modest hit, and it’s a potboiler that’s fondly remembered, because it’s the kind of trash you can relax into.
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